Your personal Tumblr journey starts here
I went back through Harry's video, focused entirely on the sources James Somerton pulled from in the hopes of creating as much of a comprehensive list as I could--though my Google-Fu is not very strong. I did however find something I thought was forever lost and that made me very happy--specifically the magazine Midlands Zone containing the column by Steven Spinks that Harry poignantly used as an illustration of gay erasure... while Somerton uses it to sound like HE is waxing remorseful about the very subject.
This is not a complete list, I'm sure. For one thing, I was only able to attempt to pull sources that Harry himself mentioned in the video. Surely there's so very much more out there. I expect there to be a great deal more internet archeology to unearth just how much writing and culture Somerton has stolen like he's the British Museum of Natural History but for gay people.
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Alexander Avila - https://www.youtube.com/@alexander_avila Matt Baume - https://www.youtube.com/@MattBaume Khadija Mbowe - https://www.youtube.com/@KhadijaMbowe Lady Emily - https://www.youtube.com/@LadyEmilyPresents Shanspeare - https://www.youtube.com/@Shanspeare RickiHirsch - https://www.youtube.com/@RickiHirsch VerilyBitchie - https://www.youtube.com/@verilybitchie
Harry created a convenient playlist of videos by these and other people he wants to bring to everyone's attention.
Please give them your support.
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After a great deal of searching, I found an archive of the "Midlands Zone" magazine, where you can read through past issues dating all the way back to February 2014. I have also found the issue from which Somerton took Spinks' poignant discussion of gay erasure: Overall archive Specific Issue - Pages 16-17
It will not allow you to download it, but you can read it exactly as it appeared in print form.
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Tinker Bells and Evil Queens By Sean Griffin
The Celluloid Closet By Vito Russo Wikipedia article about the book Wikipedia article about the documentary My weak google-fu could not find where you can access the book or documentary. Check your local municipal or university library for book or documentary, or if you know a good source for one or both, please reblog with it added
Camp and the Gay Sensibility By Jack Babuscio
The Groundbreaking Queerness of Disney's Mulan By Jes Tom Personal site with links to social media accounts
Why Rebel Without a Cause was a milestone for gay rights By Peter Howell
Why "The Craft" is still the best Halloween coming out movie By Andrew Park
Opinion: From facehuggers to phallic tails, is 'Alien' one of the queerest films ever? By Dani Leever
Women and Queerness in Horror: Jennifer's Body By Zoe Fortier
[Pride 2019] We Have Such Sights to Show You: Hellraiser and the Spectrum of Queerness By Alejandra Gonzalez
Revealing the Hellbound Heart of Clive Barker's 'Hellraiser' By Colin Arason
Queering James Cameron's Aliens (1986) By Bart Bishop
Demeter and Persephone in space: transformation, femininity, and myth in the 'Alien' films By David Greven
Fears of a millennial masculinity: Scream's queer killers By David Greven (Scholarly site, unable to access original work, offers a way to request a full copy of the text in PDF)
Queer Subtext in Stephen King's It - Part 1: 'Reddie' Character Analysis By Rachel Brands Rachel is the very unfortunate lady who found out she was being stolen from because she supported Somerton through Patreon and saw one of his videos early with her writing--lacking any form of citation or credit
How 'It: Chapter Two' Leaves Richie Tozier Behind By Joelle Monique
When Horror Becomes Strength: Queer Armor in Stephen King's 'IT' By Alex London
Why Queer People Love Witchcraft By Amanda Kohr
'The Favourite' Queers The Past And The Present By Giorgi Plys-Garzotto
(Wuko) Crush (Mako x Wu) By MoonFlower on YouTube
5 Terrible Movies With Awesome Hidden Meanings By J.F. Sargent
The Radicalization of Sexuality: The Queer Casae of Jeffrey Dahmer By Ian Barnard
Netflix's 'Dahmer' backlash highlights ethical issues in the platform's obsession with true crime By Shivani Dubey
The Possible Disturbing Dissonance Between Hajime Isayama's Beliefs and Attack on Titan's Themes Original Article by "Seldom Musings" (Author has made all posts not related to Attack On Titan private and has retired from the blog)
Everyone Loves Attack on Titan. So Why Does Everyone Hate Attack on Titan? By Gita Jackson
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Darren Elliott-Smith Michaela Barton David Church Claire Sisco King Amanda Howell Jessica Roy
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Telos announced and cancelled a film likely based on this book: The Final Girl Support Group - By Grady Hendrix
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I refrained from including certain sources.
