Mtp - Blog Posts

ᯓᡣ𐭩.ᐟ ⊹ William James Moriarty x deaf!reader.

|| I'm back! Sorry for not uploading anything, I've not recover fully from that stupid illness but I'll try to upload as much as i can. I don't know if in 19th century they have the hearing aid or not. Sorry if my English turns so bad.. I haven't write anything for the past few days, it really makes my English shitty.

|| TW: Awful english, not proofread!

I feel like you'll be meeting him in the orphanage when he's still a kid with Louis. I had a feeling since he grew up in an orphanage, he'll meet kids that has disabilities.

I headcanon him to be able to use sign language to communicate with the kids there. He noticed you're always there whenever he teaches the kids how to read, write, basic math you're always there paying attention.

What gotten them quite attached to you is you always tried to help whenever Louis illness kicks again, and help the staffs and kids whenever they needed help, that's what gotten the two boys to trust you.

Unfortunately you haven't seen them for years after getting adopted by a kind duchess, she died when you're a teenager by an unknown illness leaving you as the head of the family. Thankfully the butlers and maids are very kind to you, not discriminating against you for being deaf instead they help you manage the house.

One day, you heard a knock on your front door and was greeted by the two brothers.. That's where your friendship with William deepens.

It started with frequent meetup here and there, enjoying tea together, taking a stroll together, and sometimes he invites you to have dinner with his family and the gang.

I feel like he'll be in denial first for developing a romantic interest with you, he's afraid to put you in danger and thus he ignored the warm feeling he always felt whenever he's near you.

But as time goes by he began accepting his feelings even though it'll take a long time. After careful consideration.. he'll planned to court you, slowly.. not wanting to rush things and scare you away.

You'll noticed that you run into him quite often, like when you're visiting an art museum then suddenly you see him waving at you while making his way towards you. You'll noticed him looking at you quite often when you read a book and when you look back at him, he'll not look away but instead he'll smile at you.

It's not like you don't have any romantic feelings towards him, it's just.. is he being this obvious on purpose..?

I think he'll confess by meeting with you in an empty garden, he'll give you a bouquet of your favourite flowers while he confesses to you using sign language.

William as your boyfriend is equivalent to having an angel beside you, he'll not judge you for being deaf nor will he let anyone judge you.

I feel like you'll help deaf kids in orphanages to read and write and William will often comes by and help them as well, teaching them a lot of various subjects like math, expanding their vocabularies, etc.

Overall he'll accept you for who you are no matter what disabilities you have. He'll make you realize that even if you got disabilities, that doesn't make you worth less, he'll help you pursue a hobby that you have and will not let your disabilities get in the way.

He'll help with anything he can, be it emotional support, or if you need him to teach you then he'll gladly help you.

100/10.

mtp characters as birds (2)

a follow-up to this post (part 1).

and in this part it's gonna be the rest of the moriarty's party + even more fun facts about birbs~

MORAN: a steppe eagle. these birds are large and formidable birds of prey that both hunt live game and don't shy away from scavenging for carrion. and that's exactly the line of thought that i used for an association here. moran, as william's right-hand man, matches this description well: he both hunts down those who are not needed alive anymore, and clears william's path of any filth that could lead to the lord of crime and get in their way. tbh initially he was meant to be an eastern imperial eagle, but i settled for a steppe eagle purely because in my mind, it matches moran's appearance more (as its plumage is quite darker than that of an eastern imperial eagle).

FRED: a shrike! these little cuties look harmless and defenseless, but in reality they're as much fierce hunters as any preying bird. shrikes can eat about anything from insects to vertebrates, including other birds as well, and are known to hunt prey even larger than themselves. but their uniqueness comes from their hunting technique. as shrikes are not true birds of prey (they're passerines), lacking assets that those guys have (like sharp talons), they stalk their prey and ambush it in one swift strike, using their beaks to break victim's neck. and when it comes to killing prey bigger than themselves, they often impale it by carrying and throwing it at sharp barbs or thorns. all in all, they're such cool birdies lol.

anyway, all that yap is just to say that fred's fighting skills and his general role as a spy that hide behind his quiet and kind character (or is it the other way around?) remind me a lot of shrike's behavior and its deceptive nature.

