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8 months ago
first slide. top right reads: There are many types of cleft lip. unilateral (on one side), bilateral (on both sides), and complete (self-explanatory), incomplete (self-explanatory), and post-surgery (there is no cleft), no-surgery (there is a cleft). next to it is a photo of Joaquin Phoenix with no facial hair captioned "Joaquin Phoenix has it BTW (unilateral + incomplete)". below that are four drawings captioned "Examples". They're all the same bust sketches but with different mouths and noses. The first one is Unilateral + complete (post surgery). Text box reads "teeth can sometimes be slighly visible, scar present, tip of the nose points downward, if they had surgery you won't be able to tell half the time if you aren't looking for it, easier to tell from the nose than the lip/scar TBH". Next to it is one captioned "unilateral + complete (no surgery). Text reads: "teeth are visible, upper row of teeth goes with the shape of the lip, tip of the nose points other direction". Third one is "bilateral + complete (no surgery). Text reads: "two front teeth visible but they go to the sides, upper lip split into 3 parts: one attached to the columella and two to the outer nostrils, nose and nostrils are wider". the last one is "unilateral + incomplete (no surgery)". text reads: "teeth can sometimes be visible but mostly no, nose can sometimes be flatter + wider on the side of the cleft, doesn't go into the nostril."
second slide. the title reads "Drawing a character with cleft lip post lip surgery". the caption reads "some people also get rhinoplasty (nose surgery) but I won't go into it because it just gives you a "regular" nose and I don't think this needs a tutorial IDK". Below that are three drawings from the neck up. First one is of a woman with a faded cleft lip captioned "it's not always very visible". Second is of a Latino man with a gap in his moustache and slightly visible teeth, captioned "teeth can show". Third is of a Black woman with a large keloid scar, captioned "keloid scars sometimes happen". under those is a section called "what it can look like" with "can" in all caps and underscored. text reads: "cupid bow higher on the side of the cleft, nostril lower on the side of the cleft, actual scar, pulling from the scar creating a small opening right below it, nose pointing downwards and/or towards the scar". the drawing next to it has all these differences highlighted. note below it reads "if it's bilateral: the lip and nostrils can still be asymmetrical, the lips would probably be parted in the middle if at all". the last drawing at the bottom shows a person from the side-view and highlights the nose and lips. Text reads: "from the profile, the upper lip pokes out less". a note in the bottom right reads: "note: the scar is surgical. in most cases, it will be poorly visible, and in adults, faded. in some people it's honestly invisible, but it can also be reddish or paler than the rest of the skin. facial hair doesn't grow on scar tissue no matter how visible the scar is."
third slide. it's the same as the previous one, but for characters with no surgery. the three drawings show a Black man with an incomplete cleft lip showing his teeth, a white woman with a complete cleft, and a Black girl with a bilateral complete one. the section below shows a person with a bilateral cleft from the side, as well as a close-up on the mouth itself. text reads: "the middle part protrudes further than the nose (generally), nose and middle part are on a similar angle, when the mouth is closed the upper lip goes into the lower one". a note under the drawing reads "(the mouth here is slightly open to see everything from the side)". a text box under both drawings reads "incisors can be more hidden or visible (same with gums) and they can be straight or go to the sides. the actual lip is usually invisible on the middle part because it's often on the more inner side. it can look like the profile above but it's not as common". a section next to that one shows a person with an unilateral cleft lip and misaligned teeth on a 3/4 angle. text box reads: "upper teeth go towards the nostril with the cleft" and "the higher the cleft the more they will do that. compare the chara in top left vs the one above this text box."
fourth slide. it's titled "ok but what else". below that are two busts, one of a person without a cleft lip and the second of a person with a repaired cleft but no visible scar. caption reads "how to draw the subtle differences". text continues "distance between nose and upper lip is shorter, nose more down turned (can be much more than I drew TBH), lip pulls upward below where the cleft was. This way it's still visible even when there's no easy-to-see scar." the two drawings have all these differences color-coded. section below features the same drawings, but this time they show a character with a complete unilateral no-surgery cleft. first one shows the skeleton underneath, second has skin on. text reads "in a no-surgery uni complete cleft lip, think of the rows of teeth not as two horizontal rows but more of a triangle. the upper teeth are parted into 2 sections and they don't meet, but can overlap in the actual cleft spot. they don't go into the nostril BTW." a small note reads "gums are dark red and teeth are blue so you can tell which is which" and the drawing is color coded accordingly.
fifth slide, titled "the chibis the cartoons etc." with a header "(by someone who doesn't really draw in that style I'll do my best though). it shows two chibi drawings - one of a girl with a bilateral no-surgery cleft lip, second of a girl with a unilateral post-surgery one. they each have instructions below. for the first one, it shows a horizontal 3 with an additional bump, captioned "you can do this shape (it's kinda nose shaped?", next step draws two squares to the middle part, captioned "add teeth to the middle part, boom no nose needed." second drawing has its first instruction as "draw a basic smile, don't bother with subtle differences TBH just simpify it", followed by "draw an anime girl fang upside down, remember that the lip follows the shape. you can throw in a scar too."
sixth slide, titled "other types of clefts + things to consider for the character". it features two drawings: one of an East Asian woman with a cleft going from her lower eyelid to the corner of her mouth, and second of a South Asian woman in a headscarf with an indent in the middle of her eyebrow. she also has strabismus and her cleft eyebrow is very wide. they're captioned with cleft type 5 and 10 respectively. a text box reads "these are called Tessier clefts and they're like cleft lips but on different parts of the face. There's 14 of them in total and they can be comorbid with cleft lip and palate." the last section has no drawings and just a text box titled "info that you might find useful: most people with cleft lip worldwide didn't have surgery, most people in wealthy countries get surgery as babies, some people choose to get cosmetic revisions rhinoplasties etc. when they're older (most don't), first cleft lip surgery was in 390 BC, most people with a cleft lip have a cleft palate as well, don't call it a fucking 'hare lip' it's offensive and weird".

