Reading tarot:
Identify major patterns in the spread (start by looking at groupings of card types, such as element, number, court, majors, general vibe or emotion of the cards; use these concepts as a jumping-off point to form your own pattern. What if a lot of cards have horses on them? etc.).
Use patterns to establish flow (low # cards to high # cards; groups of solitary elements; every court is paired with a major; where is the interplay?). If the patterns are boulders, how does the water of narrative flow through this river?
Use flow to link cards. (This group seems disconnected from that group. This card is an outlier; a break must happen somewhere. Energy slowly builds in this series of cards. There is a sudden shift in pattern, a big change must occur).
Use links between cards to determine which book or picture meanings apply. (This outlier card only links up if it means there was a break in the good event. I will choose meanings that relate to surprise and disappointment, and discard contradictory meanings).
At any point in the process, you can stop and call it a day.
Identify major patterns only: "Well I drew a shit ton of Pentacles cards so I'm going to say that your problem right now is that work is taking up all your time, but also you feel like everything is going super slow. Hope this helps."
Also identify flow: "Well I drew a shit ton of Court cards so I'm going to say that your problem right now is a ton of people all competing to have a say in your life, but at the end you have the Tower and the Sun, so I guess this situation is probably fated towards disaster and then a decent outcome."
Also link cards: "These three court cards face the Tower, but they are also all either Sword or Wand cards. In my practice, Swords and Wand cards are most associated with conflict. These three people, whoever they are, will cause the most conflict."
Also read book and picture meanings: "Out of these three problematic people, this person will try to control how many responsibilities are on your plate. They probably make you feel bad for not being responsible enough."
If you are getting low on energy, or do not have the focus to complete the entire spread, start with broad overview (pattern) and slowly narrow it to flow, then linking. Last of all, if you still have the time/energy, use book and picture meanings to add fine detail to the reading.
No point in adding fine detail to a rough block of wood.
First, shape the reading with broad strokes by finding patterns, and slowly add shape.
Only when you have the smooth, polished shape of your reading should you add the fine detail.
HELLLOOOOO CHAT !! this is my formal apology for not posting art for like.. 3 ish months... school is actual ass and my art and motivation has suffered because of it,,,, however my artstyle continues to change every other week which is always fun
here is a funky shuichi painting i literally just finished!! (THAT WAS MEANT TO BE A RENDERING STUDY. I SPENT 7 HRS ON IT INSTEAD.) i hope you lot enjoy :3
Pet shop of horror’s implied romance b story works so well because never have two people so wrong for each other been so obsessed with each other. D is a supernatural pet shop owner who hates humans (does not) and once pushed Leon out of a boat floating in the sky. Leon is a Straight ™️ (is not) detective whose main interest appears to be boobs. They have never gone more than five minutes without screaming at each other. D has pretended Leon is his boyfriend at least once. Leon investigated D for murder so many times he kind of ended up living at D’s residence. Leon’s brother regards D as some sort of parental figure. They go on vacation together. Multiple times one of them has been kidnapped as blackmail for the other. Leon at the end of the series apparently deserted his family and his job in order to travel the universe and find D again. There is no universe in which any of this could have worked out, and not even because they’re in some star crossed lovers situation (though they are in volume 10) but simply because they are both so fundamentally incompatible and deeply unwilling to move on or do anything about this. And THATS my otp.
By Riccardo Meroni for ODDA Korea July 2024
Roberta Console (Fashion Editor/Stylist), Marco Minunno (Hair Stylist), Greta Agazzi (Makeup Artist)