Latest Posts by stresseddepressedlemonzestsblog - Page 9

Believe it or not, I dreamed of this scene last night, so I had to do something about it…

the concept and idea of “you can always start trying to be a better person” is extremely important to me both in media and irl and i continue to be deeply deeply disturbed by the trend on this site pushing that these ideas in media are bad writing or even morally reprehensible

because theyd rather someone stay terrible or just straight up die than become a better person 

from a compassionate point of view it’s deeply distressing and from a pragmatic point of view it’s outright frustrating

it’s fucked up. 

Dear The @cwnetwork:

Let's talk.

Let's talk about why the queerbaiting between the characters of Kara Danvers and Lena Luthor of Supergirl, whether accidental, indirect, or implied, needs to stop asap.

I understand the difference of accidental chemistry between your actresses and straight-up using their storylines as bait to keep your audience hooked.

I know that the LGBTQIA+ community isn't your only audience. However, we are the audience that you are targeting specifically these days. Everytime your program uses Kara and Lena's scenes in the trailer, the teasers from then and now, in the dialogue, their relationship as a recurring topic, as social media boards, promo mats, or when you show their moments in-between that they parallel with other canon DC TV couples, we can't help but hope. We invest our time and emotions in these characters who might get an entire different ending because your management can't stomach a lead ending up with another woman on television.

I get it. You want Supergirl to be a family-friendly show. You want her character to inspire young girls and boys alike. What would parents tell their kids if Supergirl ends up with a woman? Well, what are you showing now if she doesn't end up with the only character who translates to being her soulmate? It seems to me that you don't actually want kids and adults alike to 'dare to defy'. You're afraid of a generation that is confident and emotionally secure to become whoever they want to be. You're telling the same sick excuse that if kids watch a major heroine character end up with another woman, they might follow suit. That is so unrealistic. I've been watching the most heterosexual Disney movies since I was 5 yet I'm still attracted to men and women. Also, so what if these kids grow up to be confident queer folks? Would it be so bad for the younger generation to grow up loving themselves for who they are through a show that preaches about it?

If the chemistry between Melissa and Katie was accidental, we get it. Props to them for acting the hell out every single time they're in a scene together. But to constantly use the "friendship" of their characters to a point where it became the most interesting and awaited dynamic in the entire show yet you still try to convince us that there is nothing 'romantic' is not okay. If they're just best friends, then make them act like they are just best friends.

Don't show us Lena Luthor constantly supporting Kara as a reporter, seeing her potential since the beginning. Don't let Lena be the first one Kara thinks of when she wants to just be herself. It doesn't matter if it's gushing about 90's boy bands, getting her fill of her favorite fast-food, talking about her family, or just simply being happy. If not Lena, then don't show her constantly upgrading Supergirl's suits every single time so Kara can be safe. Don't even think about letting Lena move to National City to 'share her home with a Kryptonian'. Whenever I have a celebrity crush, all I want is to get their autograph or a selfie. Not to breathe the same air where they live! If it's not Lena, then don't trick us into believing that she is the most important person Kara trusts 'in the entire galaxy'. Do not let them become each other's life support. And whatever you do, don't show Kara constantly worrying about Lena every chance she gets to the point where she would risk her identity to save her. That even on the brink of death, she can't help but mention this woman. Do not let Kara fight every single one in her way who even thinks of disrespecting Ms. CEO of LCorp. Don't make an entire episode of Kara visiting different alternate realities in the hopes that Lena would find it in her heart to forgive her. That maybe there is a world out there where they will work out. That's too romantic. We might see right through it. Please refrain from showing these very straight women staring longingly at photographs of each other when things go haywire. Don't create scenes that equate to them breaking up constantly even if they're not technically together. For the love of all things fashion, don't let them constantly wear couple-coded outfits so that they could match. Not the red and blue! That's reserved for the canon partner. Don't even suggest that they're each other's "person". Big no-no. Too much.