BONDE: right after william, he was the second one with whom i struggled the most, but eventually i've settled on a european bee-eater for him. it's a very beautiful and colorful little bird that imo perfectly reflects james' charm and charisma. but another noticeable thing about bee-eaters (as it's evident from their name lol) is their diet, which consists mostly of, well, bees. sadly, for that reason some beekeepers would often kill them thinking they ruin their hives (which is not the case at all). in a way, that somewhat reminds me of irene adler's fate as well, considering how they endangered themselves for so long while working for a good cause, but then got involved in something far bigger than themselves and just... couldn't handle it, because, despite how talented they are, they're but a human being after all (or a bird being in case of bee-eaters ig).

JACK: ok, it seems like this fancy old man is actually the only one who gets two picks from me lol. you see, i just can't imagine him in his youth and him in his old age to be the same bird. idk, he's like a totally different person, and that's it.

alright, so, the first one, corresponding to his youth, would be a golden eagle. this apex predator perfectly describes jack at his prime, with him being feared by both his foes and allies alike.

the second pick, matching his old butler persona, would be a white stork. tbh it should've been a black stork, as i think its shy and reclusive nature better reflects jack's retirement and living for years as a simple butler, severing any possible connection to his past. and, uhh, bc how could i not include a black stork in a bird list of mine.... my friends would be shocked if they heard about it lool. but then i kinda looked again at this old man and thought that he's. um. if he's old, let him... be old. and look just as glorious for his age even as a bird. :p

MONEYPENNY: a short-eared owl! just... dang. look at how gorgeous these birds are and tell me that moneypenny isn't just as gorgeous as them. honestly, it's one of the few characters/birds where i went mostly by vibe and somewhat by appearance, but gosh that owl looks just like her incarnate, and i can't see it any other way.

VON HERDER: a proud example of a true magpie! he's sooo magpie-coded lol. again, as yet another corvid, magpies are intelligent birds that are also quite playful and energetic. even though them liking shiny/metal things is actually a myth, they're still fond of collecting some little trinkets for building their nests. and i can't help but think of von herder who always does as he pleases and invents all kinds of stuff from nothing. i bet if you give him one day, a can of trash, and leave him in a basement, he'll make you an endless engine because he got too bored. and him loving those strange metal puzzles? so cute. so magpie.

“You know you’re good when you can even do it with a broken heart.”

mtp characters as birds (1)

so, one day i woke up and thought to myself: what kind of birds mtp characters would've been?

and, well. at that point, there really was no going back.

anyway, now that i have some time to put it onto my virtual paper, here's my little rant on the matter. i typed all characters that i could remember, but in this part there're only moriarty & holmes brothers + john.

WILLIAM & LOUIS: i'll be honest here—of all mtp characters, william was the hardest one to name for me. also, initially the brothers had different species assigned to them (which kinda did pair up pretty well tho), but as i had trouble envisioning will as one, i scrapped it and went with the second option. and for the better ig as it makes much more sense now.

so, all that said, my pick for both william and louis is a pair of barn owls.

ngl, barn owls are one of the long-standing favorites of mine. it was kinda natural for me to associate them with a pair of my favorite mtp characters lol. although initially that association hadn't extended to william, upon some thought i've seen the hidden appeal, and now can't imagine him as anything but a barn owl.

these ethereal birds have a lot of symbolic meaning attached to them, the most prominent being that of darkness, doom, and death. being the lord of crime, both william and louis reflect upon those ideas throughout the story a lot. but another meaning, derived from the owl's ability to see through darkness, is that of wisdom, perception, and introspection, and these fit brothers even more so. also, as the lord of crime, they match another motif connected to barn owls—transformation. this one mirrors william's desire to change his country, and louis' determination to change himself for william's sake and the world that william wanted him to see.

lastly, barn owls are simply beautiful birds, and i just think it would've been neat to include them in the list fsjkfsnkjs

ALBERT: 100% a dove. an instant pick here lol (that actually has little to do with charlie). doves as well carry a lot of symbolic meaning, such as peace, purity, freedom, and love. funny enough, albert shares none of those qualities—save for one. he rejected peace once he decided to follow william to the end. he lost his purity when he took the life of his mother. he refused freedom to atone for his (and william's) sins. love is the only thing that albert has left in abundance.

but that is not the line of thinking that i used here. actually, albert being a dove in my mind is more due to his noble status that he hates than anything else. at first, i imagined him as a white dove, one of those specially bred over the centuries kinds. perhaps, even one of the breeds that have suffered some unsavory consequences of inbreeding. but then my eyes fell upon a luzon bleeding-heart, and—

oh. my. god.

that has to be The One.

the feathers on their chests have a bright red coloration that indeed reminds of a bleeding heart. and that's— just such a fascinating piece of symbolism? that fits albert perfectly??

so beautiful.

