Hazbin Original Character - Blog Posts

Some sketches of my oc and him bonding with the Hazbin people and fixing up his leg. More on my oc soon :))

Newest drawing of my man in a dress forgot the pair of arms on the bottom

Hazbin hotel oc Sirico

The Jester

Here is the finished reference for the Jester:

His name is based off the word “Heckler” or “Heckle”, & his last name is a reference the term “Gleeman” which was a professional entertainer.

Rough Draft of the Jester

I’m working on the designs of the “Puppetified” Theatre Overlords, so I’ll be posting pics of the rough draft to get suggestions on what I should change or improve.

Here is the rough draft of the Jester:

I’ll reveal his name when I post the finished version.

As for his design, I based him off a jack-in-the-box; he died from suffocation while being trapped in a box, & most jack-in-the-boxes have a clown or jester within them.

His role in the theatre was that he acted as an “audience” during rehearsals, but just heckled & taunted his coworkers to make them frustrated or flustered. He’s also part of trio.

The Magician

Here is the finished reference for the Magician:

His name is a combination of the Arabic words “jaa” meaning starve & “sahar” meaning magic.

I really like how he looks, I might use him more in the main plot with my OCs, just not as an “active” participant.

The Rough Draft of the Magician

I’m working on the designs of the “Puppetified” Theatre Overlords, so I’ll be posting pics of the rough draft to get suggestions on what I should change or improve.

Here is the rough draft of the Magician:

I’m still working on a name for him, but I’ll include when I upload his finished design.

I based his design off of the Sem Priests, which were sometimes referred to as “Magicians”. They would were leopard print cloth, I’ve seen both where they wear it around their chest or around their waists.

I also based his design off the Egyptian deity, Set or Seth, who is the god of chaos, storms, pestilence & war; he’s also sometimes referred to as the god of deception, which fits the Magician in that he deceits his audience. Now it’s said that Set’s head is based off an unidentified animal, but some of theorized that it could be a jackal, Saluki, donkey, or an aardvark. I decided to do the aardvark since it looks closer to the “Set Animal”.

I also tried to make him look extremely starved, since he died from starvation.

Please let me know if I got any information wrong & what I should improve on.

Theatre Overlords (Both Current & Puppetified), plus a few extras!

I was gonna wait until I draw/redraw all of them, but it’s gonna take some time, so I’ll just put a list of the sinners/hellborns that are working or have worked in the SA Theatre. I don’t have names yet for the Puppetified characters yet, but I’m gonna list what they did at the SA Theatre, when and how they died, and some facts about them when they were alive.

BTW: When I say “Puppetified”, they’re not dead but more like in a deep sleep, unaware of time.

Current Overlords of the SA Theatre:

Thee Puppeteer

1. Born & Died in Qing Dynasty China

2. Feb 1648 - Aug 1720

3. Cause of Death: Lingchi

4. Founder of the Strings-Attached Theatre

5. He/She/They/It

6. When alive, they had a deep hatred for nobility, gentry, & “good” commoners (they were considered a “mean” commoner).

7. They created strings made from “Angel’s Iron” that they use to control & “punish” the residents of the SA Theatre.

Zelyezda

1. Born & Died in Russia

2. 17 Dec 1794 - Jan 1830

3. Cause of Death: Hanging (Suicide)

4. Lead Ballet Performer of the Strings-Attached Theatre

5. She/Her

6. When alive, she was a cruel ballet teacher that caused a lot of self-doubt & low self-esteem in her students.

7. She became an adoptive mother to Walle & is in a co-parent relationship with Stragedys.

Madame Fuocella

1. Born & Died in Italy

2. 28 Nov 1812 - 27 Nov 1853

3. Cause of Death: Burned Alive

4. Prima Donna of the Strings-Attached Theatre

5. She/Her

6. When alive, she was very narcissistic & had a severe case of Princess Syndrome, until she got married & had a daughter.

7. Her voice is almost hypnotic, luring the sinners to the SA Theatre.

Stifonies Ziemuzies

1. Born & Died in the Netherlands

2. 3 Apr 1846 - Feb 1871

3. Cause of Death: Smallpox

4. Conductor & 2nd-in-Command of the Strings-Attached Theatre

5. He/They

6. When alive, they were an orchestra conductor that overworked their instrumentalists to the point of illness or even heart failure.

7. They are mute, but can “talk” via telepathy.

Missy Burlappe

1. Born & Died in England

2. 2 Sep 1895 - Mar 1927

3. Cause of Death: Blunt Force Trauma (Tripped off a building)

4. Costume & Clothing Designer of the Strings-Attached Theatre

5. She/Her

6. When alive, she was a seamstress & tailor by day & a cannibalistic serial killer at night.

7. She often visits Cannibal Town to chat with Rosie, & on some occasions, Alastor.

Stragedys

1. Born in Greece, Died in Bulgaria

2. 1 Jan 1867 - 30 Jul 1913

3. Cause of Death: Shot (2nd Balkan War)

4. Playwright of the Strings-Attached Theatre

5. He/Him

6. When alive, he was a farmer that became a soldier after the death of his uncle.

7. He became the adoptive father of Walle & has started to gain feelings for Zelyezda.

Walle

1. Born & Died in Austria

2. 27 Apr 1926 - Dec 1941

3. Cause of Death: Euthanasia (Aktion T4)

4. Scene Designer of the Strings-Attached Theatre

5. He/Him

6. When alive, he was admitted to the Am Spiegelgrund Clinic during WW2.

7. He’s not very talkative & is rather fearful of most adults, with the exception of Zelyezda & Stragedys.

Faunne Pretenter

1. Born in Canada, Died in the USA

2. Jan 1940 - Mar 1969

3. Cause of Death: Shot (Mistakenly Murder)

4. Impersonator & Impressionist of the Strings-Attached Theatre

5. He/Him

6. When alive, he would impersonate famous individuals to gain popularity & money.

7. He lost his overlord status after betraying Thee Puppeteer, but is kept “awake” due to him being considered valuable by Thee Puppeteer.