You can't tell us, "Well, maybe you've never had a best friend." I sure as hell do not make extra efforts to see my bestie every five minutes, filling their office with flowers, etc. No. You do not know how to value a healthy and loving romantic relationship and it shows.

Being a part of a community that is constantly oppressed, bullied, and shamed for loving who the fuck you want to love is exhausting. It's 2021 and some of you are still acting like we might polish the devil's shoes for holding another girl's hand. You cannot continue on using romantic themes between Kara and Lena if they're not going to end up together. You know why? Because you're telling majority of your viewers, particularly those belonging to the LGBTQIA+ community whether young, old, or in between, that our stories do not matter. Kara and Lena's entire journey reflects a real queer couple's. So if you say that there is absolutely nothing romantic between these characters, it's invalidating.

So, The CW, forgive us for being delighted when we see a major heroine on our fucking TV screens who might just be one of us. Forgive us for wanting representation and demanding for the representation of our community to be respectful. We're sorry for hoping that our stories, our struggles, our fight for love and equality might just be represented by a major TV superhero show in Hollywood. And yes, we have Alex Danvers, Kelly Olsen, and Nia Nal already. But if you really care about these characters that are a part of our community, then give them and their relationships the much-deserved screentime and story development.

But honey, I will never apologize for giving you hell on constantly failing to find a "lead" that would match your protagonist. To be fair, you have a talent for finding the worst possible partners for Kara. Lucy? Wasted potential. James? You we're too racist before they had a chance then turned him into a terrible character. Mon-el? Self-absorbed and toxic. Also, he's married in the future. Don't even think about bringing his ass back. This show ain't The Legal Wife. I don't care if the actors are married in real life, this is fiction and their stories are different. William? ARE. YOU. FUCKING. KIDDING. ME?!

Here's what we've been trying to say about William Dey: he is irrelevant to any kind of plot in the episodes he's been in and the ones in the future, no emotional string to any other character, and pointless to the entire show. If he really is your final choice as Kara's love interest, make their relationship make sense. First of all, there is no chemistry. Second, there is no story. If he's your leading man, why is he the most disconnected character to Kara, both as a reporter and as Supergirl. Why is his character the most underwhelming? How come we cringe when we see him on our screens? Inserting him in random scenarios to seem relevant doesn't make him prince charming material. Just because he's also a reporter doesn't make him the Lois Lane of the show. He just got here! Being an asshole in the beginning, disrespecting her work, then suddenly sending treats on her doorstep isn't romantic. It's gaslighting. If he is truly Kara's endgame, it's disappointing because she will have the most shallow and thoughtless love story out of all the DC TV superheroes. To make matters worse, the actor is so defensive. He insists on being bullied by the fans and that his character is misunderstood. And I can't believe that there are cast members who are so vocal about giving his character a chance. This isn't a best friend's race where you have to defend your cast member all the freaking time. It sucks to hear. Ladies, if he's such a great character, you don't need to constantly convince your audience. You can't say you're tired of the fans who keep bullying him. His character simply does not fit the narrative. We're not bullies! We're simply asking for a better partner. Also, I understand that we must learn to separate the artist from his art. We get it. The actor who constantly whines on social media for the bare minimum support should know the difference too. To be clear, we don't really have anything against William as long as he stays as an extra because that's who he is on the show right now. Crumbs, darling. What we don't like is for him to end up with Kara because she deserves better.

Your main character has been traumatized for years, always at war with who she is and which side matters most, constantly loses the people she loves, selfless to the core, and isn't even given the space to breathe, process, and recover. She deserves someone who will be worthy of representing her family motto. El mayarah.

