Mari-say - Mari Say

I saw something in the news today that truly took my breath away. If you have been paying attention to U.S. politics over the past few days, you’ve most likely seen this woman:

This is Bishop Mariann Budde, and on Monday (Trump’s inauguration) she led an interfaith prayer for Trump and the incoming administration. During the service she asked him to have mercy for LGBTQ+ Americans and undocumented immigrants. This was badly received by the Trump administration (as expected).

After seeing headlines about this woman, I read something that I wanted to share. In 1998 a man named Matthew Shepard was murdered for being gay. I’m not going to get into the details of his death on this post, but please be warned it is extremely triggering if you do choose to read more on your own. Matthew Shepard’s death caused a lot of change in the U.S. regarding how LGBTQ hate crimes are handled, and laws that were passed to protect LGBTQ+ people.

Now you’re probably wondering what Matthew Shepard has to do with an Episcopal bishop. For years after Matthew Shepard’s murder, his family had held onto his remains, too scared to lay him to rest in fear of his final resting place being vandalized. In 2018, Budde had his remains interred at the National Cathedral, which is also the place where the interfaith prayer for Trump and his administration took place. The impact of this really had an effect on me. Budde could have led a non confrontational prayer service, and chosen not to mention the harm that will come to the people Trump and his administration are going after. Instead she chose to call out hate and fear in front of some of the most powerful people on the planet, and at a place that has such a large historic meaning to the LGBTQ community.

In the next few years there will be many challenges in protecting free speech, standing up against hate, and protecting those in our communities. But I would like to believe that for every Donald Trump and Elon Musk, there are people like Marianne Budde. There are those of us who can’t speak up for themselves, so it’s important for those of us who can to amplify our voices, even if it’s not the ‘popular’ thing to do.

“And he said you should apologize. Will you apologize?

I am not going to apologize for asking for mercy for others.” - Mariann Budde’s response in a Time interview

Link to articles: x x x

Link to the Matthew Shepard Foundation if you would like to donate

(THE BOOK OF BILL SPOILERS!!)

Thinking about Bill’s appearance at the end of the book…

[ID: BIll when confronting the Axolotl. He is shown in white silhouette, hovering in space, hovering neutrally. Notably, he has a massive crack running through his body, splitting him into multiple pieces, some of which are coming apart. /end ID]

When confronting the Axolotl, Bill is broken. The Axolotl even notes this: "Shattered, broken, not yet dead."

(Which, side note, makes me think Bill might have been lying about having been "kicked out of Hell," if he didn't actually die in Stan's head.)

[ID: Three pictures of Bill in the Theraprism. The first one shows him holding his hand against the side of his head in a dazed expression, sitting in a chair in a white padded room between a wizard with a clock for a face and Saturn (taken directly from the painting Saturn Devouring His Son). The second is a camera recording of him wearing an orange jumpsuit and kneeling in a cell, surrounded by arts and crafts tools, holding a pair of scissors, and beaming his thoughts frantically into a book. The third shows a mugshot of him staring blankly into the camera, his own name written on coded text below him. In all three images, he has a glowing scar where the cracks were, and is in one piece. /end ID]

When he's shown in the Theraprism, we see a glowing, static-y scar where the cracks were. The scar crosses his entire body (and even crosses to the other side of his eye without affecting it!), but he's actually whole, keeping himself together.

But then...

[ID: Two pictures of Bill from the last pages of the book. In the first one he is facing forward and holding up one finger, his eye reddened, his entire form glitching, and his crack is notably worse than prior, cracking through his eye, multiple smaller pieces drifting away. In the second one he is staring blankly at the viewer, his arms hanging limply, his eye wide and blank, the crack worse than the previous image, with more pieces floating away. /end ID]

In the last few pages, we see the scar is gone and the cracks are back, and even more of him is breaking away, including parts of his eye. It's especially bad in the last image, with even more pieces of him breaking away.

Also noteworthy is that the static texture behind him seems to be the same as the blood sample the US government took from him in the 1940s. He's bleeding.

