My Favourite Trope Will Always Be When Someone Believes They're Hard To Love Because They Have Scars

my favourite trope will always be when someone believes they're hard to love because they have scars and are so human that it feels unreal and someone who loves them like it's breathing, natural, easily, devoted and just. it's lovely. they're just too consumed with love and don't want to stop being half of the other's soul.

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reply1990-98

2 years ago

Ash and Michael.

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reply1990-98

2 years ago

Snack time with Ibe and Max 🌭☕️🥤

Another amazing art from Banana Fish (supervising) anime director Ayumi Yamada (山田歩)

She replied to a comment that, after this (meaning after dropping the hotdogs), Max gets really angry and goes shopping again (laughs). And also that he’ll probably get yelled at.

We can probably imagine who’ll yell at him😏

Find her on Twitter —> @24_ayame✨

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reply1990-98

2 years ago

🎶I still remember the third of December, me in your sweater

You said it looked better on me than it did you

Only if you knew how much I liked you

Heather - Conan Gray🎶

🎶I Still Remember The Third Of December, Me In Your Sweater

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reply1990-98

2 years ago

day 3 - bar 🍻

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reply1990-98

2 years ago

Ash & Eiji In Every Episode ↳ EP13 | THE SNOWS OF KILIMANJARO

ash & eiji in every episode ↳ EP13 | THE SNOWS OF KILIMANJARO

“humans can be funny. they don’t understand death, but they instinctively fear it. there were so many times when i felt death would be better. dying would seem so sweet and tempting then.”

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reply1990-98

2 months ago

Ash and Eiji, embroidery, 2023

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reply1990-98

2 years ago

ID: A digital illustration of Ash Lynx and Eiji Okumura from the series Banana Fish. The image is a redraw of an illustration by Akimi Yoshida, originally a redraw of a screencap from the 1987 film Maurice. The illustration is in landscape orientation and features the two characters lying down in a field of wheat. Eiji’s head is positioned in the right half of the piece, gazing left and upward, his mouth ever so slightly open. Ash lies on top of him, looking in a similar direction with a slightly stern expression. Both have light blushes on their cheeks, and their hands are hinted to be interlocked, resting on Eiji’s right shoulder. They are wearing airy cream-coloured button-up shirts, and Eiji is wearing dark brown trousers which match with the scrunched-up jacket he rests his head upon. There is a faint mist lingering in the air and the chalky blue-to-yellow hue of the sky indicates that this is perhaps an early morning, reflected by the stars dotting the sky and the waning crescent moon. The pair are surrounded by stalks of wheat, converging wildly. Flecks of light grace these untamed blades, reminiscent of dewdrops in a bokeh effect, evoking nostalgia. The plant life darkens into a vignette at the bottom portion of the image, inviting the viewer into the serenity of Ash and Eiji’s repose. End ID.

repose

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reply1990-98

2 months ago

i will never forgive how the anime did my boy

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reply1990-98

2 years ago

I finally watched Banana Fish recently and drew this through my tears

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reply1990-98

4 months ago

Monster (2023) Faceless Set gif 1: A shot of Yori from behind, standing up at his desk in class and reading.

Monster (2023) Faceless Set gif 2: A shot of Saori and Minato from behind. They are looking out at a burning building from their balcony.

Monster (2023) Faceless Set gif 3: A shot of Mister Hori outside his apartment window. He is looking to the side as he sidles onto the roof.

Monster (2023) Faceless Set gif 4: A shot from above of Mister Hori walking through the school, passing the school principal as she cleans something off the floor.

Monster (2023) Faceless Set gif 5: A shot of Saori at the bathroom door, trying to speak to Minato. He abruptly closes the door on her.

Monster (2023) Faceless Set gif 6: A shot of Saori in the principal's office. The principal, Mister Hori and several other staff members bow their heads to her. She looks around, stunned.

Monster (2023) Faceless Set gif 7: A close up of Mister Hori trying to comfort Minato after he has been hit in the face.

Monster (2023) Faceless Set gif 8: A shot of the principal playing the french horn enthusiastically.

Monster (2023) Faceless Set gif 9: A shot of Minato and Yori running through a field. Minato jumps to touch the leaves of a tree and the boys continue running without looking back.

"The title of the movie poses an interesting question that is asked time and again throughout: what does it mean to be human? When someone hears the word “monster,” they likely picture an otherworldly, grotesque creature that bears no resemblance to a human. In the beginning of the film, Minato asks his mother if a person would still be themselves if their brain was replaced with a pig’s brain. Saori begs the elementary school administration to respect her as a person as she confronts them about Mr. Hori. More than an attempt to get to the truth of the situation with Minato and Mr. Hori, Monster is a delicate exploration of humanity. It’s easy to call something or someone a monster, because that strips the soul out of the situation. It allows us to separate the darkness that people are capable of from humanity itself, but that’s not the truth. We all have the ability to be awful and good and cruel, but that doesn’t make us monsters, it makes us human." (x)

MONSTER 怪物 (2023) dir. Hirokazu Koreeda @pscentral event 31: faceless

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