51 posts
“I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
Achillies playing the lyre for Patroclus for the 100th time and he never gets sick of it
i've come to realize there are only two kinds of tragedies: preventable and inevitable. preventable tragedies are the kind where everything could have maybe worked out if only. if only romeo had gotten the second letter. if only juliet had woken up earlier. if only creon had changed his mind about antigone sooner. if only orpheus hadn't turned around.
inevitable tragedies are the kind where everything was always going to end terribly. of course macbeth gets deposed, he murdered his way to the throne. of course oedipus goes mad, he married his own mother. of course achilles dies in the war, he had to fulfill the prophecy in order to avenge his lover.
both kinds have their merits. the first is more emotionally impactful, letting the audience cling to hope until the very end, when it's snatched away all at once leaving nothing but a void. the second is more thematically resonant, tracking an inherent fatal flaw in its hero to a natural and understandable conclusion, making it abundantly clear why everything has to happen the way it does.
on tragedy, fate, and inevitability.
oresteia, robert icke // theatre of the oppressed, augusto boal // song of achilles, madeline miller // the book thief, markus zusak // antigone, jean anouilh // revisiting mockingjay ahead of the hunger games prequel, entertainment weekly // romeo and juliet, shakespeare // h of h playbook, anne carson // war of the foxes, richard siken // the road to hell (reprise), hadestown // planet of love, richard siken // they both die at the end, adam silvera
When someone is...
Face/Body:
Avoidant/reduced eye contact
Drooping eyelids
Downcast eyes
Frowning
Raised inner ends of eyebrows
Dropped or furrowed eyebrows
Quivering lip/biting lip
Wrinkled nose
Voice:
Soft pitch
Low lone
Pauses/hesitant speech
Quiet/breathy
Slow speech
Voice cracks/breaking voice
Gestures/Posture:
Slouching/lowered head
Rigid/tense posture
Half formed/slow movement
Fidgeting or clasped hands
Sniffing or heavy swallows
Self soothing gestures (running hands over the arms, hand over heart, holding face in palms, etc)
Hey btw, if you're doing worldbuilding on something, and you're scared of writing ~unrealistic~ things into it out of fear that it'll sound lazy and ripped-out-of-your-ass, but you also don't want to do all the back-breaking research on coming up with depressingly boring, but practical and ~realistic~ solutions, have a rule:
Just give the thing two layers of explanation. One to explain the specific problem, and another one explaining the explanation. Have an example:
Plot hole 1: If the vampires can't stand daylight, why couldn't they just move around underground?
Solution 1: They can't go underground, the sewer system of the city is full of giant alligators who would eat them.
Well, that's a very quick and simple explanation, which sure opens up additional questions.
Plot hole 2: How and why the fuck are there alligators in the sewers? How do they survive, what do they eat down there when there's no vampires?
Solution 2: The nuns of the Underground Monastery feed and take care of them as a part of their sacred duties.
It takes exactly two layers to create an illusion that every question has an answer - that it's just turtles all the way down. And if you're lucky, you might even find that the second question's answer loops right back into the first one, filling up the plot hole entirely:
Plot hole 3: Who the fuck are the sewer nuns and what's their point and purpose?
Solution 3: The sewer nuns live underground in order to feed the alligators, in order to make sure that the vampires don't try to move around via the sewer system.
When you're just making things up, you don't need to have an answer for everything - just two layers is enough to create the illusion of infinite depth. Answer the question that looms behind the answer of the first question, and a normal reader won't bother to dig around for a 3rd question.
If u want to write a story about a character that's just you but hotter with a dark twisted backstory and magical powers and a pet falcon or something, I think u should just go ahead and do that. Who's gonna stop you? The government?? Fuck the police.
Creating a magical system is sooo hard 😭 Does anyone have any advice that can help me?
Sometimes you’re so concerned with the overarching concept of your story that you forget about the small stuff that makes your writing unique. So let’s use a bit of mindfulness and focus on the teeny tiny miniscule details for a mo, shall we? Let’s go MACRO, kids.
Because as tempting as it is to go for the BIG themes and HUGE life experiences and SIGNIFICANT moments and ALL THE DRAMA ALL THE TIME, good writing is really about the stuff we DON’T notice.
Observing the little things.
Taking note of the seemingly day to day stuff and bringing it into focus.