First off only focusing on Somerton's work.
Secondly not including anything that might be visible enough to not require amplifying their voice (I cannot speak for all of those I have found links to, but journalism is frequently a thankless job).
Thirdly any source that is of a nature that is antithetical to the very existence of the queer community, such as the right-leaning source that didn't make it into Somerton's video, but Harry was able to identify as a source he had considered using.
If you feel I have missed a mentioned source--or you know of a source from material that was not covered in Harry's video--please do not hesitate to reblog with added details.
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saw a post abt HBO removing shows that suggests ppl just “burn dvds” but everyone doesnt know how to do that so here is one way to do that
- get blank dvds (Both +R or -R work, I think +R is slightly cheaper, the difference is rewritability), these are not very expensive for the amount you can get in bulk (if you are in the US 100 of them is about 30$ at walmart)
- an external DVD drive that plugs in via usb is also around 20-40$ (it tends to be closer to 20)
- download DVDFlick (free)
- if you don’t already have the mp4/mpeg of whatever media you want to burn, you can download movies/shows off of sites like gomovies.sx and soap2day
gomovies.sx will have a download button that looks like this
below the video you can choose one of these
if you click streamlare for example and then the download button it will take you here where the mp4 is
(if you’re on an iphone/ipad, clicking download will save it to your files app)
- if you cant find the download button on soap2day you can also install a video downloader extension which will find the movie for you
- at this point you can drag and drop it into a google drive or keep it on your computer but if you still want it on dvd ->
- open dvd flick, drag and drop the video
- click “project settings”
- give it whatever title you want, you can change encoder to “normal” (default is below normal if you are doing other things on the computer). you dont need to change target size or thread count (unless you want to)
- insert a blank dvd into your drive, make sure you click “burn project to disc”
- click accept then click “create dvd” next to menu and project settings. it will create a destination folder and this dialogue box will pop up when you click “create” on more dvds, just click “yes” and then “okay” on the box that appears after it
it’ll take a couple hours, once its done take a sharpie & write whats on it and stick it in a case . or dont . im not ur mom
Hi, I just wanted to let you know that I really appreciate your social and cultural historiography. While I'm familiar with English and French Monasticism from 1300 onward, my focus was on clerical life and theology having contemporaneous context is really helpful. Your explanations are also clear and funny, which I appreciate as well. I haven't gotten too far into your studies yet but do you have any knowledge of European Muslims outside of the O.E.?
Aha, I am afraid I don’t actually know what you mean by “outside of the O.E.” (this is on me for not being a Cool Kid, no doubt, but there you have it). However, if you mean Muslims in medieval Europe, medieval Europe’s perception of/interaction with Muslims, how this changed in the late medieval/early modern period, and where these sites of contact were most likely to happen: yes, I absolutely have all of that! (Edit: @codenamefinlandia kindly suggested that this might mean outside the Ottoman Empire, which I doubtless should have thought of, but I hope this is indeed what you mean? In which case, yes, the below resources will be very helpful for you in exploring the European Muslim presence well before the Ottomans.)
