I Did Trin Lovell’s List, And Thought I’d Post It. 

On my block S3 SPOILERS

I’ve seen people complain about the finale but I loved it. It felt so suitable to flash forward, I was so hoping for it to happen, otherwise the ending wouldn’t have been satisfying. After all friends promising not to lose touch, it was only fitting to see how that worked out.

It’s not a new concept to skip a few years in the story to show how a friend group fell apart. However, OMB did it well. The “future” felt realistic and we didn’t see too much of it, so that the interest for the next season would be high. That is good storytelling.

I hope they start off the next season two years later, and maybe show a few flashbacks. I assume something will bring the ex-friends together, and it’d be cool to see their new dynamic especially since they’re older.

Monse leaving Freeridge and moving on with new girlfriends was expected and isn’t necessarily bad as she’s also away from the streets now and sh*t that no teenager should go through. Although Monse was certainly the glue of the group which could be seen even in 1x01 (with Monse away Cesar left the group), so it’s natural for everyone to stop being friends without her.

I think Jamal was looking for a place where he could release all his energy that he used to spent on conspiracies, and maybe after looking death in the eye in S3, playing football didn’t seem so scary anymore. Apparently, he even turned out to be actually good at it just like his dad.

I was surprised, yet very pleased, to see Ruby and Jasmine going strong after two years. Thank you! That’s exactly what we need: healthy long-lasting relationships!

Oscar fulfilling his dream to have a family and leave the gang was probably the most wholesome ending. It was so satisfying to see him happy. And I hope he stays that way from now on. Please don’t hurt him.

At last, Cesar also had an expected conclusion to his journey. To put aside the sad reality of his life now (like it was easy before), if we solely judge from the entertainment value this choice is great, as we’ll get to see Cesar as a leader and hopefully more mature.

fuck hbo max for canceling genera+ion

tv shows set in the 90s

Reasons Why Ani’s Character Failed

     Season 3 of «13 reasons why» has been out for a long while, but with the 4th and final season approaching my thoughts circle back to one drawback that last season had. Now, this show is badmouthed enough as it is, and it’s not my intention here. I love «13 reasons why», that’s why I care so much about the subject. I’d also like to point out that there’s no hate towards the actress who portrayed Ani. If anything, this is directed at the writers as feedback from a fan of the show.

     The reasons why Ani’s character was brought into the story are understandable. Yes, she’s a plot device for Bryce’s storyline, and she’s the new narrator. On top of that, she’s supposed to be the audience surrogate. She’s the new girl coming into this group of kids, and just like us she tries to figure out Bryce’s murder and all the personal drama that comes along. However, this concept obviously fails (seriously, after season 3 all people could talk about was how much they hated Ani). So where did it all go wrong, exactly?

    The biggest problem with Ani’s character is by far her annoying personality. She’s nosy, spying on everyone and interfering with their lives. Surprisingly this reserved group of teenagers actually opens up to her. After everything that went on you would expect them to be more picky with who they trust. Characters don’t just confide in her, they feel obligated to justify themselves in her eyes. Like she’s some sort of angel.

Ani’s the one demanding the truth from everyone, yet she’s the one who keeps secrets. Her relationship with Bryce was meant to paint Bryce as a human being. In no way did Bryce deserve any redemption for his crimes, but it was essential to recognize him as a human, not a monster. Because once we see somebody as a monster, it becomes impossible to destroy them, they start to seem stronger than we are.

No matter how important it was to send this message, it didn’t do any favors to Ani’s character. She sleeps with Bryce knowing that he’s a rapist. She defends him in front of Clay, like a true rapist apologist. Ani with her hero complex wants to fix everyone, that’s why she’s all up in their business, that’s why she gets involved with Bryce. Unfortunately, she refuses to admit her own imperfection. She is a hypocrite. Even though at the end she acknowledges that sleeping with Bryce was the worst thing she’d ever done, it doesn’t excuse her actions.

   Introducing a new character into an existing dynamic is quite tricky. Over the seasons the audience grew to love the established characters. So when you let someone new share screen time with the beloved cast, the newbie should be captivating enough. Moreover, it is unfair for a new character to take away too much screen time from the numerous preexisting cast. It is especially irritating when this character is condescending towards the ones who’ve been there since day one and comes with no character development. That again raises the question: why would you make such a dislikable character (not presented as an antagonist) a main one?

