If Papyrus In Deltarune Is Any Combination Of Shy, Angsty, Moody, Mean, Weird, Or Stand-offish, It Doesn’t

If Papyrus in Deltarune is any combination of shy, angsty, moody, mean, weird, or stand-offish, it doesn’t matter. I’m still going to love and support the shit out of him, because he would do the same for us at our worst.

More Posts from Ghostangel2000 and Others

2 years ago

I saw the design of this shirt on Twitter and decided to draw Sans on it!! 💙

I Saw The Design Of This Shirt On Twitter And Decided To Draw Sans On It!! 💙

Here's the original photo of the shirt:

I Saw The Design Of This Shirt On Twitter And Decided To Draw Sans On It!! 💙

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2 years ago

hiya! i'm attempting to start a comic.. thingy from a series of doodles i did in my sketchbook. I wanted to ask for some advice. More specifically; how do you decide how you want the comic panels to be layed out without initially drawing the scenes themselves? I've made comics before but admittedly the layout was never any good compared to what i've seen others do

Poetax’s Process for Making Comics
The Skeleton Games
I’ve been asked how I make my comics for a while now, and while I still think I need a lot more experience before I really know what I’m doi

I've answered this question a lot so here's my guide that shows a lot of my process. I don't do thumbnails like a lot of people suggest, because they don't work for me. Instead, I read my script and try and visualize the entirety of the page. Page comics usually use one page to represent a whole idea. I try and fit 4-6 panels per page and split my script into blocks of ideas that fit into something like that. Ask yourself, what is this page getting at? Is it introducing a new scene? How do I use imagery to set mood in this new scene? Are the characters talking about a specific point, is a new plot idea being revealed? How much drama should be on the page for these ideas?

Sketch out your images on a different layer than the panels so that you can easily move them around. Sometimes I quickly add some circles for where the heads and bodies will be. This way I can see if the layout is working from panel to panel, particularly for difficult to draw scenes so I don't have to put effort into something that isn't working. I often move the panels around or redraw them after reading through the pages. Expect to do that and throw out hours of work. Also work in your text bubbles and make sure not to draw so big there isn't room for text. Text is part of the page and should lead the viewers eyes through the panels and drawings as you read them. Use it as a tool.

Do not get too wordy with text. Break it up into more panels if it is getting long. Nobody want's to read a word wall. Nobody! Make sure your panels naturally read in order. If the reader gets confused about panel order, it will bring them out of the story. Use strong angles for drama, and flat easy to read angles for jokes. Paneling is something you have to try out for a while to really get the hang of it. I'd suggest reading manga that you like and really combing through the pages to see how they do things. Read to learn, not for fun, and break down those pages. If you liked an action scene, ask how they posed the characters in the panels to create the action? If it's just characters talking, but you feel enthralled, ask yourself how they used the panels to make it interesting. And jokes! Those are so much harder than you think. I always suggest learning how to write and compose your own jokes. So many artists are just out there blandly copying meme formats they've found floating around. That doesn't teach you anything. It's just copying. Learn how to write your own jokes and use panel timing to get that punchline out. When you read them, ask yourself why they are working? What panels they are using, and are they effective?

That's about all I got. I still feel like I have a lot to learn about panels, but hopefully that will give you some ideas.

2 years ago
Let’s Go

Let’s go

1 year ago

I approached the door of the big house in Snowdin town, where I heard the two skeletons live... I have seen the short one walk around before and thought he was cute... I was very excited to finally meet him, even if it is to ask for candy! I knock on the door and it opens...

"Trick or treat!"

I say excitedly and kinda nervous.

I Approached The Door Of The Big House In Snowdin Town, Where I Heard The Two Skeletons Live... I Have

A creak, some footsteps, and the door opened- giving a peek into the garishly colored living room and letting the sound of MTTNEWS compete with the low lazy rumble of the skeleton... santa claus?

"ho ho ho merry halloween." Sans holds out a bowl of colorful packets, the fake beard taped to the side of his skull slipping some.

"heh, nice costume kid. here..." He dug his hand into the pocket of the worn red pants and pulled out a hard candy wrapped in bright plastic. "this'll take care of that hp. y'know, what you lost when you fell from heaven," he says with a winking grin.


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2 years ago

Our third day of Gyftmas brings us the lazybones classic himself, Sans! Counting down to 2023!

1 year ago

Hey so completely unplanned but if u send a trick or treat, maybe a costume? And request a character, I'll write out a Lil bitty bit of them giving u a treat! Going for the rest of the night until I pass out 9r forget lol


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1 year ago
Lyrics From 童话 By Michael Wong
Lyrics From 童话 By Michael Wong

Lyrics from 童话 by Michael Wong


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2 years ago

A message from Sans✨

I always wanted to do this kind of thing... I hope it works properly (⁠•⁠ ⁠▽⁠ ⁠•⁠;⁠)

A Message From Sans✨

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ghostangel2000 - Ghost Angel
Ghost Angel

💙✨Sans Simp & Danny Phantom enjoyer✨💚 An artist!

68 posts

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