Puppetified Overlords of the SA Theatre:

The Magician

1. Born & Died in Egypt

2. Jun 1745 - Feb 1784

3. Cause of Death: Starvation (Famine)

4. Illusionist & Magician of the Strings-Attached Theatre

5. He/Him

6. When alive, he would use magic tricks & illusions to con people out of money.

The Jester

1. Born & Died in Ireland

2. Apr 1778 - Apr 1824

3. Cause of Death: Suffocation (Trapped in a box)

4. Heckler & “Audience” of the Strings-Attached Theatre

5. He/Him

6. When alive, he worked at a pub where he heckled & taunt many of the customers.

The Mime

1. Born & Died in France

2. June 1815 - 23 Feb 1848

3. Cause of Death: Shot (French Revolution of 1848)

4. Mime & “Retired” 2nd-in-Command of the Strings-Attached Theatre

5. She/Her

6. When alive, she was part of the crowd that was against the current monarch, Charles X.

The Sculptor

1. Born & Died in Italy

2. Apr 1810 - May 1850

3. Cause of Death: Crushed (By his own creation)

4. Scene & Prop Designer of the Strings-Attached Theatre

5. He/Him

6. When alive, he would created overly complicated pieces that would then fall or break apart.

The Clown

1. Born & Died in England

2. Feb 1803 - Jan 1862

3. Cause of Death: Scarlet Fever

4. Comedian of the Strings-Attached Theatre

5. They/Them

6. When alive, they were a rookie comedian, but worked as a circus clown.

The Ribbon Dancer

1. Born & Died in China

2. May 1828 - Jun 1862

3. Cause of Death: Strangulation

4. Lead Ribbon Dancer of the Strings-Attached Theatre

5. She/Her

6. When alive, she would sabotage others to make sure that she was the center of attention.

The Animal Tamer

1. Born & Died in Australia

2. 26 Sep 1849 - Jan 1871

3. Cause of Death: Eaten Alive

4. Animal Trainer of the Strings-Attached Theatre

5. She/Her

6. When alive, she would feed her more obsessive fans to her animals.

The Hairstylist

1. Born & Died in Spain

2. May 1839 - Nov 1875

3. Cause of Death: Decapitation

4. Make-Up Artist & Hairstylist of the Strings-Attached Theatre

5. She/Her

6. When alive, she would become jealous of those who were deemed “more beautiful” & would “steal” their features.

The Shadow Puppet

1. Born & Died in Indonesia

2. Jul 1864 - Jun 1884

3. Cause of Death: Skinned Alive

4. Shadow Puppeteer of the Strings-Attached Theatre

5. They/Them

6. When alive, they skinned & tanned their own leather for making shadow puppets.

The Strongman

1. Born & Died in Scotland

2. Nov 1848 - Dec 1890

3. Cause of Death: Dismemberment (Gang Fight)

4. Bouncer & Bodyguard of the Strings-Attached Theatre

5. He/Him

6. When alive, he worked as a circus strongman.

The Prosecutor

1. Born in Ukraine, Died in Russia

2. Feb 1860 - Dec 1905

3. Cause of Death: Shot (Murder by Rival)

4. Director of the Strings-Attached Theatre

5. He/Him

6. When alive, he would forge evidence & fake witnesses to win his cases.

The Chef

1. Born in Thailand, Died in Austria

2. Feb 1874 - 1 Apr 1911

3. Cause of Death: Stabbed (Domestic Violence)

4. Chef & Cook of the Strings-Attached Theatre

5. She/Her

6. When alive, she was married to the baker & played an affair prank that resulted in her death.

The Baker

1. Born in Switzerland , Died in Austria

2. Oct 1861 - 1 Apr 1911

3. Cause of Death: Stabbed (Suicide)

4. Baker & Confectioner of the Strings-Attached Theatre

5. He/Him

6. When alive, he was a blacksmith that then married the chef; who he then killed in a fit of rage.

The Mask Maker

1. Born & Died in Japan

2. Dec 1898 - Dec 1916

3. Cause of Death: Bleeding(Suicide)

4. Prop & Mask Designer of the Strings-Attached Theatre

5. She/They

6. When alive, they actually carved & made their own dolls & masks.

The Pianist

1. Born & Died in Germany

2. Aug 1861 - 25 Sep 1927

3. Cause of Death: Heart Attack

4. Composer & Pianist of the Strings-Attached Theatre

5. He/Him

6. When alive, he was very prideful of his, even looking down & degrading those he deemed “barbaric”.

The Twin Actors

1. Born & Died in the USA

2. 10 Aug 1912 - 28 May 1935

3. Cause of Death: Drowned (Died during filming)

4. Lead Actor & Actress of the Strings-Attached Theatre

5. He/Him & She/Her

6. When alive, these 2 were very competitive with each other, which would lead them to their death.

The Singer

1. Born in Sweden, Died in Denmark

2. Oct 1926 - Oct 1957

3. Cause of Death: Spinal Fracture (Hit by a car)

4. Lead Musical Singer of the Strings-Attached Theatre

5. He/Him

6. When alive, he would overwork himself to the point of exhaustion & becoming hoarse.

The Aerial Dancer

1. Born & Died in the USA

2. Mar 1944 - Jul 1968

3. Cause of Death: Blunt Force Trauma (Fell during performing)

4. Lead Aerial Dancer of the Strings-Attached Theatre

5. She/Her

6. When alive, she grew jealous of her teacher, where she then sabotaged her silks to injure the teacher.

Hellborns (& Angel) of the SA Theatre:

Ezak

1. Imp from the Wrath Ring

2. BTS Worker & Servant of the Strings-Attached Theatre

3. He/Him