Highlighting the human.
Being mindful of everything you do, everything that’s going on around you.
And using it as writing-fodder.
So. Today (or not necessarily today – but a day when you’re able to try this exercise out) try keeping a little diary of observations. Keep a notebook to hand, or use a notes app on your phone, or send yourself a bunch of random little emails – whatever works for you.
Really tap into everything you do, no matter how mundane, and see if you can note down as many interesting observations as you can.
Observe all your little routines, tics, habits and foibles:
Do you always brush your teeth in the same way?
Do you have a silly little conversation with your dog when you let them out to pee in the morning?
Do you see the same yellow car pass by every day on your way to work?
Do you get antsy if someone else makes your coffee because they never get it the way you like it?
Pay attention to all those mindless tasks you do without thinking:
Look for patterns in the bubble bath
Listen for a beat in the thump of the washing machine
Catalogue the smells, sights and sounds of your commute
Separate out the steps of cooking your dinner
Map your emotions and physical senses throughout the day:
Did you wake up on the wrong side of the bed with a cracking headache? Can you describe the feeling?
When did you feel most chilled out?
Most stressed?
What made you laugh and what sound does your laugh make?
What was on your to-do list and how did you feel about it?
Remember: we’re not necessarily looking for Big Meaningful Truths here (though they may emerge). We’re simply making a series of mini observations, any of which could be transferred into your writing as little details that will bring an extra dose of realism to your work.
You may find that some sneaky bit of fundamental human truth will come sashaying in to turn the most innocuous observation into a great big metaphor, and that’s all well and good, but there’s no pressure to make connections, or consider the universe and what it is to be human.
Today, we simply observe. Take notes. Be mindful (ugh). Create a list of senses and moments and potential new ideas. Wallow in the bottomless sinkhole of human existence and the multitudinous amazing, mundane, varied, ridiculous, touching, scary, weird things all around us…
Taking a moment to be mindful and harvest little nuggets of life for your writing is a GREAT habit to get into. You don’t have to note EVERYTHING down, obviously – just get used to pausing, observing, and making note of all the little things that other people might skim over.
Because THAT’S what makes fiction so wonderful – seeing something tiny and innocuous but oh so familiar suddenly pop out of the page. It might be a gesture or a tone of voice or an object or a reaction or a sensory detail. It doesn’t matter how commonplace it may be.
The trick is to discover your own unique way of seeing the world and translating that into words. And like all writing, it takes practice. So start today. Keep an observation diary and see what you notice – and just how many details we miss on a regular basis.
Psst. More writing exercises over here...
Ten types of fuckery that stop you from writing the thing:
You think you're not good enough or everyone else is better than you and you're just winging it AKA ye olde imposter syndrome bullshit. Yeah nah you're fine. No really, you're exactly where you need to be right now, and you'll keep getting better and better so long as you don't stop. Chances are, if you're filled with doubt about your abilities it means you've actually improved to the point where you can really start to understand what makes good writing. It means you know where you wanna end up and goshdarn it you're gonna get there.
Read this: 4 tips to kick imposter syndrome in the face and also genitals
And also this: How to silence the inner critic
Yeah, us too. It fuckin sucks. BUT. Not all rejections are equal. And rejection is a necessary part of the process. Sometimes it takes a rejection to realise that a story isn't ready. Sometimes a rejection is entirely subjective and has ZERO reflection on the quality of your work. But shying away from the very idea of possibly maybe hypothetically getting rejected is only going to hold you back from even trying. And knowing why you got rejected and how to learn from it is one of the most valuable writing skills.
Read this: The different types of rejection (and how to deal with 'em)
Then read this: How to cope with rejection
And also this: Writing lessons from Groundhog Day
Leaping into a new story with nothing but a glimmer of an idea is exciting as heck (and can sometimes be a great way to begin) but at some point you're gonna need some sort of outline or plan to keep you on track. HOWEVER. Planning your story to within an inch of its life can also sometimes be a hindrance - leaving you stuck in the hypothetical stage of the process where your story doesn't quite exist yet (and therefore avoiding the prospect of it sucking). The sweet spot is in the middle. Having just enough of a plan to know where tf you're going, but enough freedom and flexibility to let the story lead the way...
