Daniel Molloy - Blog Posts

A moonlit hotel room, just him and the devil 🩸🦇

I think there’s two reasons Daniel in 1973 had such a strong reaction regarding Louis’s view of vampirism and his story (aside from being a twenty year old know it all). One was that he identified with Claudia more—and saw the part where Louis left off at in the story as hopeful, and two he connected vampirism in Louis’ story with the ability to express queerness and be safe.

For the Claudia thing—they just had more in common at that point. Daniel gets choosing to explore and look for knowledge—he does not read as someone who’s really been in love before at twenty—at least not with a “handsome devil” and he’s not a parent. It’s also likely that after only two years out of high school Louis being “declared dead” by his family wouldn’t hit as hard.

When identifying more with Claudia at that point in the story—there’s much more hope there than identifying with Louis. I especially think Claudia going to Europe to find vampires and answers would have appealed to him. I wouldn’t be surprised if “get off the bench” meant “go with her.”

She’s getting answers! Exploring! Leaving her awful maker! Plus as far as Daniel knows Louis could be using past tense because they never made up or reunited or because she passed away—and even if she did die she might have achieved her curiosity seeking dreams so—worth it maybe! At least to Daniel! Vampirism is less inherently tragic at this point than after the trial. It’s hopeful not hopeless.

On the other side there’s also Daniel, a young queer person in 1973, who only feels safe acting queer and participating in queerness with drugs as a barrier—an excuse—meeting Louis with the beautiful long term boyfriend, and the one night stands in apartments, and the ex he’s still hung up on—comfortable and safe because he’s a vampire.

What Daniel got out of his story, the meaning he didn’t think Louis saw was life, life, and more life. Plus safety to live as you want to live. Louis breaches social norms along side becoming a vampire. He creates his mixed queer family post-vampire turning. The vampirism and the non-conformity seem linked.

He’s also so comfortable bringing boys back—even asking his boyfriend if he wants to join in! The countercultural, the ability to have, messy, yes, but also many queer relationships! Starting in 1910’s New Orleans with vampirism!

Louis ended the story with Claudia hopeful and leaving on the train—the worst part was his ex—and abusive exes are present in human lives too! You can recover! Get off the bench! The central tragedy haunting Louis narrative wasn’t explained to Daniel by that point.

Daniel saw Louis living like a mortal except for the safety to be himself in it and that’s why he wanted it!!! To be able to hide and the ability to kill any mortal who might object to you doing what you want to do!!! No need to hide behind substances to be yourself!!! Vampirism as life but more, but better!!!

an easeful death

shoutout to daniel molloy for being horny not in spite of the horrors but because of them

Interview with the Vampire | 2.05