4. Originally a Labor-for-Hire, he got fully employed at the SA Theatre after being promised protection & “fair” treatment.

Sweetie Pie

1. Hellhound from the Lust Ring (But originally from the Gluttony Ring)

2. Maid & Servant of the Strings-Attached Theatre

3. She/Her

4. After being abandoned by her owners, she became friends with Ezak & followed him to the SA Theatre.

Gizela “Gizi”

1. Captured Exorcist

2. Prisoner of the Strings-Attached Theatre

3. She/Her

4. She was captured by Thee Puppeteer, who then uses her blood to make “Angel’s Iron”; she is also used as bait to lure other Exorcists into the SA Theatre.

Can an Imp or Hellhound Work for an Overlord?

Asking because I’m adding some characters for my Theatre Overlord OCs, 2 of which will be hellborn.

One will actually be a character you all have seen before, she was originally part of another character, but decided to make her a separate character.

Theatre Overlord OCs Updates

Sorry for not posting in a while, started to lose motivation for drawing and just writing in general.

But I’m working on the designs and bio for the main Theatre Overlord OCs, along with working on “previous” overlords that worked in the theatre before…”retiring”.

I won’t give too much away, but I do want to relay some information and get feedback.

Information

The official name of the theatre, for now anyways, is “The Strings-Attached Theatre”.

The Puppeteer is now called “Thee Puppeteer”.

Thee Puppeteer is able to “Puppetified” individuals who they deem “Disobedient” or “Undesirable”. Who’ll see a few of these past overlords in some fan art surrounding Thee Puppeteer.

Thee Puppeteer’s strings are made from a material they call “Angel’s Iron”, which is made from extreme amounts of angel blood. “But where does Thee Puppeteer get all this angel blood?” I’m sure you all can put the pieces together.

While most of the previous/potential theatre overlords don’t add much to the story, mainly just adding flavor text, there are a few that give more “character” to the current theatre overlords.

That’s all the new information for now.

Please let me know your thoughts about these facts, especially about the Angel’s Iron idea.

Stragedys Redesign

This is actually the character that sparked this idea of redesigning my Overlord OCs. I just didn’t like how he looked, mainly his clothing.

Here is the finished redesign of Stragedys, plus the addition of his pet hellsheep: Phema.

While redesigning him, I decided to take some inspiration from Cyclops, specifically Polyphemus from the Odyssey.

I made his hair curly and changed the clothes to look more like the Greek Military uniform during the Balkan Wars since that is when he died.

His sheep is obviously a reference to Polyphemus and how he cared for flocks of sheep.

Missy Burlappe

I’m working on adjusting and redesigning my overlord OCs.

Here is the design of Missy Burlappe:

The biggest changes are her clothes in appearance and colors. I wanted her to have that dress that’s puffy towards the hips, but tight towards the bottom. I also lightened the colors since I felt that the colors were too dark. I also shortened and changed the design of the jacket.

I changed her lashes a bit and gave a mouth similar to Rosie.

I used Rosie and Alastor as reference for drawing and colors.

Slight Walle Redesign

Now that I got the basic idea of what the Theatre Overlords will look like, I’m gonna be doing a redraw/redesign for fix proportions, colors, and make changes in overall design.

First we have Walle, the Artist Overlord.

I used Niffty and Millie as reference for drawing the body and colors.

I shortened the length of the limbs, torso, and “horns”, I also enlarged the head. I decided to make the veins on the arm less complicated for easy reference.

I decided to add small lashes to his eye, and added bug wings since he’s based off a stag beetle.

I also adjusted/changed the colors so that they are less faded and more bright like in the show.

Finally at last, meet:

The Puppeteer

Unlike the others, not much is known about except how they died, and the general area and time when they were alive.

They grew up in China and was born during the early beginning of the Qing Dynasty (1644-1911),

So sometime during the mid-late 17th to early 18th centuries.

Based on some stories told by The Puppeteer, they were an actual puppeteer while alive, making their own puppets and performing at local theaters.

They were killed by a form of torture and execution known as Lingchi or “Death by a Thousand Cuts”, which is used for the most heinous crimes like High Treason, Mass Murder, R*pe, Patricide/Matricide, Murder of one’s Master/Employer, etc. It’s still not clarified what they did to receive this, but it’s implied to be mass torment and murder.

Nobody in Hell has really heard or seen this character until just recently, in fact, only the souls that they owned or is being stalked by them know about the Theatre. They decided to show themselves after hearing about Charlie and the Hazbin Hotel, inviting her and friends to a show.

