Kati Horna, Historia De Un Vampiro, Sucedió En Coyoacán, Coyoacán, Ciudad De México, 1962

Kati Horna, Historia De Un Vampiro, Sucedió En Coyoacán, Coyoacán, Ciudad De México, 1962

Kati Horna, Historia de un Vampiro, Sucedió en Coyoacán, Coyoacán, Ciudad de México, 1962

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More Posts from Josephsapha and Others

11 months ago
House Of 1000 Corpses (2003)
House Of 1000 Corpses (2003)
House Of 1000 Corpses (2003)
House Of 1000 Corpses (2003)

House of 1000 Corpses (2003)


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9 months ago
The Nightmare At Elm Manor (1961)

The Nightmare at Elm Manor (1961)


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9 months ago
Tornado, 1938 By US Outsider Artist Marian Spore Bush, Self-taught Painter Who Believed She Communicated

Tornado, 1938 by US outsider artist Marian Spore Bush, self-taught painter who believed she communicated with dead artists


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2 months ago

The questions I ask myself, roughly in this order, to interpret any* tarot spread:

How did the cards appear? Because I shuffle for jumpers, it matters whether cards pop from the deck together. They form pairs (or groups) which have stronger connections to each other than other cards in the spread.

What types of cards are on the field? Majors? Minors? All numerical cards? Court cards? What suits? What numbers? This is where I consider the raw, memorized meaning of individual cards and the archetypes they represent.

Are there obvious patterns or cadences in the order? Think like poetry, ABAB or AABB, but with the types of cards. In a hand of five, it's interesting if the order is Major-Minor-Major-Minor-Major. Or maybe the cards are in a descending numerical order, Nine-Eight-Seven-Six-Five. Or, perhaps Nine-Eight-Six-Five-Four -- the jump in the pattern matters.

Are there repeating numbers or suits? Repetition strengthens the significance of a number's or suit's meaning.

Are there repeating motifs in the card art? Again, repetition strengthens the significance. This includes colors, background details, people, animals, and so forth.

Where are figures in the art looking? Are they looking at other cards? At each other? Away from each other? The direction of figures' attention directs where that card's focus might be.

Is there a cohesion or flow in the spread, or is it interrupted and disorganized? Some spreads flow smoothly left to right, while others show disruption and a lack of coherency. This question looks a the spread as a whole again after all other questions have been asked to consider all elements together.

Does it make sense? Do the cards answer the question being asked? How do they apply? Is there something missing? Is there a deeper meaning to delve into? Do I need clarifiers? Do I need to try again with new cards? Can I explain these cards to the querent and have them understand my meaning?

And then I write out my analysis! There's obviously more to it than this, with a ton of nuance at every step, and I could probably write a whole essay about any individual part of this... and I probably still will, honestly. (And I started to, then decided to just write up a little list instead, lmao.)

*May not work for some tarot spreads, depending on the style.


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3 days ago

It is November of 1893. You have just killed a vampire. Exhausted and worn, you close your eyes and rest.

You wake up. It is May of 1893. You are on a train en route to Transylvania. Your diary says you have had queer dreams lately.

You try to believe it.

(An old woman puts a rosary in your hands. You accept it without question.)

You are a guest in a castle you have never been in before (you recognize every hallway and know without trying that every door is locked). Your host is a man you have never met before (you killed him you killed him you killed him he had turned to dust and there was blood on the snow).

One morning you cut yourself while shaving.

There is nobody behind you in the pocket mirror’s reflection.

You turn fast, and the razor is like a Kukri knife in your hand.


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9 months ago

shooting myself in the back of the head so my suicide looks suspicious and i waste everyones time


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4 months ago
josephsapha - ❦

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2 months ago
I Am Confined By Physical Limitations; Pull Me Closer.

I am confined by physical limitations; pull me closer.


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9 months ago
Olivier Theyskens Autumn/winter 2000
Olivier Theyskens Autumn/winter 2000

Olivier Theyskens autumn/winter 2000


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10 months ago

Thinking about MAG 101 again, specifically the line “He cared for her, he trusted her, and she fed him to me.” Like !!!! The fact that this story is being narrated simultaneously by the monster and the person being consumed by the monster, the fact that you can hear Michael Shelley in that line, and you can hear the Distortion, but neither of them can tell their own story because what they’re describing changed them so fundamentally that they don’t exist anymore in the same way they did at the beginning of it. Am I making any sense?


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