    The significant part of Ani’s character is the narration of the season. It’s one of the reasons for introducing her character at all… But was narration even necessary in season 3?

Season 1 had Hannah’s voiceover via tapes because the plot revolved around her, we were seeing life through her eyes. She was the one telling the story. The plot couldn’t go on without it. Narration in season 2 could’ve been avoided, however that season already had a different feel to it, so the writers didn’t want to shock the audience completely by the absence of a voiceover. The narration helped to concentrate on particular parts of the story, and ramifications that the tapes left on each character. We got to see events from different perspectives, not just Clay and Hannah’s.

Nevertheless, narration in season 3 was unnecessary and poorly done. It is annoying as it is, when somebody tells the audience everything that’s going on when we can clearly see that for ourselves, but when it comes from a dislikable character it is twice as bad. Narration brings something to the story when it makes the story more interesting, when it’s revealing something new. (That’s why inner monologues actually work, when written well). On the contrary, Ani’s never-ending story, full of lies and vague pretentious phrases, is boring and distracting from the plot.

    Finally, let’s touch upon the whole – Ani being Clay’s love interest – thing. Since Hannah’s gone (and her ghost manifested by Clay as well) the main character needs another sidekick who’ll follow him around, because the audience needs Clay to communicate his feelings and theories at all times (which could be avoided, were Clay the narrator), and apparently Justin and Tony weren’t worthy enough to fit the part of his confidant.

Anyway, Clay and Ani being friends was fine, but where did this forceful romantic plotline come from? Dear writers, your main character does not always have to be in a relationship! We won’t respect Clay less just because he doesn’t get the girl. Honestly, most people will relate to him even more. Furthermore, it is important to show viewers, especially younger ones, that it is normal not to have a crush or date. The majority of teens doesn’t date in high school, and it’s frustrating to see characters always end up with somebody, like without that they can’t be complete or happy.

To be candid, Clay and Ani didn’t seem to have any chemistry. Both, their kiss and Ani telling her mom they’re dating, were unanticipated and out of place. There was no natural progression for them to be together at the end. After Clay finally sees Ani the way the viewers did all this time (ep 7), it’s difficult to find the moment where he starts to like her again or forgives her… Just because Ani comes up with the plan to save Alex from jail, it means Clay is in love with her? Clay? Angsty Clay who holds grudges and wants to take revenge on people (e.g. see season 1)? It’s hard to buy it.

    There was a theory that S3 was actually supposed to be narrated by Sheri. Unfortunately, Ajiona Alexus left the show. But could you imagine how much better would Sheri be instead of Ani. Sheri is a well developed character since season 1, who is liked by a lot of viewers. She has preexisting relationships with all the main characters, so it would be natural of them to confide in her. Not to mention her and Clay already had a thing in S1, so them ending up together in S3 would be logical and satisfying. Even if the concept of Sheri being the narrator couldn’t be brought to life, the next choice for that role would certainly be Clay aka the main character, not just a random new girl.

     Taking into account the upcoming season 4, what can there be done to repair the damage? Even though some may argue it’s the easiest decision, I doubt that Ani’s character will be just written off (no matter how much I want it). I see only two possible outcomes. Either her character gets way less screen time, or she gets outstanding character development, although I have no idea what there could be done for the audience to like her. At last, it is vital that the writers get rid of her narration.

I hope the flaws of the last season will be fixed, because I’m excited to see where the story takes us next, and I don’t want to suffer through Ani’s character to find out.

ranking hsmtmts characters bc i’ve got nothing more important to do

14. lily

she’s just plain annoying and i want her to get off my screen every time she’s on it.

hope she’s not in season three and if she is she’s not redeemed (make her even more evil, then maybe she’ll be interesting).

[this is just about the character of course, nothing against the actress]

13. miss jen

i was finally starting to like her in the beginning of season 2 but the last few episodes reminded me how infuriating she is. i don’t like how she treats her students and the fact that she doesn’t have teaching credentials doesn’t help.