They clearly have something in mind for her, but first they must handle a certain Radio Demon first.

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The Theatre Overlords Height Chart (minus The Puppeteer)

The basic design for 6 out of the 7 Theatre Overlords have been completed. Except for The Puppeteer, who I’m working on right now.

Below is a height chart/comparison:

Now onto some other news regarding these characters, I’m working on some storylines.

1. Who can/will be redeemed?

2. Possible love interest/crush for Stragedys (it’s someone from the Hazbin crew).

3. Possible relationship between Stifonies and The Puppeteer.

4. Interactions with the main cast.

Madame Fuocella: The Blazing Siren

Madame Fuocella is the Overlord over the Opera industry and is part of the Theatre Overlords lead by The Puppeteer.

She was born in Naples, Italy and into a high-status family; she grew up during the Risorgimento or known as the “Unification of Italy”. Due to her childhood and being constantly praised by the male population, she had developed a princess complex.

Her family were able to visit several famous opera houses throughout Italy and France, seeing the fame, glory, and even compassion from the singers, she wanted to become an opera singer. After performing in more local theatres, she started to get recognized by many composers. Seeing this as an opportunity to boost their status and income, her family decided to build their own opera house for her to perform in.

During one of her performances, she made met a man. After finally meeting, and getting to know each other better, they both fell in love and got married to each other; a year later, they had a daughter.

However, when returning home, she saw someone who looked like her husband with another woman. Filled with rage, she waited until the woman was alone, and then confronted her. In a fit of rage, she attacked the woman, strangling her to death.

It was soon discovered that her husband has a twin brother, and that was who was on the date with the woman. The twin found the body and immediately blamed her; however, her husband defended her.

One night, she brought her daughter to her family’s opera house to show off her singing. However, the twin knew they would be there and covered most of the opera house with kerosene. After they entered, the twin locked them inside before lighting it up. The building started to collapse on top of them, crashing and killing the daughter. She was caught under the rumble; eventually experiencing a slow and painful death by burning alive.

After arriving in Hell, she was greeted by The Puppeteer, who watched her many performances when she was alive. The Puppeteer offered a deal to her, they would enhance her voice to draw her audience in, a “false” daughter who will always be with her, and the power to control any soul she owns during any performance. However, in exchange, her soul is owned by the Puppeteer, having to follow their command when needed. Wanting to gain back her fame and her “daughter”, she accepted The Puppeteer’s deal.

Many would willingly sign over their souls just to perform with her, let alone be near her. She has a rather flirtatious and egotistical personality, thinking that everyone wants her. If anyone tries to ignore her, she’ll throw a temper tantrum and basically push herself onto said person.

After hearing about Charlie and what she’s trying to accomplish at the Hazbin Hotel, she at first thinks of it as nonsense. However, believing that if she can get “redeemed” she could see her real daughter and husband again, she’s waiting to see the results before making a rather big decision.

Design

Her name is a rough combination of the Italian words for “Fire” and “Bird”.

She’s around 11ft 8in, making her a bit shorter than Zelyezda.

She has the appearance of a bird, specifically a phoenix, to represent how she died and how she’s rising up.

Her feathers can burn like fire when angered, but she constantly feels warm like a fireplace.

The necklace and bracelets represent “shackles” during to her being under The Puppeteer’s control.

She lacks wings like a typical bird demon, with her arms resembling talons. However, her full demon form looks similar to a griffin minus the mammal counterpart, or simply a four legged bird.

Here is a basic reference without the clothes and makeup:

Stifonies Ziemuzies: “The Symphony of Silence”

Stifonies Ziemuzies, Stifonies or Stifons, is the Overlord over the Orchestra industry, specifically Symphonies, and is part of the Theatre Overlords lead by The Puppeteer.

They had a fairly calmed life, growing up in a small town and worked as animal breeders. Their favorite animals to take care of were rodents, specifically rabbits (rabbits were considered to be rodents until the early 1900s). They were born mute due to defects and malfunctions in their throat, not that they mind.

However, the Netherlands started to began to flourish with the arts, music, and sciences; bringing them an inspiration and admiration for music. Their family took them to see orchestral performances, which in return, inspired them to write their own music. Some conductors would volunteer to perform these songs, but none of them matched Stifonies’s vision.

During one of these performances, a few of the performers accidentally played their instruments too loudly and suddenly. Due to where Stifonies was sitting, they got instantly affected by this, causing them to become partially deaf in their right ear.

They were told that it’s best for their health to stay away from orchestra performances to prevent their deafness from getting worst, but they refused. Many began to turn their backs on them, due to seeing that their music as “odd” and “unconventional”. But they still continued to write and eventually performed their music themselves. However, they were a perfectionist. They would work and force their instrumentalists to practice to the point of severe exhaustion. One day several of their performers died from a stroke while performing. Soon they were left with no players to perform in their orchestra, leading them to stop performing all together.

Unfortunately, the Smallpox epidemic reach the Netherlands. They soon got infected by this epidemic and was stuck in bed for days, being comforted by the rodents they once took care of. Then in February of 1871, they died in their sleep.