tutorial for drawing characters with cleft lip! sorry that it's mostly unilateral-centric but it makes up the vast majority of resources and photos. still tried to get tips for drawing bilateral clefts in though.

please keep in mind that this is an introductory drawing tutorial and has some generalizations in it, so not every “X is Z” statement will be true for Actual People : )

if you draw any characters using this feel free to tag me!!


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6 months ago

This feels ~downy ~, how lovely that would be.

This Feels ~downy ~, How Lovely That Would Be.
Wing Tutorial Is HERE 🦅, Now Available On My Patreon✨ It Includes Full Speedpaints, A Step-by-step
Wing Tutorial Is HERE 🦅, Now Available On My Patreon✨ It Includes Full Speedpaints, A Step-by-step

Wing Tutorial is HERE 🦅, now available on my Patreon✨ It includes full speedpaints, a step-by-step of the painting process, drawing tips + more!


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2 years ago

I forgot I have to be active here so here’s my Twitter tutorial on how to draw folds I made a while back to help a friend!

A piece of cloth teaching you how to draw cloth folds of different material. Each picture depicts two arms in the same material - one thin arm and one fat arm.
THICK clothes only have a few folds! Sometimes a bump is all it takes to suggest a fold for THICK stuff. Examples are sweaters, hoodies, wool, fleece, and denim
THIN clothes have a lot of folds and bumps! Thin stuff usually has more lines that wrap around what's underneath. Examples are rayon, cotton, and crepe
SMOOTH stuff have "squiggly" folds. Smooth cloth folds tend to "loop" back to where they start. Examples are silk, velvet, Satin, Bamboo cotton, and most luxurious stuff
SOFT clothes have round folds. Unlike smooth stuff, soft stuff doesn't have many "squiggles" or solid lines in between. Examples are down jackets, fur, fleece, washed linen, and polyester
STIFF clothes have angular folds! Most folds tend to look triangular - assuming they even fold at all! Examples are raincoats, New denim, canvas, and suits
PS I have avoided talking about loose vs tight clothing since whatever is loose on one person (A shows a thin arm in a baggy yellow sleeve) might not be as loose on a different person (B depicts the same sleeve which comfortably fits around the fat arm). However it's still important to learn about these type of things.
Person asks, "So uh... what happens if the clothes are Smooth and Thin, or Thick and Soft?" The answer is DO BOTH! Top right shows a full woman in a dress that has a Smooth skirt and a Stiff top half. Even though it's one dress, one part is more Smooth while the other part is more Stiff. There are more examples but don't forget to study hard and have fun!