12. ricky

it’s not that i hate him i actually like him sometimes, but he’s so oblivious and gullible. give this boy some therapy then maybe we’ll talk.

11. nini

she’s alright. but we see so much of her and yet so little of the important stuff that would actually make her interesting. i support and respect her and all, i just don’t really care about her.

10. natalie

hello where’s her screen time? episodes 10&11 proved she deserves it.

9. big red

he’s just kinda there. i like the actor but i’m not that invested in the character’s storyline.

8. carlos

respect him a lot. but the show doesn’t give him enough plot line for me to care.

7. seb

love him bc he’s a sweetheart but him and carlos are in the same boat (or should i say ship) when it comes to screen time. the show remembers they exist once every 5 episodes, so they’re just kinda there in the background.

6. howie

he’s so high up bc he intrigues me. i’m certain that he’s a good guy but i guess the finale will settle it for me.

5. kourtney

i’m glad that this season she’s not just a supportive black friend and gets her own storyline. although i wish we’d seen more of her at work & pursuing her dreams instead of only witnessing the howie drama (and even that mostly in the background).

4. ashlyn

ash was consistently great from the beginning. love her bond with gina and need more of it.

in some ways she reminds me of phoebe from friends because she’s a multitasking queen and apparently likes to stir up drama (bc wth was that deal with the chocolates).

3. mr mazzara

even though he was sort of an antagonist in season one (for like 4 episodes) and he said a few nasty things, since his first scene, i liked his presence and comedic timing. in season two he completely won me over. he’s just someone who can do no wrong at this point. and his relationship with ej is amazing. so yes he’s in the top 3.

2. ej

ej could’ve be an unlikable character but matt cornett is portraying him so well it’s impossible not to like him. he was definitely one of the most surprising character development wise. although he was my second favorite since day one, regardless. his story arc was one of the best. he is the best male character. now, i’m kinda scared to lose him next season. and also, portwell for life <3

1. gina

do i even have to say it? she’s a queen and everyone should bow down to her. should’ve been the main character idc.

sofia wylie was the reason i started the show and gina became my number one the second i saw her in the background. finally this season has been giving her all the screen time she deserves and i couldn’t be happier. gina is one of my all time favorite comfort characters.

5 underrated teen «plotting» dramas on Netflix

1. Blood & Water (2020) - South Africa

a teenage girl enrolls into a private school to prove that the queen bee is her long lost sister that was abducted at birth.

2. Get even (2020) - UK

four students from different cliques join their forces to anonymously fight the injustice in their elite british school.

3. Dare me (2019) - USA

the show explores the power dynamics of female relationships in a ruthless team of competitive cheerleaders from a small suburban town that ultimately bring them to their doom.

4. Rebelde (2022) - Mexico

the new students at the most prestigious art school in latin america are being threatened by a secret society that is set to preserve the “purity” among its ranks.

5. Love 101 (2020) - Turkey

a group of delinquents are trying to set up their teachers in order not to get expelled.

TOP 10 TV SHOWS I WATCHED IN 2020

1. Dear White People

This show goes on the top tier of my favorite shows ever. It’s been around since 2017 (after the eponymous movie of 2014) but only this year I finally got the chance to watch it. Truly one of the best written shows I’ve ever seen, with such compelling characters and story. While I love to watch series with hard hitting social topics, it’s usually very emotionally exhausting for me. However, DWP manages to balance the gravity of its plot with a bright outlook. Besides, I always love to see different characters’ perspectives so the format of DWP is extremely engaging.

2. Grand Army

Grand Army is not your typical teen drama. It’s very raw and real. Five protagonists pull you into the story, and whether you hate them or love them, they don’t let you go. All characters feel like actual people you could know in real life. The show talks about racism, terrorism, sexual assault, white feminism, poverty, homophobia, bullying and more. I also love the way the show uses phones and social media, which you rarely get to see in teen shows. It doesn’t feel glossy or over dramatic. It does get graphic and dark, but it makes you care about the fate of its characters. Here, we also get to see five different perspectives. That and the rawness reminded me of SKAM, although GA is way less cheerful. It could also be compared to Euphoria with it’s portrayal of real issues, but I feel like GA hits the spot much better (and has more diversity).