After arriving in Hell, they actually found themselves at The Puppeteer’s Theater. The Puppeteer, shocked by their sudden arrival, greeted them warmly. Since they were the first to ever appear at the Theater, and watched their orchestration talent while alive, The Puppeteer saw this as fate and offered a deal to them. The Puppeteer offered to make them the 2nd in Command of the Theater, the ability to control the instrumentalist and instruments themselves, and being able to practice nonstop without the worry of exhaustion. However, in exchange, their soul is owned by the Puppeteer, having to follow their command when needed. They saw this as a second chance and was pleased with the conditions, accepted eagerly.

They were cruel to most of the souls they owned, working them nonstop, and even breaking limbs to punish them. Even with broken bones, they still make them play, either on their own or through their powers. They didn’t feel the need to get along or even socialize with the other Overlords and often ignored them, even leaving snarky “remarks” and comebacks. Not even The Puppeteer was safe from their sass.

Design

Their name “Stifonies Ziemuzies” is a combination of the Dutch words for “Silent” and Symphony”, and “Sick” and “Music”.

They’re around 8ft 2in, making making them around the same height as Angel Dust.

They have rabbit like features to represent their fondness for rabbits, and rabbits are linked to magicians who are often said to have “a few tricks up their sleeves”.

Their body is covered with small spots to represent smallpox.

They feel like fresh new paper, smooth and warm, and is able to be drawn/written on. This is to represent that they preferred to communicate through writing rather than sign language, but still know how to.

Unlike the other overlords, they only have a “shackle” around their neck, which looks like a bow tie. This is due to them being the 2nd in Command for the Theatre.

They lack a mouth, mainly to represent that they’re mute, but one can form when in their full demon form.

Here is a basic reference without the clothes and makeup:

Stragedys: The Seer of Tragedy

Stragedys is the Overlord over the Playwright industry, specifically as a director and writer, and is part of the Theatre Overlords lead by The Puppeteer.

He grew up on a small farm in Doxato, Greece during the late 19th century. During this time, Greece was poor and close to bankruptcy, however, he was a positive face amongst the townspeople.

He was a hard-worker and always lent out a helping hand to those around him. But as much as he liked working, he found great comfort in the words of stories. After he paid the necessities, he would use whatever he had left to gather stories of all kinds and make his own personal makeshift library. However, as the country grew poorer and his allowance grew less, he started to write his own stories to fulfill his dream.

His uncle, who saw his creativity in his stories, was a shipowner and offered to take him on adventures to help inspire him for his stories. However, during one of these adventures, there was a great storm causing both the uncle and the ship to sink to the bottom of the sea. Stragedys was the sole survivor and constantly blames himself for this tragedy. He stopped writing and drowned himself in work and chores.

Then in the early 1910s, the Balkan Wars erupted. He entered these wars willingly, giving all his energy and releasing all his anger on the opponent’s soldiers. He was fierce but reckless; his family pleaded with him to stop and think, but he ignored them. He survived the 1st Balkan War, but wasn’t so lucky during the 2nd Balkan War.

When charging, he got shot several times before being shot in eye, and eventually bleeding out on the field.

After arriving in Hell, he was immediately greeted by The Puppeteer, who has read his stories and watched his struggle during his past life. The Puppeteer offered him a deal, they would bring back the passion he once had for writing, give him dreams and nightmares to inspire new stories for him to write, the ability to create emotion manifestation plays from these stories, the power to turn any of the souls he owns into natural actors for said plays. However, in exchange, his soul is owned by the Puppeteer, having to follow their command when needed. Longing for the days of his stories, and the thought of turning these stories into moving plays, he accepted The Puppeteer’s deal.

He’s definitely more social and outgoing than the other Overlords, much like how he was when he was alive. He tries to get along with everyone, being polite and respectful even towards the rudest individual, but he views The Puppeteer as a god of some sort, praising him for the gifts they bestowed onto them. After the Puppeteer invited Charlie and the gang to watch one of their performances, he met with Charlie and immediately started to flatter her, trying to get her praise for his plays. Even after learning about the Hazbin Hotel, and what Charlie is trying to accomplish at said hotel, he only cares about what goes on at the Theater. He both deeply admires and fears The Puppeteer, doing anything and everything to gain their approval.

Design

His name “Stragedys” is a combination of the Greek word for “Soldier” and Tragedy.

She is around 8ft 5in tall, making him slightly taller than Angel Dust, who’s around 8ft 2in.

He’s a cyclops for a few reasons:

Cyclops are from Greek Mythology.

He lost one of his eyes during the war.

Clyclops are described to be violent and not the brightest, which fits how Stragedys was towards the end of his life.

Regarding the colors, I decided to do more seaweed colors mainly to represent the incident that lost his uncle and his general motivation to write.

He has marks that look like shot wounds on his head, neck, and torso to represent how he died.

The cuffs around his ankles, wrists, and neck act as “shackles” due to being under The Puppeteer’s control.

His eye is actually detachable, and can be used had a weapon. When it pops out, it turns to stone and can be used as a chained wrecking ball.

Here is a basic reference without the clothes and his hair down:

Walle: The Graffiti Bug

Walle is the Overlord over the Art industry, specifically painting and scenic art, and is part of the Theatre Overlords lead by The Puppeteer.

Walle grew up in Vienna, Austria during the 1920s and 1930s. He was a rather sickly child, with a very weak immune system and often being neglected by his family.

He almost never left his home or even go outside, meaning he had no friends growing except for the many rodents and bugs that would enter his rooms. His best friend being a stag beetle.