Kara Zor-El needs somebody who's gonna love her so much it's gonna hurt. She needs somebody who doesn't love her only because she's the girl from the stars, but understands that sometimes she just wants to be held. She needs somebody who respects her and actually listens to her. She needs to be protected more than ever because of the constant near-death experiences she faces. What's William gonna do? Kara needs somebody to come home to and show photos of the cats she rescued from a huge tree down the street and how maybe they could adopt one too. She deserves pillow fights, lazy nights, flopping at baking, geeking about her abilities, and so much more. She deserves someone she can share her heritage and build a home with. She needs someone who is just as human as she yearns to be, broken, a little bruised, but stronger everyday. She deserves to end up with the character who cares for her just as fiercely as Alex does. If that's really William Dey, you have a despicable way of showing it.

But, if you're too homophobic and decide for Kara to end up alone, then that's not fair. She has given so much to save her family, offered her cousin the space he does not deserve, the patience her parents have not earned, and her friends most of her time that they spend too much on just her alter-ego. She is worthy of being loved without expectations. And you know what? She already is.

Lena Kieran Luthor loves her - irrevocably,  unconditionally, to a fault.

I don't care if it was accidental, the acting brought it out, or you're just using their stories as a plot device to keep us on the edge of our seats. Lena loves Kara too much it almost broke her. She loves her so much that you decided to create this huge plot where she never finds out the secret so Kara won't lose the one person who doesn't mind if she lives in the rent-controlled side of town. Honestly, if that's just who she is, no cape or super abilities, Lena would love her just as much. She already does. Lena Luthor, the busiest character on the show, loves Kara to the point of devotion and invention. Do you know how hard it is to speak to a CEO casually? It's like trying to solve this global pandemic. It's impossible. Yet here she is constantly thinking about Kara this or Supergirl that. To be clear, I'm not excusing her actions last season. But she's stronger than what your showrunners give her credit for. Lena is constantly manipulated, abused, neglected, lied to, betrayed, you name it. But time and time again she has proven that she is Kara's match. You have given Kara Zor-El a soulmate the moment you decided that Katie McGrath should stay as a series regular. And I for one am not sorry that her character is a strong independent woman. You should start not being sorry or afraid too.

Look, you can say that it's too early in the season so I should not get ahead of myself. This is also fictional so I shouldn't have so many expectations. I would stop if you refrain from throwing any kind of bone. Maybe I should remain seated and let the writers do their thing? The reality is it's not too early in the season. In fact, it's far too late in the game. If this was RuPaul's Drag Race, baby we are lipsyncing for the crown! You can either sew, crack a joke, death drop 'til your legs give out while remembering the words to Shut Up And Drive, or sashay away.

This is your final season. You should be tying up loose ends. If Lena Luthor was a man, they would be having twins by now for all we know. You can't keep baiting us with your half-baked storylines just so you can keep your ratings afloat. You can't go on like this. Do it or drop it.

If you're going with a different romantic pairing for Kara than most of us hoped for, make it fucking make sense and stick with it. Otherwise, allow Kara to embody her family motto with the only person who truly makes her stronger.

Note: GIF taken from the @lonelydiary through Tumblr. Hope it's okay. Thank you.

the fact that this is 100% canon dialogue… that Kara got those journals for Lena in the end… when will i know peace ladies… 😞

I’d just like to talk about filmmaking and the CW for a hot minute.

Katie is very much correct about 1 thing: It’s not up to the creator to decide, how the audience will interpret their work.

You (the CW) can be a producer with tons of a experience, and make a show that you’ve worked on extensively, and you might still not get your message across to the audience. Or they might see things you didn’t intend to put out there. It happens, art is up for interpretation and there’s nothing to be done about it.

So suddenly, you find yourself with 2 actors with great chemistry. Lucky you, most people work hard to get that familiarity going and you just had it dumped in your lap. Here’s the deal though, perhaps that extra second of keeping the camera on their faces as they look at each other is enough for the audience to think there’s some tension between them. Don’t freak out, that’s OK. Again, it’s the audience’s job to pick up stuff here and there from your work that you didn’t intend to put out there. 

The question is, what do you do with this information, if it’s something you can work on?