Read this: Planning vs pantsing
Then read this: Five plotting techniques
And also this: The perils of overplanning
Sometimes things just fall flat. Sometimes you work on the same story for yeeeeears and then it just kinda... dies. Sometimes you have the best plans (see above) and the best intentions and things still don't work out. Sometimes it's just time to move on. And sometimes it's not! Sometimes a story can be revived, fixed or changed. Sometimes you just need time. Sometimes YOU'RE the one that's changed and this isn't the story you need to be writing right now. Many variables. Muchly personal. Read the things below for more advice cos this is a big question:
Read this: What to do when your WIP isn't working
And also this: Give it space - how to grow a story in your head
Or how about this? Editing 101
Ah the irony of writing being the thing you love/want to do most of all AND YET the thing you procrastinate over and avoid and shove to the very bottom of your to-do list all the freakin' time. Maybe it's the comodification of art destroying our freedom to create without pressure. Maybe it's late capitalism sucking up all our available time and energy. Maybe it's a lack of self-belief subconsciously telling us our 'little hobby' doesn't really matter. Maybe it's maybelline. Whatever it is, you have the power to reclaim and revalue your writing. To say, "I'm a fucking writer, goddamnit!" and mean it. To ringfence your creative time so nothing and nobody gets to interrupt it. To do that thing you love.
Read this: Prioritise your writing
Read this: How to write in 30 second bursts
You know that feeling when you're just getting stuck into a writing project and then — SQUIRREL! — you get distracted by another, better, more shiny writing project? Or maybe you're deep in the editing phase and your current WIP just isn't feeling very shiny at all and pretty much ANYTHING seems more exciting? Or you simply can't decide which of the many squirrelly writing ideas to actually start? You, fine writerperson, may be suffering from Shiny Thing Syndrome (STS). But fear not! There are a few ways to combat it, depending on the cause, and most of them involve embracing the squirrel-brain and injecting a bit of fun into your writing, like so:
Read this: Shiny thing syndrome - a writer's malady
Aaaand read this: Get excited about your writing again
And also this: Write like a kid
Look. Writing is scary as shit. What if someone READS it? What if they don't like it? What if they see into your soul and gain a deeper understanding of you through your words? Writing your truth, being vulnerable, smearing your heart juice all over the page? No thank you. But also, that's where the good shit is, so actually yes please. Just make sure you smear responsibly. And rest assured, even the most 'successful' and experienced writers ALSO feel like this sometimes, so you're in good company. It's just part of the art, bruh.
Read this: Why writing is scary (and why that's a good thing)
Read this: Beginning a story - what stops us starting?
And also this: Get out of your own way
Oh godddd the blank page. It should be an exciting palimseset of possibility but is somehow also the most terrifying thing known to humankind. You wanna write something but where to start? HOW to start? You type that first line and immediately delete it. You watch the cursor blinking at you—taunting you—until you just give up and shut your laptop again. It's probably tied up with a bunch of things we've already covered so far: perfectionism, imposter syndrome, fear of failure, maybe a lack of planning or faith in your story or whatever. But it doesn't have to be this way. A blank page IS exciting and full of possibility. We just have to get over ourselves and learn to embrace the unknown...
Read this: Don't fear the blank page
And also this: The moaning method
Dude, same x 1000. But you don't have to get up at 5am, do hot yoga, drink a kale smoothie and write a thousand words before sunrise to be a Proper Writer. You don't even have to write every day. But what you can do is hack your writing brain and figure out when, where, how, and why you write most effectively. Then tweak your schedule, your habits, and your attitude to ensure you're making the most of your time. Productivity is a big ol' lie but finding the secret to getting in your own personal writing zone is actual MAGIC.
Read this: Maximise your writing time
And also this: Get in the writing zone
And also unto this: The Writers' HQ Guide to Productivity
Got the writing morbs? In need of some literary sudafed? Stuck as a pig in a poke? Writing is a whole puzzle of a process—and to be honest that's what makes it so fun and exciting and addictive, because your writing brain is hardwired to both create AND solve the wordy puzzles within your story. Sometimes the answer is time. Sometimes it's a second opinion or a fresh eye. Sometimes a totally different approach or just a hefty kick up the bum. But whatever the problem, there IS a solution. You just gotta keep going and trust that you'll find it...
Read this: Troubleshoot your writing - why are you stuck?