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3 months ago

I just had some...thoughts... about sticking animal heads on human shoulders. Bear with me.

I think the reason some anthros look really strange (I’m looking at you, Skyrim) is because animal skulls don’t attach to their spines the same way ours do. Our spines and skulls are very vertical, but many animals’ are closer to horizontal.

I Just Had Some...thoughts... About Sticking Animal Heads On Human Shoulders. Bear With Me.

Some people solve this by giving the animal skulls a human skull shape on the back. But, to me it makes them look somehow bald(??) and just kinda weird in general. If, instead, you change their necks to curve so that the spine still connects where their four legged counterparts’ do, they no longer look yucky! (And also don’t need a hair-do!)

I Just Had Some...thoughts... About Sticking Animal Heads On Human Shoulders. Bear With Me.

This seems especially applicable for animals like big cats, cows, and lizards — animals whose spines attach very horizontally to their heads.

I Just Had Some...thoughts... About Sticking Animal Heads On Human Shoulders. Bear With Me.

Anyway, enjoy some more art I did while having these very specific thoughts.

I Just Had Some...thoughts... About Sticking Animal Heads On Human Shoulders. Bear With Me.
I Just Had Some...thoughts... About Sticking Animal Heads On Human Shoulders. Bear With Me.

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3 months ago

God I need this. I am a perfectionist and I hate everything I make. Just need to remember this and all should be well.

how do draw good

fill 14 sketch book

bad stuff is good stuff bc you made stuff

do you like sparkle???? draw sparkle

draw what make your heart do the smiley emote

member to drink lotsa agua or else bad time

d ont stress friend all is well

your art is hot like potato crisps

don’t let anyone piss on your good mood amigo

if they do

eat

them


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1 year ago

How do I art?

This is a difficult question and I'm gonna give a basic bitch answer, but practice.

-Try to draw a little bit every day (if you can't, at least a couple times a week)

Don't go for realism right off the bat. You're not going to be able to draw a perfect human face or anything when you first start

Draw cartoons. For you, I'd recommend Owl House, Amphibia, Gravity Falls, or Hazbin Hotel/Helluva Boss characters. That way you can get used to drawing without it being to challenging

VERY light sketches. You're going to want to brush the pencil across your paper in a feathery motion. Pushing too hard is very difficult to erase

Don't use a mechanical pencil eraser. A mechanical pencil is fine, but the eraser tends to smear and smudge instead of just erasing (a pink eraser's perfect)

Use a reference picture. Drawing from your mind is a lot harder than drawing from a pic. You also don't have to be creative in order to draw

(this one's really cringe but) Don't give up or throw your art away. Your art's gonna be bad at first, but if you give up, you'll never get better


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2 months ago

Some people think that to draw well you need to have good and expensive materials, but I only use a mechanical pencil and a regular school eraser, and I rarely use the markers I have.

An example drawing:

Some People Think That To Draw Well You Need To Have Good And Expensive Materials, But I Only Use A Mechanical

Here I just used a mechanical pencil, an eraser and my finger to make it a little smudged. In other words, to draw well, you need: good motor coordination and practice.

Drawing bonus with markers:

Some People Think That To Draw Well You Need To Have Good And Expensive Materials, But I Only Use A Mechanical

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5 months ago

You draw hats so well and im like so amazed by it because every time i try it looks like they're wearing buckets?? how do you draw them?? :o

You Draw Hats So Well And Im Like So Amazed By It Because Every Time I Try It Looks Like They're Wearing
You Draw Hats So Well And Im Like So Amazed By It Because Every Time I Try It Looks Like They're Wearing

pringles


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Ink Blobs! Which one of these blob sketches is your favorite? ☺️💕


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6 months ago
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay

More art tutorials by Disney artists Griz and Norm Lemay


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1 year ago
Someone Wanted Some Facial Advice, So I Just collect Some Tips. Free To Ask For More Advice.
Someone Wanted Some Facial Advice, So I Just collect Some Tips. Free To Ask For More Advice.
Someone Wanted Some Facial Advice, So I Just collect Some Tips. Free To Ask For More Advice.
Someone Wanted Some Facial Advice, So I Just collect Some Tips. Free To Ask For More Advice.