I wrote briefly about Muslims in my Historical People of Color in Europe post, including in the context of the crusades, their long-term settlements in medieval Spain and Italy, and the relationships of the Muslim empires with Elizabethan England. There are, as you might expect, many studies focusing on Muslim-Christian contacts in medieval Europe and in the wider medieval world, of which the crusades are probably the best-known example. Below follows a selection of some reading material which might be helpful:
Sea of the Caliphs: The Mediterranean in the Medieval Islamic World by Christophe Picard (this is about medieval Islamic trade in the Mediterranean, as it says on the tin, starting in the 7th century with the original Muslim conquests, and focuses on its role in cultural contacts between Muslims and Christians of southern and eastern Europe)
The Arab Influence in Medieval Europe, ed. Dionisius A. Agios and Richard Hitchcock (a collection of essays about Arabic influence on medieval Europe, this one doesn’t have any e-version so you might need to consult a university library)
The Muslims of Medieval Italy by Alex Metcalfe (examines the rise and fall of the Islamic presence in southern Italy and Sicily between about 800--1300, and how this was transformed into a frontier of cultural contact, exchange, and conflict alike)
Idols in the East: European Representations of Islam and the Orient, 1100--1450, by Suzanne Conklin Akbari (examines how the Islamic world was depicted in the ‘high’ medieval era, and the developments of some of these Orientalist images in the 19th century and onward)
Sons of Ishmael: Muslims through European Eyes in the Middle Ages by John V. Tolan (in something of the same vein as the above; he has written another book called Saracens: Islam in the Medieval European Imagination which focuses more on the semiotic, literary, and narrative construction of the “othered Muslim”).
Muslim and Christian Contact in the Middle Ages: A Reader, ed. Jarbel Rodriguez (a GREAT book with multiple types of examples, primary sources, regions, and types of contact between Muslims and Christians from the seventh through the fifteenth century, including Byzantine, Jewish, Muslim, and Christian authors of the time period)
Muslims of Medieval Latin Christendom, c. 1050--1614, by Brian Catlos (another book which I really need to read more of, focusing on medieval Muslims who actually lived IN Europe, including in Spain, Italy, Hungary, the Balkans/Eastern Europe, and other places).
The Republic of Arabic Letters: Islam and the European Enlightenment, by Alexander Bevilacqua (studies how the study/approach to Islam changed i the seventeenth and eighteenth centuries, and how many Enlightenment scholars learned Arabic and read Islamic texts)
As Catlos says in Muslims of Medieval Latin Christendom: “In fact, the Muslims of medieval Europe included substantial communities scattered right across the Latin-dominated Mediterranean, from the Atlantic coast to the Transjordan, as well as in Central and Eastern Europe. In some areas they survived for only a century or two, whereas in others they persevered for well over five hundred years. They did not live as isolated enclaves, they were not uniformly poor, and were not necessarily subject to systematic repression; rather, they comprised diverse communities and dynamic societies that played an important role in the formation of what would eventually emerge a modern European culture and society.” In other words, while we’ve discussed before that medieval Europe was never uniformly white and never uniformly Christian, people tend to think that Jews were the only other religion that lived permanently in Europe. While Italy, Iberia, and the Balkans maintained the most enduring Muslim communities, that was not the only place they lived, and they were not merely merchants passing through without settling (though there was plenty of interreligious trade). We’ve discussed before how Yusuf/Joe would not necessarily always be a surprising or unexpected sight in Europe, and how people there would be a lot more used to him than you might expect. So: yes, Islam was always embedded in the fabric of medieval Europe, both as enemies during the crusades and as long-term citizens and communities at home.
Bonus: have some work on queer medieval and early modern Muslims, because reasons!
Sahar Amer, ‘Medieval Arab Lesbians and Lesbian-like Women’, Journal of the History of Sexuality, 18 (2009), 215-236
Sahar Amer, Crossing Borders: Love between Women in Medieval French and Arabic Literatures (Philadelphia: University of Pennsylvania Press, 2008)
Samar Habib, Arabo-Islamic Texts on Female Homosexuality, 850--1780 A.D. (Teneo Press, 2009)
Samar Habib, Female Homosexuality in the Middle East: Histories and Representations (London: Routledge, 2007)
Samar Habib, Islam and Homosexuality (Praeger, 2010)
E. J. Hernández Peña, ‘Reclaiming Alterity: Strangeness and the Queering of Islam in Medieval and Early Modern Spain’, Theology & Sexuality, 22 (2016) 42-56
Gregory S. Hutcheson, ‘The Sodomitic Moor: Queerness in the Narrative of Reconquista’, in Queering the Middle Ages, ed. by Glen Burger and Steven F. Kruger (Minneapolis: University of Minnesota Press, 2001), pp. 99-122.