If your show is solid, as in, you’ve created compelling characters who have arcs that are constantly evolving and plot lines that are leading somewhere and don’t get dumped and forgotten for the sake of new ones, people will keep watching the show regardless of what you do with the romances (unless the romances are the main theme of your story). You can keep an unplanned pairing platonic, in that sweet will they/won’t they spot, for quite a while if you’re a good writer.

But here’s the thing. If the only reason viewers tune in, is the pairing, you’re in some deep shit. Because if you keep the interactions platonic just to keep your show alive, you’re teasing the audience. You’re baiting them into tuning in to a bad show for the sake of unresolved tension. Basically, you’re not doing a good job. 

So, regardless of accusations of queerbaiting, which, in this case are accurate, you’re just not doing a good job. And the least you can do in the last season, after your show has been canceled, is have the balls to at least deliver what you’ve teased the audience into keeping your work alive and your paycheck running for - which is for the relationship to become canon. It’s really not that complicated.

All of these summaries of what the hell goes through their brains gives me life 😂😂

WHAT A YEAR THIS GAME WAS

okay, it’s minute 76 of utah royals vs portland thorns and in what is probably the most chaotic three minutes in all of 2019 soccer, this happens:

emily sonnett, in an accidental attempt to kick things into overdrive, proceeds to tap amy rodriguez like one of those rodents you whack at the carnival sending her headlong into the turf and lindsey michelle horan HAS. HAD. IT. i know what you’re thinking: isn’t sonny the star or this capital C chaos? no, it’s lindsey.

first of all, i’m in love with her. second, the great horan has spent this entire game pushing and screaming and shoving, so that fucks! but let’s get back to a-rod, who in the midst of falling face first onto the field, hears: RECORD SCRATCH-FREEZE FRAME-YEP, THAT’S ME and instead of clutching an ankle and wondering how she got into this situation until a foul is called, she springs from the grass like a cat on it’s 8th life and proceeds to yell, not regular, but BLOODY murder to the entirety of rio tinto stadium:

she is PISSED. she wants a foul, a red card, and probably the keys to a mansion in beverly hills at the rate the ref has pranced over to her defense— like okay law and order, we get it, you literally hold the cards afaksksk. if that weren’t nuts and granola crazy enough, a-rod decides soccer isn’t any fun without a chaotic outburst and i’d be out of a job (lol i wish someone would pay me to do this) and realizes: why accept this utterly plebeian form of justice when you can… start a brawl in the middle of the pitch!

she marches over to sonnett like she’s invading a small country or kicking off a protest in the street, sending her ponytail sashaying with the sort of supermodel swagger tyra banks would be proud of. if this were a made-for-tv musical, someone’s honor would be defended by a dance-off. but this isn’t hollywood and no one is pirouette-battling to a synth-pop beat. instead this is a friday night in sandy, utah and apparently that’s all it takes for 22 people to go from earnestly playing sports to completely fucking losing it. because let’s be realistic, this is a chaotic choice. screaming and pointing at a confused frat daddy junior is chaotic. defending your ten sheets to the wind teammate while also stopping her from starting a revolution is pure, that’s right, chaos. dagný brynjarsdóttir, appearing utterly unfazed by this whole thing but still managing to scream ‘HEY’ really loudly from two feet away is one thousand percent chaotic. and still more chaos ensues when lindsey and tobin arrive:

lindsey could maybe buy a little zen garden and rake some sand around but instead she settles for one tiny tap of aggression and low-key look at this restraint, she’ll be saving that energy for later. tobin however literally shoves two people, and maybe the earth’s center of gravity, into next week the way you would shove someone into on-coming traffic in the middle of rush hour. never mind the fact that her girlfriend (wife?) is wearing the same jersey as the enemy. never mind SPORTS BEING PLAYED. tobin, who historically cannot be bothered to spare one simple fuck for shenanigans, has stolen the flag of chaos and is now waving it wildly across the field. honorable mention goes to christine ‘get off my lawn’ sinclair for the arm swinging/head nod combo that seems to say, “yeah, and don’t come back to utah, either!” but take a look at one emily sonnett crossing the middle of the screen as she…