Finding out that the creator is racist, upon finishing the binge, left me shocked and quite conflicted. I hope they will change the showrunner for season 2 (if it gets renewed). 

3. The Great 

I’m not much of a period drama fan but this one’s no typical historical shows. It plays around historical figures, but you shouldn’t take that too seriously, just like the show itself. It’s a great (haha get it) fun to watch. The combination of comedy with the actual life or death peril creates a unique experience. Each episode the tables turn, you feel both, betrayed and enticed. Not to mention, Elle Fanning and Nicholas Hoult’s chemistry and performances are phenomenal. Overall, it feels like a strawberry blew up in your mouth (take it however you want).

4. Dickinson

Dickinson is similar to The Great in a sense of historical accuracy. And I’m grateful for it, because seeing the 19th century nobility twerking at a party was something that brought me an immense amount of joy. Of course, you get to see Emily Dickinson’s poetic and original inner world, which is handled quite creatively.

5. The Queen’s Gambit

This is just a very well written, portrayed and produced story. Even if you feel like it wouldn’t be your cup of tea (I mean a period piece about chess? Come on), chances are once you put the show, you won’t be able to stop. It’s a limited series with a star struck cast which pretty much reads like a prolonged film. It’s also pretty suitable to watch with your family, if usually you struggle to find a common interest.

6. Julie and the Phantoms

This show certainly exceeded everyone’s expectations. It may seem like a typical kids show, but it’s smart, deep and entertaining. The music is incredible and it’s impossible not to fall in love with characters. Also, here’s the proof that your show doesn’t need to have graphic scenes and oversexualized underaged characters to be good. 

7. Saved By the Bell: the reboot

So I didn’t watch the original show, but the reboot caught my attention mostly because of Josie Totah, and because the vibe of the show just felt like something I would like. And I was absolutely right. Perhaps it’s not everyone’s cup of tea (and what is?) but to me it’s hilarious. A sort of heart-warming witty little show with gen z humor and interesting diverse characters. Definitely my new comfort show. And Lexi’s my queen.  

8. Outer Banks

Released during self-isolation it became a way for the viewers to live vicariously through the risky outdoor adventures. Perhaps, that’s why it’s such a hit and a bit overrated. Don’t get me wrong, I really liked (why do you think it’s on this list). It’s not an outstanding show, might be cheesy and raise some questions (like how can they all be teenagers looking like that?) but it’s entertaining and engaging, and sometimes that’s all you need.

9. I am not okay with this

Let’s take a moment of silence for this amazing show being cancelled. Do you like Teotfw or Stranger Things, or better yet both? This show’s for you! It’s unique, dynamic, feels like you’re reading a comic book. Has a certain mystery to it and its own distinct voice. It also feels retro and nostalgic, even though it’s set in modern day.

10. Love, Victor [SPOILERS]

There’s a lot of things I wish I could change about the show to make it better: For starters, more representation. I mean you’re making a show, not exclusively, but primarily for the lgbtq+ community and you only have two main gay characters? What’s that about? There are so many possibilities to make other characters not straight. E.g. Mia and Lake could be couple goals, Pilar being bi, Andrew – definite bi energy. Secondly, the cheating trope is so exhausting and overdone in gay storylines. It doesn’t add drama, it just makes the couple and the characters hard to root for. Also, making the love interest so obvious was so underwhelming after everything we went through in Love, Simon. I was kind of hoping for a surprise love interest until the end.

Regardless of all that, no matter how far from teenage reality this show is, it was cute. And even though I rooted for the secondary characters way more than the main one, I’m still excited to see what they come up with for S2.

it just makes sense

1. eva = nora

both form a new friend group after they’re rejected by their former friends (+ get out of a relationship)

2. noora = fatou

the closest friend of the first season main character. both fall in love with a mean popular kid.

3. isak = ismail

a character outside of the main girl friend group.

4. sana = ava

the bold, outspoken friend of the group, who used to be bullied, and is badly perceived by (some) audience.

MY TOP MOST LISTENED ARTISTS IN 2024 🖤

i don’t think ppl talk about these shows enough! (or at all)