And also this: Break through the writing blockage
And also also this: Write yourself into a pit (and then dig your way out again)
~~~~~~~~~~~~~~~
Alright, that's it for today. Now go write, you flithy animals.
(And if we missed anything, stick a question in our ask box or check out the rest of our shit here)
There are so many great Tumblr Blog stories here! But things are best when organized! Here you are! I’m going to use Tumblr Blaze in a couple weeks to spread this to everyone, but if all of you can reblog this to everyone you know, we can spread the joys of Tumblr to EVERYONE!
Credit to https://www.tumblr.com/dannnnnnnnnnnnex/700073427344736256/love-how-tumblr-has-its-own-folk-stories-yeah-the
The God of Arepo (graphic novel 1 / 2 / 3) (ebook)
The Monster of Sentan
The Witch’s Cat
Raise Both Children
Stabby the Roomba (honorable mention)
Cinderella Marries the Prince (comic)
My Arch Nemesis Cynthia
Pirates and Mermaid
Eindred and the Witch
The Demon King
The Cornerwitch
Grandmother Beetroot
Apocalypse Daycare Worker
Grandmother Accidentally Summons a Demon
New Year Saga
A Story About Changelings
Ranger in the King’s Forest
The Difference Between a Hare and a Rabbit
Goblin Men (Canines)
Faceblind Prince Charming and Cinderella
The human who died of radiation poisoning after repairing the spaceship
The defeat of the wizard who made people choose how they’d be to be executed
Doctors Without Borders
The Queen with Three Cursed Children
25. Tiny Dragon with one coin hoard
26. Haunted house
27. Shark hero was about to go rogue
28. Grandma lives in the woods comic
29. A Different Aftermath comic
30. Battery (microstory but I love it so much)
31. It’s A Date comic
32. Supervillian kidnaps rival’s kid and they want to stay
33. Narrative Town
34. I have been hired to clean the wizard tower comic
35. Robot Apocalypse
36. The Statues That Do Not Weather
37. Kushiel
38. Tooth Fairy
39. Alien abduction
40. Felonious wish-granting
41. When humans met actual space orcs
42. Space cousins
Well, now they’re categorized.
https://www.tumblr.com/inkvoices/700033965299531776/love-how-tumblr-has-its-own-folk-stories-yeah-the
https://www.tumblr.com/lightningladybug/699931426130444288/love-how-tumblr-has-its-own-folk-stories-yeah-the
https://www.tumblr.com/blitzlowin/699840636252225536/love-how-tumblr-has-its-own-folk-stories-yeah-the
Also, this is a RWBY-positivity BLOG, so please watch RWBY
L: Bye Light! Bye Matsuda! Bye Misa! Bye Light!
Matsuda: You said ‘bye Light’ twice.
L: I like Light.
L: We need more help. Maybe I should call my friends.
Light: … Your what?
L: My friends.
Matsuda: Is he saying “friends”?
Misa: I think he's being sarcastic.
Aizawa: No, no, no, this is delirium, he's cracked from being awake all night. Hey, L! All of your friends are in this room.
L: I have other friends.
L: [calls Naomi] Naomi they're bullying me again.
Matsuda: [Trying to fill out legal paperwork stuff] Were you guys born AMAB or AFAB?
Light: Bold of you to assume I was born at all.
L: I personally was created in a lab.
Misa: I just straight up spawned lol.
unfortunately, discord continues to be the Worst Messaging Company Of All Time with its updates, and this time, its one that is not only a privacy violation, not only enabled by default, but ROLLED OUT SILENTLY, MEANING YOU MUST KNOW IT EXISTS TO TURN IT OFF.
i am talking about "clips", an exciting new feature /s that allows people to record you in voice chat without your knowledge or consent! Wow!
fortunately, you can turn this off, but its kinda shitty how they didnt tell you this existed at all, yeah?
settings > clips> the button should be clicked to turn it off
(note that it should be ON by default, you will have to click the button to turn it off)
thanks, discord, for Telling Us This Violating Setting Exists In An Update And Making Sure It Is Off By Default. /s.
reblogs are appreciated to spread the word.
