Feed-the-trash - Count Crackular

A running theme within the Forger Family is that while Loid fully understands that his Family is a front. Yor over time tends to forget that her marriage and family are fake.

This particular moment sticks out with me because Yor looks Loid dead in the eyes immediately after he reassured her that she’s doing fine as a mother and said “I’m really glad I married you Loid.”

No mention of “as part of our arrangement” or “because I can continue my contract killing job.” just Yor telling Loid that she’s genuinely happy and fortunate that she got so lucky to marry someone as understanding and endearing as Loid.

During the Bond Introduction Arc, when Anya read Bond’s mind of him seeing the future, this panel perfectly describes how Yor would feel if Loid suddenly died and left them both alone.

Throughout the Manga the lines between real and fake blur for Yor just as quickly as it did for Loid.

When the Cruise Arc happens and Olka asks if Yor’s family is just a cover for her real job, it’s a harsh reminder to her that they still are a fake family. Yor completely forgot that she’s with them out of circumstances and you can see the hurt and sorrow in her eyes of that reminder

But as long as she is able to go home to Loid and her family, then who cares if her marriage and family is fake? Who cares if she has to drop thousands of bodies? As long as Yor can keep them safe from her line of work and go home to them, that’s all that matters.

Yor has always loved that Loid is always supportive of her in what she does since the very beginning, she always looks to him for approval, support and comfort. Yor’s motivations as an Assassin are so similar to Loid’s motivations as a Spy that it allows her to do what she does with no regrets and she knows Loid would understand and respect her decisions at the end of the day because as she puts it:

actual intense analysis of the situation aside, I love that Steven has only ever professed to truly hate two people in the entire universe. One of them is the dictatorial leader of a society of colonizers who is quite literally the root of all of steven and his gem family's problems and also personally traumatized him by physically ripping a vital organ out of his body. The other is a teenager who harassed him and his friend at a party.

Guess which one he still talks to.

honestly? that one David Tennant Richard II Kiss™ is my favourite acted kiss in history

look how ridiculously tender and how achingly desperate it is. so gentle, so kind, and yet so selfish at the same time. i've never seen anything quite so human

just. just look at these

there's something so genuine and chaste about this kiss, while also being gorgeously passionate and heated and...... it's just perfect

My name was ‘Dave’ on instagram awhile back - for trolling purposes - and I had ten requests for messages and group chats about joining cults/white supremacy groups.

Don’t get me wrong, I signed up to all of them, but why ‘Dave’. What about that name inspires the thought, ‘yeah, Dave says slurs’.

5 Things Literary Magazines Look for in Short Stories

Submitting your work for publication in a literary magazine can be nerve-wracking. They outline what they’re looking for when they open for submissions, but it can seem pretty vague.

Here are a few things they generally look for when searching for the next stories they’ll publish.

1. A Story That Sticks With Their Submission Requirements

Literary magazines plan their editions at least a month in advance, if not more. They may create new editions based on a theme, a seasonal motif, or another connecting idea that pulls every story and visual design together.

Always check the submissions page for their requirements. If a magazine wants to create a spooky edition for October but you submit a heartwarming historical fantasy story that has no spooky elements, you won’t get selected.

Requirements also include essential details like page length, word count, and formatting instructions. The editorial teams know how much time they have to read submissions and how much space they have for selected stories in their upcoming edition. Following these requirements makes you much more likely to get selected.

2. A New Perspective

People don’t buy literary magazines to read the same stories over and over again. They’re looking for new perspectives and points of views in stories that have fresh ideas. The editorial team also doesn’t want to read the same types of stories every time they open for submissions.

You can bring a new perspective or twist on their required themes or story details by thinking outside the box to connect with your readers while bringing something fresh to the table.

3. Vivid Characters

It’s almost impossible to enjoy a story when the characters don’t feel real. You can avoid that by creating character profiles or outlines for your cast. Imagine their backstories or write scenes from the most important moments of their life.

Also, consider what they want from your story’s plot. What’s their goal? What will they learn? Vivid characters are dynamic, so they should grow into a different (possibly better, but not always) version of themselves by your story’s resolution.

It’s also helpful to use free online tools to create characters. I have a huge list on this blog post for generating their faces, mapping their world, and inventing other details so they feel like real people to you and your readers.

4. A Meaningful Purpose

You might write a story just to get published, but that might lead to a story that lacks meaning. Published short stories have some kind of meaningful purpose to make them matter to the editorial team and readers.

Your readers might learn a life lesson from your work or process some shared human emotion or experience through your characters. It’s helpful to consider a theme for your story before writing it so it always has a clear purpose.

5. Unexpected Plot Elements

Readers want to be entertained. Entertaining stories sell magazines. Remember to add a few unexpected plot elements or twists as you’re writing a story with the intent to publish it.

I have a few ideas in this blog post that might inspire you, but you can also create plot twists by shifting your perspective.

If a story has a character who stops to talk to someone in a crosswalk, your readers will likely assume they’re about to get hit by a car or pushed into traffic if the scene has rising tension. Counter their expectations by asking yourself, what’s the opposite of what they’re expecting? Your character might face an oncoming car with a distracted driver by lifting it over everyone as it’s about to crash into pedestrians. Maybe they learn how to fly or lie flat on the road as the car passes over them.

Purposefully thinking about what your readers will expect and choosing to do the opposite is a great way to add unexpected plot elements that also pique the interest of editorial teams.

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It’s also important to remember that you’re likely submitting a story alongside hundreds if not a thousand other writers. It depends on how popular or well-known the literary magazine is.

You can write a great story and still not get published because a big part of that experience is getting lucky. You have to hope the right editor who will appreciate your narrative style and story choices will be the one to open your submission.

Sometimes writers take years to get published. Give yourself some grace as you send your work off. Whether or not your stories get accepted, you’re still learning from the process and developing your writing skills. Eventually, your work will shine in the place it’s meant to be.

Egg yolks and honey (eyah!)

Get out

No watermark and it’s under #my art.

What makes you think that isn’t MY art.