However, he would entertain himself by drawing and painting with material he can find. Even his family dubbed his activities as “wasteful and useless”, he would continue to draw anything and anyone that he saw either from his room or outside his window.

However, during the 1930s, he was diagnosed with schizophrenia and was placed under the care of the Am Spiegelgrund Clinic in Vienna, Austria. While there, he was bullied and mistreated by the other patients and staff members. To continue his artistic passion, he would use food, clothes, dust, and even his own blood, hair, and nails to create art. However, while being punished by a nurse, Walle lost control and attacked the nurse, which he doesn’t remember much off except that he was holding a knife and the nurse was lying in a pool of her own blood.

Because of this incident, he was locked his room, wearing a straitjacket and shackles around his ankles, preventing him from even walking around his room.

During this time, Austria was under Nazi rule, where a new program was established to “handle” the mentally ill/physically defective children, called Aktion T4. This program lead to over 700 children to be euthanized at the Am Spiegelgrund Clinic.

In December of 1941, Walle was sent to be euthanized by a lethal injection of phenol, and soon became one of the many unfortunate children to fall to this program.

After arriving in Hell, he was greeted by violence of the sinners, and tried to hide to protect himself. However, he was found by The Puppeteer, who saw his potential artistic talent when he was alive. The Puppeteer offered him a deal, they would bring out the artistic talent dormant within him, give him the energy and motivation to create massive masterpieces in just hours (or days depending on the size of project), and offer to protect him from all the dangers within Hell. However, in exchange, his soul is owned by the Puppeteer, having to follow their command when needed. Due to his young age, and being taught that he was of low value, he accepted The Puppeteer’s offer.

Due to being isolated for most of life, he doesn’t really know how to socialize, mainly keeping to himself unless he’s addressed, which then he only responds with one word to short sentences. He does get along with Zelyezda, almost viewing her as a mother. She was the first to greet and comfort him whenever he felt stressed or had a nightmare. After the Puppeteer invited Charlie and the gang to watch one of their performances, he met with Charlie, but barely paid any attention to her. It was Zelyezda who told him about what Charlie is trying to accomplish at the Hazbin Hotel. After learning about the possibility of redemption and going to Heaven, she urges him to go there and try to be redeemed, wanting to both give him a better afterlife and to break free from the Puppeteer’s control.

Design

His name is the combination of the German words: “Wanze” meaning Bug and “Falle” meaning Trap.

He is around 4ft tall (4ft 6in including his horns), making him the shortest of the Theatre Overlords and around the same height as Niffty who’s around 3ft 9in-4ft.

His horns resemble that of a stag beetle, specifically an European Stag Beetle. This is supposed to represent both his “best friend” growing and the saying “small but mighty”

Regarding the colors, I wanted him to similar to a corpse during decomposition, which the body turns pale and slightly green.

His very frail and slim, having a general humanoid figure, with the exception of the horns, lack of nose, and deathly cold skin. The red x on his arm represents where he got the lethal injection, with veins representing the phenol.

Unlike the other Theatre Overlords, he doesn’t have any physical shackles. This is due to him being in the “free trial” of The Puppeteer’s deal. This gives him a false sense of freedom and The Puppeteer feels that shackles aren’t needed to control him, unless he severely misbehaves.

Here is a basic reference without the dress:

Missy Burlappe: The Flesh-Thread Seamstress

Missy Burlappe (Ms. Burlappe or just Missy) is the Overlord over the clothing industry, specifically costume design & tailoring, and is part of the Theatre Overlords lead by The Puppeteer.

She grew up around the small town of Glossop, England during the early 1900s. She had a large family: parents, siblings, grandparents, great grandparents, uncles, aunts, and cousins all living under 1 roof.

However, her family was far from innocent: they were a family of murderous cannibals. It’s unclear when this “traditions” started, but it’s been in the family since before the great grandparents. They would kidnapped individuals and use parts of their bodies to eat or use in clothing, furniture, and even toys for the children.

Missy was quite skilled in skinning the victims and using their skin for sewing, helping with making clothes and dolls for her younger siblings and cousins. She also grew an interest in creating detailed designs in the “clothes” she makes (and eventually using normal pieces of fabrics to sew).

Once she turned 18, she moved to Liverpool, England and opened her own boutique. While not the most popular, she became well known throughout the city. However, family traditions are hard to get rid off, and cravings started to grow.

She would first kidnap people whom she judged “sinful”: thieves, abusers, drunks, prostitutes, generally rude people, smokers, etc. She then started going after individuals who lived alone and “flirt” with them. Missy had a secret basement under her boutique where she would keep the kidnapped individuals.

However, she grew careless one night and didn’t realized she was being followed. After finding her next victim, she lead her to her boutique, not realizing that the victim’s lover was following her. Before Missy could do anything, the Lover grabbed the victim and ran to the roof of the boutique. Missy followed them, thinking she had cornered them.

However, the victim grabbed a burlap bag and covered Missy’s head. Unable to see, she tried to find them, but was pushed off the building and fell into the streets below, killing her.

After arriving in Hell, she was greeted by The Puppeteer, who has been watching her and her “creative” clothes designing during her past life. The Puppeteer offered her to “improve” her hands to help better at clothes designing, eat as many individual as she pleases, and give total control over the souls she collect in exchange for her “working” under The Puppeteer, making her follow The Puppeteer’s every demand when needed. She accepted with no hesitation.