Gregory S. Hutcheson et al., eds., Queer Iberia: Sexualities, Cultures, and Crossings from the Middle Ages to the Renaissance (Durham, NC: Duke University Press, 1999)
Scott Alan Kugle, Homosexuality in Islam: Critical Reflections on Gay, Lesbian, and Transgender Muslims (Oneworld Publications, 2010)
Stephen O. Murray and Will Roscoe, Islamic Homosexualities: Culture, History, and Literature (New York: New York University Press, 1997)
Anyway. Let me know if you want me to expand on any of these topics in more detail, and I hope some of these resources are helpful!
as 90% of desktop users have probably found out, today @staff released an update that for some insane reason COMPLETELY remodels the dashboard to replicate twitter's. this is of course in the wake of numerous other thoroughly hated changes and a continued refusal to fix any of the site's actual problems, half of which stem directly from site management.
HOWEVER, thanks to the power of jQuery, i was able to throw together a userscript that remodels the dashboard back to its original look almost perfectly.
here is my dashboard right now, with the script active:
and here is the old dashboard in separate tab container that hasn't received the update:
it's hardly perfect; i had trouble making it force reload to the fixed layout when switching between other pages and the dashboard, and it currently only fixes just the dashboard. it's also completely untested on browsers other than firefox, and chances are it looks a bit screwy on ultrawide monitors. but for now at least, it's a good fix.
the unfucker is a tampermonkey userscript. all you have to do to use it is install the tampermonkey extension, hit "create new script", and replace the default code on the page with the script (link here) and save it.
Behold
i am so tired of this. we are so tired of this. between Bob Iger's garbage comments,that one executive straight out sayin they'll wait out the strikes till people start losin their homes an now this. how long do they think they can keep treating the creatives they get rich off while doin nothin themselves like this? till when will they do an say whatever they want an keep gettin away with it? not long now.. not long. not anymore.
also Karla Ortiz keeps kickin butt❤
here's a link to the Have I Been Trained website for you to click
ALSO! use Glaze to protect the images of your work you post!
here's a link to that as well for you
it basically creates a protective layer on the image that prevents AI from stealin it. Very important. all the info is on the site.
I have compiled a list of some of the resources available on the topic of race and racism in Tolkien. By no means is this list exhaustive, and I welcome anyone to include their own additions which I will include and update on the original post when more resources are made available.
If you are having any trouble accessing any of the links listed below, please shoot me a DM and I can either send you the PDF if it is an article, or a working link if available.
Last updated 17/09/2022
@diversetolkien — The whole blog honestly, but these posts on Galadriel in particular as Ayesha, and the personification of Manifest Destiny. Her very important take on Eöl is linked below.
@askmiddlearth — now defunct, but they have a downloadable guide on racism in Middle-Earth here.
@tolkienillustrations’ post
@itariilles’s post and follow up on my personal experience of racism at a fan event, and the systemic problem of racism in fan spaces. I am looking to write more media interpretation/personal Tolkien essays in the future so keep your eyes peeled!
@chutzpah-haver’s post on Tolkien’s antisemitism in his portrayal of dwarves.
This thread by Helen Young explaining Tolkien the anti-nazi, but not anti-racist.
@diversetolkien‘s twitter linked here.
My twitter here. I will occasionally post about race and Tolkien, but the focus is more generalised on Tolkien fandom, media and reception.
(N.B. searching “Tolkien racism” or any variant will produce… interesting results to say the least. Lots of white people coming to the age-old “ToLKiEN WaSN’T rACIsT He hATEd nAziS AnD WAs A prODuCT oF hiS TiME” arguement. That or it’s the silly SJWs and cultural marxism/relativity yada yada yada.)