SLINKS QUIETLY AWAY??? WTEF. sonnett took one look at this family-dividing mess of a murder and said, ‘NO MA’AM, NO HOW.’ she is in and out of this crime scene like a thief in the night. she just, and i cannot stress this enough, strikes the match for this dumpster fire then floats over that river of chaos like a baby in a basket. AND LITERALLY NO ONE NOTICES because they’re too busy grasping at the last desperate straws of sanity. PHEW. even becky sauerbrunn is like ‘linds, chill’ and lindsey gives her a look like, ‘team usa, MY ASS.’

so for the first time in her freshman frat boy life, emily ‘well what happened was’ sonnett decides to act like the only adult on the field and casually goes to check in with the ref. with the mass hysteria going on, it’s clear red refy has completely forgotten sonnett’s previous offenses and the gentle, some may even call it soft, elbow touch alerts him to the fact that her playing time is over but not forgotten. sonnett takes one long walk back to the bench and just when we think things have taken a turn for the mundane, lindsey love of my life horan decides, IT’S TIME TO RUN THIS MF TRAIN AGROUND:

lindsey takes one look at a-rod standing over the ball and charges over like some little christmas elf about to pilfer frosted cookies, yeets her a foot off the ground, and then casually scampers away because LINDSEY SAID NO ONE TREATS FRAT DADDY JUNIOR THAT WAY. LINDSEY SAID GAY RIGHTS. LINDSEY SAID WORLD PEACE AND DIVINE UNIVERSAL ORDER. she just launches her with the velocity of a ten-ton truck, backwards, WITH A FLIP. (another special s/o to dagný brynjarsdóttir because wtef do they pipe into the water in iceland that no amount of first-hand murder witnessing will ever phase her?? SHE LITERALLY LOOKS UP THEN LOOKS AWAY HOLY FUCK)

idk what lindsey is saying here but she’s screaming. and if you listen closely, you can hear laura harvey screaming. everyone is screaming. in fact, everyone is losing it. FFS WHERE ARE THE LOCUSTS?? but also, if ever you were going to order more soup for say, twenty-five people at an italian fast-casual restaurant and then encourage the waiter to throw in free breadsticks, it might look something like this?? maybe a teammate of club and country can help calm things down…

with an ass pat??? ad franch, my guy, it is too late for ass pats of tranquility. you tried. but that card the ref is hunched over is yellow and it has lindsey’s name on it. does she care? no. but for the rest of the game, lindsey will roam from box to box, leaving no square of grass un-crunched, daring any utah player, even the injured ones somewhere hundreds of miles away on a stationary bike slowly pedaling through rehab training, to challenge her. she is both lonesome cowboy and trusty hunting dog, tracking signs of royals blood through the vast plains of utah and that distant sound you hear? lindsey. howling in the name of emily ann sonnett at the crescent moon.

big mood 😂😂

In conclusion, it’s impossible not to love Christen Press

ok listen, so i had an idea, and idk if it’s clear what’s happening in this shitty sketches, but im not going to spend two days animating this shit, so shitty sketches is all you gonna get, they’re basically just dancing and slapping Lex around ok?

+ the big finish:

not to be dramatic but katie in this fit could have me in a choke hold and i’d thank her

I can hear the disappointment I'm crying. This gave me a good laugh. I'm going with emma as the funnier one 😂😂

ok so if she's talking in her sleep I'm gonna infer that y'all cryptic Christen and Tobin peeps got something going on. it's okay I respect that imma just live happy knowing my heart that y'all are together. I just wanna know who's the introvert and who's this extrovert?

It’s really not hard to hear Emma sleep talking when I’m sleeping in the top bunk bed 🙄

As for introvert or extrovert, we kind of both play both roles. Emma’s very charismatic and great in social situations. I’m maybe a little quieter but am definitely the funnier one 😂 We both need time to recharge at home after lots of socializing though