Out of the other Theatre Overlords, she’s definitely more unstable, making most feel uneasy and even in danger around her. While “most” of the others felt some remorse for their past actions, she feels none and justifies her past actions, but also she had fun doing these past. However, when she was allowed to leave the Theatre, found solace in Cannibal Town and became good friends with Rosie, and eventually on good terms with Alastor.

Design

Her name is based around the fact that parts of her body is made of burlap, and she died with a burlap bag over her head.

She is around 7ft 8in tall, making her taller than Alastor, who is supposedly 7ft 2in.

Her fingers are supposed to look like pins and needles often used in sewing (took some inspiration from Beldam from Coraline and the Prototype from Poppy Playtime).

Regarding the colors, I wanted her to look somewhat similar to the inhabitants of Cannibal Town, specifically Rosie.

Her body is very floppy, almost like she has no bones. This in a way is supposed to reflect how she died, which was from severe blunt trauma from falling off a building.

She has long arms due to The Puppeteer’s offer, and to represent how she could have “reached” the duo before falling, bringing them with her.

The pins around her wrists and neck act as “shackles” due to being under The Puppeteer’s control.

Here is a basic reference without the dress:

Lineart For the Seamstress Overlord

I had fun drawing this one, but had some trouble drawing the eyes.

I took some inspiration from “Downtown Abbey” when designing the clothes.

Gonna say more about her when I post the finished version.

Zelyezda: The Iron Mistress

Zelyezda is the Overlord over the ballet industry, specifically Russian ballet, and is part of the Theatre Overlords lead by The Puppeteer.

When she was alive, she was a ballet dancer and teacher at the Imperial School of Ballet in St. Petersburg, Russia.

However, she was very egotistical and belittled those around her. She was also strict and cruel in her teachings, bullying and berating her students that didn’t meet her expectations, not even the students who were top of the class were safe from her wrath.

One of her students dropped out of the school and then ended her life. However, Zelyezda didn’t feel any remorse, but the girl’s brother wanted revenge.

During one of her performances, the brother messed with props hanging above, causing them to fall on top of Zelyezda, breaking both her legs.

Due to this incident, Zelyezda couldn’t dance or even walk, causing her to sink into a deep depression, where she eventually met the same end as the student.

After arriving in Hell, she was greeted by The Puppeteer, who has been watching her perform during her past life. The Puppeteer offered to fix her legs, return her fame and glory, and give total control over the souls she collect in exchange for her “working” under The Puppeteer, making her follow The Puppeteer’s every demand when needed. She accepted with no hesitation.

She still looks down (both figuratively and literally) on everyone around her, and acts entitled around her acquaintances. She does act kind, almost motherly, towards one of the Overlords due to his young age, reminding her of the student, and he prefers to be around her. After learning about the Hazbin Hotel and what Charlie is trying to accomplish, Zelyezda urges the young Overlord to go there to try and be redeemed, wanting to give him a better afterlife and to break free from The Puppeteer’s control.

Design

Her name “Zelyezda” is a combination of the Russian words for “Iron” and Train”.

She is around 13ft tall, making her the tallest of the Theatre Overlords, and taller than Val.

Her sharpness represents her “sharp” tongue and how she acted towards everyone.

Regarding the colors, I wanted to do dark colors, similar to the Black Swan.

She’s made of porcelain to represent her fragile ego, with cracks covering her legs to represent that they were beyond repair and around her neck to represent how she died (hanging).

The ribbons around her ankles, wrists, and neck act as “shackles” due to being under The Puppeteer’s control.

The giant eye on the back of her head looks like a bun when closed, this takes the saying “eyes on the back of her head” quite literally.

Here is a basic reference without the dress and makeup:

Lineart for the Ballet Overlord

The poses for the reference sheets of the overlords are gonna look stiff and uninteresting, but that’s because I’m just trying to show off the clothing design and general appearance of the character.

Now onto the character:

I’m still trying to figure out a color scheme for her, and finding designs for 1820–1830 Russian Ballet attire was a lot harder than it needed to be.

She’s gonna be the tallest of the Theatre Overlords, I’m still trying to figure out a height, but she’s gonna be taller than Valentino. She seems to carry a lot of weight when moving, you can hear her approaching like an upcoming train.

I’ll go more into her design when I post the base design with colors.

New Information for Overlord OCs *NEED FEEDBACK*

I’m working on the deaths for my overlord OCs, along with some other information like birthday.

Some of these deaths are linked to real world events while others are no way related. Few of these real events is definitely messed up so search at your own risk.

Finally I really need feedback on these so that I can make the proper adjustments and faithful representation.

Without further ado, please read below:

The Artist Overlord

Died in Am Spiegelgrund in Vienna, Austria.

Placed in care for Schizophrenia.

Died by “Aktion T4” at 15yrs old.

Died in December 1941

Was born on 27 April 1926 in Vienna, Austria.

The Playwright Overlord

Died in Kresna Gorge, Bulgaria.

Was a soldier in the 1st & 2nd Balkan Wars.

Died by being shot in the Battle of Kresna Gorge.

Died on 30 July 1913 at 46yrs old.

Was born on 1 January 1867 in Doxato, Greece.

The Seamstress Overlord

Died in Liverpool, England.

Owned a Boutique in Liverpool & was a Serial Killer.

Died by blunt trauma from falling off a building.

Died in March 1927 at 32yrs old.

Was born on 2 September 1895 in Blackpool, England.