“The Source of the Rings” series by Moth’s Audio and Videos.
@visibilityofcolor‘s video essay on the “Brute Caricature Trope and its prevalence in media”. Eöl and Aredhel are touched on briefly in the video, but it points out how prevent this trope is in fantasy fiction overall.
Marlon James, “Our Myths, Our Selves”. The seventh annual J.R.R Tolkien Lecture on Fantasy Literature, Pembroke College, Oxford, 26th February, 2019. https://tolkienlecture.org/
The Prancing Pony Podcast, “114 - Race, Tolkien and Middle-Earth”.
Dani Holtz and Craig Franson, American ID Episode 1 “Eye of Sauron: Rings of Power” touches on the American right’s obsession with Lord of the Rings and the far-right trolls that have flooded Rings of Power with waves of racist and misogynistic hate.
Echo-Hawk, Roger. “Tolkienland.” Would highly recommend reading all of his blog posts. Link to his book “Tolkien in Pawneeland” listed below! http://tolkienland.wordpress.com/
Fimi, Dimitra. “Was Tolkien Really Racist?”. The Conversation, 2018, https://theconversation.com/was-tolkien-really-racist-108227.
Fimi, Dimitra. “Revisiting Race in Tolkien’s Legendarium: Constructing Cultures and Ideologies in an Imaginary World”. Dimitra Fimi, 2018, https://dimitrafimi.com/2018/12/02/revisiting-race-in-tolkiens-legendarium-constructing-cultures-and-ideologies-in-an-imaginary-world/.
Yatt, John. “Wraiths and Race” The Guardian, 2002, https://www.theguardian.com/books/2002/dec/02/jrrtolkien.lordoftherings
Crossley, Laura. “Stand, Men of the West! The Battle for Middle-Earth (and Britain)” Film International, 2015, http://filmint.nu/stand-men-of-the-west-the-battle-for-middle-earth-and-britain/
Crossley, Laura, “Multicultural Middle-earth: Constructing “Home” and the Imaginary in Peter Jackson’s The Lord of the Rings” Film International, 2014, http://filmint.nu/multicultural-middle-earth-constructing-home-and-the-post-colonial-imaginary-in-peter-jacksons-the-lord-of-the-rings/
BNP, “No 2,110″ The Guardian, 2012, https://www.theguardian.com/politics/2002/dec/20/thefarright.lordoftheringsfilms
Perry, D. and Young, H. “HOW CAN WE UNTANGLE WHITE SUPREMACY FROM MEDIEVAL STUDIES? A conversation with Australian scholar Helen Young”. Pacific Standard, 2017, https://psmag.com/education/untangling-white-supremacy-from-medieval-studies.
No Alternative. “Lord of the Rings and structural Orientalism” No Alternative, 2012, https://noalternative.org/2012/09/14/lord-of-the-rings-and-structural-orientalism/
Hodes, J. “Orcs, Britons, And The Martial Race Myth, Part I: A Species Built For Racial Terror”. James Mendez Hodes, 2019, https://jamesmendezhodes.com/blog/2019/1/13/orcs-britons-and-the-martial-race-myth-part-i-a-species-built-for-racial-terror.
Stone, Ryan. “‘The Daily’ Transcript: Interview With Former White Nationalist Derek Black”. The New York Times, 2017, https://www.nytimes.com/2017/08/22/podcasts/the-daily-transcript-derek-black.html. The use of LOTR to recruit white nationalism is mentioned.
