Pomegranates are the most dramatic fruit ever.
Bitch you are a piece of fruit why does it look like I murdered you. Why do you leave my fingertips red and stained. Why do you run down my hands to my elbows when I tear you apart. Why must I rip your body into bloodied chunks to get what's inside of you. Why do you sound so lovely when I crack you open. Why must I eat you with a knife and my bare hands. Why is there so much of you and why is there never enough.
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Cylinder Seal
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As a fantasy writer, understanding your target audience is crucial for the success of your book. Knowing the different types of readers who are drawn to the genre can help you tailor your writing to their preferences and create a more engaging experience. In this blog post, I'll help you explore the five types of readers that are likely to read your fantasy book and provide insights into their characteristics and expectations.
The first type of reader is the Escapist. These readers are looking for a break from reality and crave immersion in a rich and imaginative world. They are drawn to epic quests, magical creatures, and fantastical settings. As a writer, you can capture their attention by crafting a vivid and detailed world, filled with intricate plotlines and larger-than-life characters. Engaging their sense of wonder and providing an escape from their everyday lives will keep them hooked from the first page to the last.
The next type of reader is the World-Builder. These readers are fascinated by the intricacies of world-building and the lore that shapes the fantasy realm. They enjoy exploring the history, mythology, and geography of the fictional world you create. To captivate these readers, focus on developing a well-constructed and cohesive world that feels authentic and believable. Pay attention to the small details, establish consistent rules of magic, and provide glimpses into the rich tapestry of your universe.
Another important type of reader is the Character-Driven reader. These readers are emotionally invested in the journeys and growth of the characters they encounter. They want to experience the highs and lows alongside the protagonists, forming deep connections with them. To engage these readers, focus on creating well-rounded and relatable characters with compelling arcs. Develop their motivations, flaws, and relationships to evoke empathy and resonate with your audience on a personal level.
The fourth type of reader is the Plot-Oriented reader. These readers are primarily interested in the twists, turns, and surprises that unfold throughout the story. They enjoy intricate and well-paced plots that keep them guessing. As a writer, you can capture their attention by crafting a narrative with unexpected twists, clever foreshadowing, and satisfying resolutions. Keep the suspense high and deliver a satisfying payoff to keep these readers engaged and coming back for more.
The final type of reader is the Theme-Seeker. These readers are drawn to the deeper meanings and messages embedded within a story. They enjoy exploring philosophical, moral, or social themes that resonate with them on a personal level. As a writer, you can captivate these readers by weaving thought-provoking themes into your narrative. Explore complex issues, challenge societal norms, and offer unique perspectives to stimulate their intellect and leave a lasting impact.
Understanding the different types of readers that are drawn to your fantasy book can help you tailor your writing to their preferences and create a more immersive experience. Whether you are capturing the attention of Escapist readers, captivating the World-Builders with your intricate lore, evoking emotions in Character-Driven readers, surprising Plot-Oriented readers, or stimulating the intellect of Theme-Seekers, knowing your audience is key. By crafting a story that resonates with these reader types, you increase your chances of creating a loyal fan base and achieving success as a fantasy writer.
Blow your readers mind. Happy writing!
Hey, everyone! I decided to put together my own list of @tswwwit‘s stories!
This contains most, if not all, of the stories they’ve posted to their blog! Including things that weren’t previously on their masterlist. I’ve recently updated it to be even more organized!
It’s very long, so the list is under the cut!
Keep reading
A running theme within the Forger Family is that while Loid fully understands that his Family is a front. Yor over time tends to forget that her marriage and family are fake.
This particular moment sticks out with me because Yor looks Loid dead in the eyes immediately after he reassured her that she’s doing fine as a mother and said “I’m really glad I married you Loid.”
No mention of “as part of our arrangement” or “because I can continue my contract killing job.” just Yor telling Loid that she’s genuinely happy and fortunate that she got so lucky to marry someone as understanding and endearing as Loid.
During the Bond Introduction Arc, when Anya read Bond’s mind of him seeing the future, this panel perfectly describes how Yor would feel if Loid suddenly died and left them both alone.
Throughout the Manga the lines between real and fake blur for Yor just as quickly as it did for Loid.
When the Cruise Arc happens and Olka asks if Yor’s family is just a cover for her real job, it’s a harsh reminder to her that they still are a fake family. Yor completely forgot that she’s with them out of circumstances and you can see the hurt and sorrow in her eyes of that reminder
But as long as she is able to go home to Loid and her family, then who cares if her marriage and family is fake? Who cares if she has to drop thousands of bodies? As long as Yor can keep them safe from her line of work and go home to them, that’s all that matters.
Yor has always loved that Loid is always supportive of her in what she does since the very beginning, she always looks to him for approval, support and comfort. Yor’s motivations as an Assassin are so similar to Loid’s motivations as a Spy that it allows her to do what she does with no regrets and she knows Loid would understand and respect her decisions at the end of the day because as she puts it:
My fav thing to do when thinking abt plot points for a story is trying to figure out the most emotionally damaging thing that’ll either make or break my characters from then on