Everyone loves to talk about how Percy gave up godhood for Annabeth (false, he did it himself and seeing Annabeth reminded him of Luke's last request), but no one likes to talk about how Percy chose the great prophecy so that Nico wouldn't have to bear it? He did that for Nico. And when he hears the actual prophecy and finds out that he's going to die, he doesn't back pedal and try to get out of it - because that would mean Nico would die. He sticks true to his decision to take on the great prophecy and die for Nico. And then when he doesn't die and gets one wish from the gods, he makes them give Nico a cabin at chb so Nico could have somewhere he's welcomed and safe. I-
In TEN WHOLE DAYS, the first event that we're running is starting! It's called the twelve days of nicercy christmas and is based on the Christmas classic The Twelve Days of Christmas.
Tag us ( @percico-nicercy-events ) and tag your creation #12daysofperciconicercy and #percico-nicercy events so that we can reblog your work!
"Curious..." he murmered. "Very curious..."
"I'm sorry," Harry said, "but what's curious?"
Olivander simply looked at him for a long moment, a strange light in his eyes, before he spoke so abruptly that Harry jumped.
"Curious, my boy, is of course the adjective form of the noun curiosity—"
reblog if you’ve read fanfictions that are more professional, better written than some actual novels. I’m trying to see something
You are a god with no followers nor enemies, yet you still persist. No god had ever lived without worship before. The other gods are stumped as to why this is so…until you tell them what you are the god of.
You are a god with no followers nor enemies, yet you still persist. No god had ever lived without worship before. The other gods are stumped as to why this is so…until you tell them what you are the god of.
You are a god with no followers nor enemies, yet you still persist. No god had ever lived without worship before. The other gods are stumped as to why this is so…until you tell them what you are the god of.
So, do you like girls or do you like boys? (Ha-ah, ha-ah)
Oh, uhm, I mean, uh, yes?
When my friends ask me 'bout my sexuality
I choke up and joke that the answer's not easy
Like I'm watching a Disney movie and the couple gets it on
But who should I look at, is it Shang or Mulan?
I like boys and girls, but I still don't know why
I couldn't get either one if I really try
I'm switching my preference like an on and off switch
If I had a dime for every crush, I've had I'd be rich
Like boy bi
Girl, hi
New guy
I'm bi?
I cry every time
I try to decide
I guess you're right, I'm bi just without the sexual
I'm too scared to date, so I've just been by myself
Like I'm watching a Disney movie and I slowly start to sweat
Is it Jasmine's dancing or Aladdin's open vest?
Oh, it sucks sometimes to be right in the in-between
I'm too gay for girls, too straight to be a drag queen
I'm just playing, I'm just saying, I'd like to be clear
I don't know what the hell is going on here
And love can be hard
For someone who doesn't know what they want
I'm missing a part
For all of my life got a hole in my heart
And love could be
A winning game to those who are straight, but
I'm perfectly complete
One, two, three
Like boy bi (boy bi)
Girl, hi (girl, hi)
New guy (new guy)
I'm bi? (I'm bi)
I cry (I cry) every time
I try to decide
Boy bi - mad tsai
how much do the demigods really know about Percy?
Frank and Hazel first knew him as just a guy who showed up with a goddess on his back. everything he does from that point onward is equally bizarre, and certainly impressive, but perhaps not exactly legend-worthy. by the time they’ve won the battle against Polybotes at New Rome, their experience with him confirms he’s a badass, but the hints and jokes he drops about his past can’t all be real, right?
Jason, Leo, and Piper would have been showered in stories at Camp Half-Blood. did you know, Percy fought and killed a Kindly One and the Minotaur before he even got to Camp the first time? did you know, he was the first one on our side to suspect Kronos was rising? did you know, he revealed who poisoned Thalia’s Tree? did you know, he and Annabeth held the sky? did you know he crashed his own funeral? did you know he made a hurricane?
did you know, did you know, did you know?
but how many of Percy’s stories do the campers really know? what did Annabeth and Percy keep to themselves in their retellings? do they know Luke forced Percy to fight to the death in an arena? were they told Percy actively chose to be the subject of the prophecy to protect Nico, who almost certainly hated him at that point? do they know Percy was the reason Mount Saint Helens erupted? do they know he fought Hades and his army, and won?
the campers all think Percy is a legend, but when they find out there’s more? that’s when they start to think of him as a god.
Soichiro: Kira killed about 27 people today
Light: Oh no, that's tearable. And I heard that the evidence that the police has got on Kira is still paper-thin