Lopes, Reinaldo José. “In the skin of the elves: to what extent is “The Lord of the Rings” tainted by racism?”. Super Interessante, 2022, Original portuguese: https://super-abril-com-br.translate.goog/cultura/na-pele-dos-elfos-ate-que-ponto-o-senhor-dos-aneis-e-contaminado-pelo-racismo/?fbclid=IwAR2A3DZlYsn56Esr9iWUkfHDGI57b_mBUZj7aFxvfl692A310lf69mKx1ek&_x_tr_sl=auto&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=wapp English Translation: https://super-abril-com-br.translate.goog/cultura/na-pele-dos-elfos-ate-que-ponto-o-senhor-dos-aneis-e-contaminado-pelo-racismo/?fbclid=IwAR2A3DZlYsn56Esr9iWUkfHDGI57b_mBUZj7aFxvfl692A310lf69mKx1ek&_x_tr_sl=auto&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=wapp
Young, Helen. “The Rings of Power is suffering a racist backlash for casting actors of colour – but Tolkien’s work has always attracted white supremacists”. The Conversation, 2022. https://theconversation.com/the-rings-of-power-is-suffering-a-racist-backlash-for-casting-actors-of-colour-but-tolkiens-work-has-always-attracted-white-supremacists-189963.
Rambaran-Olm, Mary. “DEAR AMAZON PRIME, I’M NOT A RACIST, BUT WHY ARE YOU DESTROYING MY PRECIOUS MIDDLE-EARTH WITH BLACK HOBBITS?”. Religion Dispatches, 2022. https://religiondispatches.org/dear-amazon-prime-im-not-a-racist-but-why-are-you-destroying-my-precious-middle-earth-with-black-hobbits/ (this article is satirical btw.)
@diversetolkien. “Maeglin and Eöl, and the Brute Caricature Trope:”. Diverse Tolkien, 2019, https://diversetolkien.wixsite.com/website/post/what-we-can-learn-from-plants.
@weirdnaturalscience. “Our Failure to Address LOTR’s Racism”. tolkienaboutscifi, 2016, https://tolkienaboutscifi.wordpress.com/2016/12/21/our-failure-to-address-lotrs-racism/.
Not really a blog post but Tolkien Gateway has a page on “Racism in Tolkien’s Works”. Treat it with the same degree of skepticism you would on a wikipedia page.
(N.B. The visible academic “authorities” of race and racism in Tolkien are white and this is something one must bear in mind when reading this kind of work. There is a lot of discussion on theory and historical context, but there is little on the harm and stereotypes perpetuated by Tolkien’s racialist thoughts a person of colour may read/perceive differently.)
Mills, Charles W. “The Wretched Of Middle‐Earth: An Orkish Manifesto ☆”. The Southern Journal Of Philosophy, 2022. Wiley, https://onlinelibrary.wiley.com/doi/abs/10.1111/sjp.12477.
I implore you to read this one in particular as it is one of the only existing pieces of postcolonial critique written by a black Jamaican author. It’s hidden behind a paywall, and DM me if you can’t access it through the link above.
Kim, Sue. “BEYOND BLACK AND WHITE: RACE AND POSTMODERNISM IN ‘THE LORD OF THE RINGS FILMS.’” Modern Fiction Studies, vol. 50, no. 4, 2004, pp. 875–907. JSTOR, www.jstor.org/stable/26286383.
Rearick, Anderson. “WHY IS THE ONLY GOOD ORC A DEAD ORC? THE DARK FACE OF RACISM EXAMINED IN TOLKIEN’S WORLD.” Modern Fiction Studies, vol. 50, no. 4, 2004, pp. 861–874. JSTOR, www.jstor.org/stable/26286382.
Brackmann, Rebecca. “"Dwarves are Not Heroes”: Antisemitism and the Dwarves in J.R.R. Tolkien’s Writing.“ Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature, Vol. 28, No. 3, 2010, Article 7. Available at: https://dc.swosu.edu/mythlore/vol28/iss3/7
Reid, Robin Anne. "Race In Tolkien Studies: A Bibliographic Essay.” Tolkien And Alterity, 2017, pp. 33-74. Springer International Publishing, doi:10.1007/978-3-319-61018-4_3. Available at: https://link.springer.com/chapter/10.1007/978-3-319-61018-4_3. This article can also be accessed by contacting me via DM as I have permission from the author to circulate it in this capacity.