We know from context that these images are meant to be taken somewhat chronologically. After dying (or nearly dying), Bill seeks out the Axolotl, who sends him to the Theraprism. While there, he writes the journal that he's beaming to us. The staff at the Theraprism catch onto this, and allow him to write out the last few pages, meaning those last few pages are chronologically the last of Bill we see.

This means that, after the events of the show, Bill was shattered... and then, upon entering the Theraprism, started to heal, his body coming together and scars forming... but at some point afterward, he started breaking apart again.

I'd made a post previously about Bill's development, how he views himself as a monster after the Euclidian Disaster, and how he continues to act monstrous afterward (and winds up agonizingly lonely as a result). I didn't really touch on this in the post, but I feel like after inadvertently destroying his home dimension...

Bill never left the denial phase of grief.

I could be wrong on this, but I get the feeling that part of his reason for acting monstrous toward just about everybody is because he sees himself as a monster, because "this is just how I am" is easier to accept than "I really really screwed up."

Bringing this back to his shattering... It's interesting to me that after entering the Theraprism, his body is scarring, which means it is healing. But then, at the end, as he's signing off the book, he's shattered again, and looking even worse than he did when talking to the Axolotl. When talking this over with a friend, they pointed out something that struck me:

Bill does not want to heal.

Healing means having to actually think through what happened. It means having to confront his past, confront destroying his home dimension, confront the harm he caused to others, confront the fact that he did not have to be this way.

And he refuses to do that.

He refuses to heal.

Starry Night

In the midst of starry night,

He looked deeply in my eyes,

"Where we failed?" he asked in sore,

Yet, there wasn't a glimpse of lore,

"Was fault ours or the world's?"

Norway nights in color

eventyr

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I think people have truly lost any ability to be patient with storytelling.

‘I don’t understand this’ They’ll explain it if you wait.

‘I don’t like how this episode left things hanging’ There’s a continuation next week.

‘This character is flat’ Wait for them to be fleshed out.

So many of the complaints I see about shows lately are people being confused by things THAT THE SHOW WANTS YOU TO BE CONFUSED BY THATS THE FUN OF MYSTERY AND FORESHADOWING YOU ABSOLUTE GOBLINS THE MAIN CHARACTER IS ALSO CONFUSED AND THEYRE GONNA DO A BIG REVEAL AND EXPLANATION LATER IF YOU WOULD JUST FUCKING WAIT

This scene will never leave my mind

His little "oh yeah?" IS SO CUTE

okay none of us can change what has happened. what you have to do now is, in the spirit of any airplane safety discussion, put on your own mask. you need to take care of yourself. go outside, get sun on your face, breathe a little, eat something, hot shower, make a grim joke with someone you care about, and do not let yourself get in a hole. and then when you feel a little better and only then, you can think about what's coming. and know the difference between what you can change and what you can't. not in a despairing way but because: there are so many things you can change and they are small but they are closer to you and so they will feel bigger.

but that's later. for now please take care of yourselves first ♥️

It was so important to me that Stolas was able to be sad throughout the entire episode. Usually media likes to rush a character's grief/depression/sadness. Like "Stop moping around" or "get over it already." Depression doesn't just go away. It is a persistent feeling of sadness.

His depression was also presented through various emotions/emotional states.

Lethargy

Crying

Anger / frustration

Self-blame

Not wanting company and being emotionally drained and unable to reciprocate

We even see him Smiling / Laughing which is so important because we see that he is still in there behind the sadness and tears. His laugh is not as lively as it once but he is still capable of smiling and finding joy.

His problems weren't fix in the end and his sadness didn't go away even if he has someone who loves him by his side (and even if he loves him too). And I think this is one of the best depictions I have seen of a depressed character in media in a long time.

I seriously need people to understand how insane Hazbin Hotel is. That's a show with a maximum of two to three straight characters, EVERYONE else is some form of queer. And it's still one of the most popular shows of the last year. Like... that doesn't exist ANYWHERE else. Name a show where the whole cast is not just queer, but has an entire spectrum of various identities. No wonder it has so many homophobes and antis leaching on it, the show is unprecedented and I love it for that so much