Someone wanted some facial advice, so I just collect some tips. Free to ask for more advice.


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11 months ago

I forgot I have to be active here so here’s my Twitter tutorial on how to draw folds I made a while back to help a friend!

A piece of cloth teaching you how to draw cloth folds of different material. Each picture depicts two arms in the same material - one thin arm and one fat arm.
THICK clothes only have a few folds! Sometimes a bump is all it takes to suggest a fold for THICK stuff. Examples are sweaters, hoodies, wool, fleece, and denim
THIN clothes have a lot of folds and bumps! Thin stuff usually has more lines that wrap around what's underneath. Examples are rayon, cotton, and crepe
SMOOTH stuff have "squiggly" folds. Smooth cloth folds tend to "loop" back to where they start. Examples are silk, velvet, Satin, Bamboo cotton, and most luxurious stuff
SOFT clothes have round folds. Unlike smooth stuff, soft stuff doesn't have many "squiggles" or solid lines in between. Examples are down jackets, fur, fleece, washed linen, and polyester
STIFF clothes have angular folds! Most folds tend to look triangular - assuming they even fold at all! Examples are raincoats, New denim, canvas, and suits
PS I have avoided talking about loose vs tight clothing since whatever is loose on one person (A shows a thin arm in a baggy yellow sleeve) might not be as loose on a different person (B depicts the same sleeve which comfortably fits around the fat arm). However it's still important to learn about these type of things.
Person asks, "So uh... what happens if the clothes are Smooth and Thin, or Thick and Soft?" The answer is DO BOTH! Top right shows a full woman in a dress that has a Smooth skirt and a Stiff top half. Even though it's one dress, one part is more Smooth while the other part is more Stiff. There are more examples but don't forget to study hard and have fun!

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2 years ago

I just know that out there, somewhere, are artists that have pinterest boards and youtube playlists of art tips and tutorials they’ll never view/use.


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8 months ago

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions, but you absolutely should continue to do your own research outside of this guide!

[Image text] Arm bends a little. Cane height at hip joint. Many canes have adjustable height. Cane sits within the natural center of balance. Causes stress on: Triceps, upper back, wrist (pressure) fingers (grip). Helps with: Joints (lower back, hip, knee, ankle, foot), weakness, balance, pain.

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height will make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

A General Cane Guide For Writers And Artists (from A Cane User, Writer, And Artist!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane, then the good leg, and THEN the leg that needs help.

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

[Image text] 4 Major Handle Shapes (significant variation and uses). Tourist/Crook/Hook. Classic shape, fashion and medical, easy to hook on things (arm, door, chair, etc), generally solid wood (stronger, heavier). Offset. Newer design, not a fashion handle, only handle for quad-bases, generally better balance, usually aluminum (light + cheap), soft handle, adjustable (rattles/clicks when swinging). Derby/Fritz/Anatomical/Contour. Classic medical shape, many fashion variants, some fashion + medical, varies in many ways, sometimes contoured to hand, comes in foldable styles, many aluminum styles, many customizable styles. Knob/Decorative. Fashion exclusive, knob shape hurts the hand after prolonged pressure (especially with designs), tend to be heavy, "sword canes" have the same issues.

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

[Image text] 4 Major base shapes (significant variation and uses). Adjustable base. Aluminum, standard modern medical, adjustable height, rubber base, wears down over time. Tripod/ quad base. If you need extra balance. Terrain attachment (varies, this is for ice). Removable, helps stop slipping on ice/snow/sand/etc, some canes have a retractable tip for ice. Classic base. Non-adjustable, custom only, modern standard still has a rubber base.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

Two canes side by side. The one on the left is painted a light pink, and the one on the right is painted black with a fire/lava pattern.