Baker, Dallas John. “Writing back to Tolkien: gender, sexuality and race in high fantasy.” Recovering history through fact and fiction: forgotten lives, 2017. Cambridge Scholars Publishing, Newcastle Upon Tyne, United Kingdom, pp. 123-143. ISBN 978-1-5275-0325-0. Available at: https://eprints.usq.edu.au/33493/#:~:text=It%20suggests%20that%20the%20privileged,arising%20from%20those%20privileged%20readings.
Pratama, Fredy W. et al., “Orientalism and Religious Aspects on Characters and Objects In J.R.R Tolkien’s The Lord of the Rings : A Semiotic Analysis” Artikel Hasil Penelitian Mahasiswa 2013, I (1): 1-8. Available at: http://repository.unej.ac.id/bitstream/handle/123456789/60741/Fredy%20Widya.pdf;sequence=1
Winegar, Astrid. “Aspects of Orientalism in J.R.R. Tolkien’s The Lord of the Rings.” The Grey Book, Volume 1, 2005. Available at: https://anyflip.com/njuf/pwvi/basic
Redmond, Sean. “The whiteness of the Rings.” Routledge, 2007. Available at: https://www.taylorfrancis.com/chapters/edit/10.4324/9780203939741-13/whiteness-rings-sean-redmond
Fimi, Dimitra. Tolkien, Race, And Cultural History. Palgrave Macmillan, 2010. (Amazon UK link)
Young, H. Race And Popular Fantasy Literature. 1st ed. New York: Routledge, 2015. (Amazon UK link)
Echo-Hawk, Roger. Tolkien in Pawneeland. CreateSpace Independent Publishing Platform, 2013. (Amazon UK link)
I’ve been seeing it happen to a handful of people, but apparently if you try to delete your sideblog you will end up deleting your MAIN tumblr account entirely as well I don’t know if this is a bug or something, but I’ve seen it happen to ~4 people now, so until this possible bug gets worked out do NOT delete any of your sideblogs unless you want to risk deleting your account entirely
I was asked how I make my characters fit the background with such minimal shading, and here's how I do it!
Starting point is just background + the base colors
Add a multiply layer on top of the characters. The color is usually eyedropped from the background, but just as often I just play with the hue/saturation/brightness slider. This layer usually has either high transparency or brightness so it doesn't become overpowering, especially if the background is light.
Airbrush the background colors lightly on top of some parts of the characters, usually the outer edges and the parts that should be in shade. I do this willy-nilly with a big brush.
Add color dodge as the last thing, and let it affect both characters and the background.
There's thousand other ways out there, this is just how I've done it!
If you don't mind answering- what site have you found most success in posting comics vs which is your favourite? (e.g. insta, tumblr, comicfury)
Instagram - Most Popularity (19k followers! A page with 800 comments! Flocks of excited kitty-cat-book readers! But for all its success, Instagram is one buggy platform. And it sure ain't friendly to artists!)
DeviantArt - Most Discourse (Boy, do deviants love to argue! Never before have I seen arguments that made me more uncomfortable. Yet the sweetness of other commenters compels me to stay!)
Webtoons - Most... Uh... There (Why did people keep asking me to upload my comics on Webtoons? What kind of audience is there for a Warrior cats fan comic? Why do I only update every 5 months when I remember it exists? I'll never know!)
Tumblr - Most Unhinged (I couldn't have guessed that some silly side project would result in such wild theorizing! Or such crazy dedication! It's really something special. Let's hope they don't cool down anytime soon!)
ComicFury - Most Functional (Though the readership might be small, this is one smooth website! Great for uploading, reading, binging... what can't ComicFury do? Just make sure you know what you're clicking on!)
Hey weird question but how do you write a comic? Do you write a script for important events? Do you write what each character says? Do you write background info? Please help out a person who's trying to write theirs..
From the simplest perspective, you write exactly as much as you need and not any less. There are no hard rules about this, and tons of people do it tons of different ways. But here's an example of my own, if you need an idea of one method. I'll use my other webcomic, The Dog Star, under the assumption you're working on a traditional comic instead of one like PATFW. However, I use pretty much the same system of documentation for PATFW.