The Orchestra Overlord

Died in Delft, Netherlands.

Became deaf in one ear during a performance.

Died by smallpox at 27yrs old.

Died in February 1871.

Was born on 3 April 1844 in Delft, Netherlands.

The Opera Overlord

Died in Paris, France.

Was candle maker before she began opera.

Died by being burnt alive at 41yrs old.

Died on 27 November 1853.

Was born on 28 November 1812 in Naples, Italy.

The Ballet Overlord

Died in St. Petersburg, Russia.

Was a ballet teacher before her legs got crushed.

Died by hanging at 36yrs old.

Died in January 1830.

Was born on 17 December 1794 in Veliky Novgorod, Russia.

The Puppet Overlord

Died in China.

Not much is known, but was possibly a serial killer or torturer.

Died by Lingchi or “Death by a Thousand Cuts”.

Died in the 1750s.

Was born in the 1700s in China.

Some Quick Facts About the Upcoming Overlord OCs!!!

There will be a total of 7 Overlord OCs, however, 6 of these Overlords work under the 7th Overlord.

The 7th Overlord owns only 6 souls, the 6 other Overlords, but receives a share of souls that the Overlords managed to contract.

Most of these Overlords died some time during the 19th-20th centuries, while the 7th died in the 18th century.

All 7 Overlords have occupations and themes relating to theater/drama entertainment, essentially working together similarly to the Vs.

These are the “industries” that each of the Overlords work/rule in:

Opera

Ballet

Artist

Seamstress

Orchestra

Playwright

Puppetry

Each of these Overlords will have different ethnicities which will be revealed below.

The Artist Overlord

He/Him

Austrian

Died during/around WW2

Youngest of the 7

Mid-Late Teens

The Playwright Overlord

He/Him

Greek

Died during Early-Mid 20th Century

Mid-Late 40s

The Seamstress Overlord

She/Her

English

Died during Early-Mid 20th Century

Flexible Rag Doll

Early-Mid 30s

The Orchestra Overlord

They/He

Dutch

Died during Mid-Late 19th Century

Second in Command

Deaf in Left Ear/Mute

Mid-Late 20s

The Opera Overlord

She/Her

Italian

Died during Mid-Late 19th Century

Hypnotic Voice

Early-Mid 40s

The Ballet Overlord

She/Her

Russian

Died during Early-Mid 19th Century

Tall Porcelain Figure

Mid-Late 30s

The Puppetry Overlord

They/He/She/It

???(Possible Asian Descent)

Died during Mid-Late 18th Century

Owns the other 6 Overlords

Floating Marionette

???(Possibly 30s-50s)

If you have any questions or suggestions, feel free to comment down below and I’ll try to answer without giving too much away.

I’m working on a project of basically creating multiple OCs that cover certain species/rules, and might have a connection between each other.

These are what I want to make OCs for:

1. Overlord(this one might have multiple)

2. Sinner (Already made)

3. Hellborn (Possibly one for each Ring)

4. Angel/Heavenborn

5. Winner

6. Human (Alive)

For this poll, I want to pick a business/industry/occupation for the Overlord(s) to rule over. I’m probably gonna do all of them, but I’m not sure.

The chooses below are connected in that multiple overlords could be working together, similar to the Vs. I also know that there was a theater overlord in the pilot, but I don’t know if that character is still canon, please comment down below if that’s the case.

Also if you all have any ideas for the Overlords or the other options for OCs listed, please comment.

I have finally finished the general concept of my OC and her Personalities.

I realized towards the end that their clothing looks too “normal”, so there might be some redesigns in the future.

And yes, I still don’t know what to name them yet, so if anyone has any suggestions please comment below.

I’ll start doing wikis for them soon, along with possible scenarios for character interactions.

I have finally finished the general concept of my OC and her Personalities.

I realized towards the end that their clothing looks too “normal”, so there might be some redesigns in the future.

And yes, I still don’t know what to name them yet, so if anyone has any suggestions please comment below.

I’ll start doing wikis for them soon, along with possible scenarios for character interactions.

Disclaimer!!! This post has some content that may be disturbing!!! (Valentino and his “habits”)

So when creating these characters, I’ve also tried to come up with possible scenarios with certain Hazbin characters.

Now this idea might have some mixed views due to the characters that would be in it.

Basically I want to create a scenario with Sweetie (the Lovestruck Personality) and Valentino. Idk why but the idea of a “lustful” character interacting with an innocent affectionate character just seems interesting.

Like Val would try to flirt and talk dirty, but Sweetie would have no idea or misunderstand what he’s talking about.

For example; he could comment that he’s “thirsty” or “hungry” for her, but Sweetie takes it that he’s actually hungry/thirsty and would cook/bake something for him.

Another example (and this one is definitely disturbing), he would sneak into her room to “touch” her, but she would somehow wake up before he can do anything. She would then assume that he had a nightmare and would cuddle with him, which would result with his face in her chest.

I know that this would definitely be OOC for Valentino, but perhaps he would gradually start to admire Sweetie’s innocence, and maybe perhaps fall in love with her (like actual love).

Please let me know how you all feel about this and if I should go forward with creating scenarios/stories/comics for this idea. I’ll also post other ideas I have regarding the interactions between my characters and Hazbin characters.

Here are the clothing rough drafts for my OC and her personalities.

I’ll be doing the patterns when I do the base colors for the clothes.