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

A General Cane Guide For Writers And Artists (from A Cane User, Writer, And Artist!)

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!


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7 years ago

Art Tutorials!

Greetings! Meanwhile, I wanted to thank you for all the support you're giving us here on Tumblr, really means a lot! ❤️ 

I would like to start using this blog not only to show our works but also as a personal diary of our artistic journey... so let us know if you are interested in any particular content!

So... why not start with some artistic tutorials? :P

CHAPTER ONE:

an artistic mind makes an artistic guy.

Before throwing ourselves in a deep technical vision and some kind of “how to” things, I find truly important to talk about attitude and mental arrangement, because a thing like knowing how to unlock when you are not inspired, are as significant as know which tool to pick. Or maybe more important, really.

image

 1) PRACTICE

 The first thing that we need to say is that, like everything, to obtain results, you need practice, time and passion. Everyone can draw decently, just need some practice and time. Natural talent doesn't really exist at all, of course for some people, truly passionate on what they’re doing, should need less time that other, but believe me, with constancy and dedication, you can do everything.

image

2) SELF CRITIQUE

 Second thing you need to know is to be a self-critique, it’s really important to understand errors, and learns from it. That’s the fast way to learn something. Neither an instructor can gift a teaching better than that, because when we fail of course we feel bad, but for sure we will learn how to avoid this next time.

image

3) RESEARCH

Third fact is: when you feel stuck, don’t give up. Just take a breath, think about what you don’t like in your art, and then try to solve it. Example, you’re drawing a face. However, it looks horrible to you. Well, try to answer that question: why I don’t like this? The eyes are too small? His nose is awry? Look too flat? Well, then try to improve the parts you dislike. You don’t like that at all? Take a break then, some minutes, an hour, a day, rest on your eyes really help a lot. Maybe on your first attempts you don’t make some masterpiece, but is important to rejoice of small success and remember that a bad drawing will never, listen to me, never, be a failure, because from it, you will learn a lot, and believe me if I say that you became better after that.

image

4) FIND INSPIRATION

 At the fourth position, we’re talking about finding inspiration. Inspiration it’s not something like a mana bar that needs to charge, of course on some day we really don't' want to do anything, but you don’t need a divine touch to make some art. So, my best advice is to look around, look at your drawing from distance, see the world around you, just make some steps in your room or go into the courtyard to take a break, or maybe search some image on the web. Take a look on the real life, to find some references to put and transform it in a piece of art. And well, let’s talk about references. If you're attempting to make a realistic drawing is essential to use a model, a photo to study how the light build the shape, how the texture looks and the proportion are connected with different part, but even if you make a cartoon character you need to take elements from real life. Even on an abstract painting you may find useful to put some elements in it, because from reality human use to find a correspondence, an identity, and it’s what can give to your art a personality. So to make art it’s very important to learn to observe. Don't just watch at something, observe, trying to understand every part in a thing. Sometimes to make a good painting is all about details, and the best way to know how to do is to synthesize what our eyes are teaching to us.

5) (extra tip) ENJOY!

 Art doesn't have to be a frustrating activity, it doesn't have to make you feel inferior to others or even better than others.  It must be a way to express yourself, both with pleasurable and sad emotions, must make you feel free to communicate and not to feel yourself closed in a corner of your room. You have to relax, make you smile, but don't make you suffer, make you cry and make you angry. Certainly the creative process is not always fluid, but if you really like what you are doing, then everything else will not matter. Besides, art has a therapeutic power, and it can really help in difficult times. The art is our friend, who listens to us, and likes us. Not our rival that makes us angry, hurts us and makes you hate everything else. So always remember to have fun, first of all :)

I know, that may looks boring and useless for some of you, maybe you need to know how to make a perfect color blending or to make a realistic eye just with a pair of strokes, but attitude is the most important part of everything in the life. Learn from your error, never give up, and I’m sure you’ll create a lot of a masterpiece.

 See you next time, talking about tools and everything you need to be an artist! 

⭐️ Part 2 here => https://moonpix-art.tumblr.com/post/173191380078/art-tutorial-chapter-2 ✨


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