Here's an except from my "notes" document for TDS, which is where I write down things like my basic ideas, any backstories for characters, things I want to expand on, random ideas, etc.
I find it helpful to have a separate notes document from whatever "script" you're working off of, so you can keep them clean and easy to distinguish.
Here's an excerpt from my "script" document of part of the scene described above. For my comic, I write it as if it were a movie script, with dialogue against any necessary notes that will help me remember a specific emotion, choreogrophy, or scene-setting device.
Personally, I did all of my scripting before I started TDS, but I like to work from a really solid base before I begin something. I know plenty of people who only write dialogue, or write it as they go with only outlines of plans. This also doesn't mean that my script is set in stone; since I began TDS, I've added 40 pages worth of new dialogue and adapted almost all of what I had before. It's all up to you.
I've talked about writing tips before on this blog - check out the "advice" tag if you think you might need anything else.
here you go:
Medieval (9th-15th century):
10th century and earlier
Romance (1000-1250)
11th century
12th century
13th century
more 13th century
14th century
more 14th
15th century
and more 15th century
Gothic (1150-1550)
Renaissance (1520-1650)
16th & 17th century
16th century
more 16th
Tudors (1500-1550)
more Tudors
Elizabethan Period (1558-1603)
Jacobean Era (1603-1625)
17th century
more 17th century
and again
and even more
this won’t stop
Baroque (1600-1750)
Georgian Period (1714-1830):
18th century
more 18th century
18th century women’s fashion
18th century men’s fashion
Rococo (1720-1770)
Classicism (1770-1790)
children 18th-19th century
Regency Preiod (1811-1820)/ Empire (1800-1820s):
1790-1820s
more stuff on regency and georgian era
even more
that’s not enough regency
and more
how is there so much
early 19th century men’s wear
early 19th century women’s wear
Victorian Period (1837-1901):
Romantic Era (1820-1840s)
Civil War Era/1850-1860s
1870-1890s
more victorian
Edwardian Period (1901-1910):
1900-1910s
Belle Epoque (1880-1910s)
more edwardian/belle époque
Modern:
1910s-1920s [Fashion between the World Wars]
1920s
more roaring 20s
so much 20s
1920s hairstyles
1930s
1930-1940s
1930-1950s
1950s
more 50s
1960s
1960-1970s
1980s
lots of periods in one spot/fashion through centuries:
here, here, and here is almost everything (and properly ordered)
also here with lots of historic fashion magazines
historic fashion
costumes of antiquity
more historical clothing
history of fashion
more history of fashion
“vintage” clothing
historic costumes
children’s historical fashion/toys
details
historic wedding dresses
historic assecoires (hats, shoes…)
hats
masks
parasols
lots of embroidery/jewlery
it indeed is western/european centric, I’m sorry for that, but for other cultures I simply don’t have so many references
A visual dictionary of Boots
More Visual Glossaries (for Her): Backpacks / Bags / Bobby Pins / Bra Types / Hats / Belt knots / Chain Types / Coats / Collars / Darts / Dress Shapes / Dress Silhouettes / Eyeglass frames / Eyeliner Strokes / Hangers / Harem Pants / Heels / Lingerie / Nail shapes / Necklaces / Necklines / Patterns (Part1) / Patterns (Part 2) / Puffy Sleeves / Scarf Knots / Shoes / Shorts / Silhouettes / Skirts / Tartans / Tops / Underwear / Vintage Hats / Waistlines / Wedding Gown Silhouettes / Wool
A visual glossary of Puffy Sleeve Types
More Visual Glossaries: Backpacks / Bags / Hats / Belt knots / Coats / Collars / Darts / Dress Silhouettes / Hangers / Harem Pants / Heels / Nail shapes / Necklaces / Necklines / Puffy Sleeves / Shoes / Shorts / Silhouettes / Skirts / Tartans / Vintage Hats / Waistlines / Wool