SHERLOCK: another instant pick— none other than a crow. crows are highly intelligent birds that are also known for their mischievous and playful nature. they're quite undemanding birds that, being opportunistic eaters, can eat almost anything and thrive almost anywhere around the globe.

when a crow, or one of its flockmates, is disturbed, they'll go to no end in holding a grudge against a person who did so. although sherlock isn't the kind of person to hold grudges, he's still quite fierce when it comes to protecting those dear to him, and hunting down criminals in a fit of hyperfixation on a mystery. moreover, crows are not just intelligent, but very curious creatures too, which, again, is yet another scherlock's important characteristic.

so, all things considered, including sherlock's chaotic yet kind and loyal nature, i can't see him as anything but a crow.

JOHN: he's a cute little goldfinch! tbh i went mostly by vibe and appearance here. but i find the symbolism quite fitting as well, as these cuties are most often associated with joy, cheerfulness, persistence, and light-heartedness. and, well, who could've been the embodiment of these qualities if not john?

there's also a profound religious meaning tied to goldfinches, as they are often connected to the image of christ. as i have no real knowledge of theology or religious art, i can't give any commentary on the matter. but i still wanted to mention this fact, because imo someone who could deal with pre-time skip sherlock on daily basis must truly be a saint lol.

MYCROFT: matching sherlock's crow, he's, of course, a raven. but there's more to that decision than me wanting them to resemble each other.

actually, i think there's no one more fitting to be a raven than mycroft, as ravens are the birds that to this day are used to guard the buckingham palace. specifically, they hunt down vermin that dare to stick their noses into the royal domain. to me, that sounds a lot like our lovely government guy here!

royal associations aside, these birds are usually much calmer than crows and generally have a somewhat cooler vibe around them. and, of course, they're intelligent as hell. sherly and mycky really do enhance each other as a pair of a crow and a raven in my eyes, just like william and louis do as a pair of barn owls.

that's it for now! hopefully i'll come back to make other parts as well and share all these beautiful photos of birbs hidden in my stash too...

I've been wondering what is going on with William's hand since forever. Why is he holding it like that and staring at it? Drama for the sake of drama? Never a good answer, even for William.

Then it hit me.

He's remembering, and he's remembering this - not just the sickly child Louis was in general, but this specific moment. The memory of bonding so dear to both of them.

When Louis talks about how important William is to him, he talks about this moment when he felt cherished. It's this memory that keeps him afloat thorough loss and uncertainty.

When William talks about his ego speaking, he's referring to this moment when he felt needed. It's this feeling he's desperate to preserve.

We got this scene from both Louis' and William's POV, and we are not supposed to notice until third, fifth, or tenth reread.

But also,

They put William's weird gesture in chapter 10, knowing it would look like unnecessary dramatics up until chapter 55.

This is the subtlety of Yuumori parallels and testament to its planning.

William and the Fibonacci sequence

While math isn't really the main focus of the story, being a mathematician is still an important element of William's personality and mindset. It's the lens through which he views the world, incorporates experience, and thus gives meaning to things around him.

That's also the reason why I find so peculiar one little remark that he tells Sherlock at their first meeting:

"While that was a slightly forced deduction, you did make quite a good observation. However, rather than the golden ratio, I am more interested in the Fibonacci sequence."

The question is: why in this particular case does William correct Sherlock and specifically point out that he's interested in the Fibonacci sequence, but not in the golden ratio itself? The golden ratio and the Fibonacci sequence are closely intertwined with one another. There isn't any real reason why he would be interested in one thing but not in the other if he were solely curious about the properties of the spiral.

So, maybe, it isn't about the math and the spiral at all?

To answer this question, I'd like to look at the chapter's context first.

In a sense, ch. 5 is quite special by itself, as it represents the point of no return in the story. It has two major points to focus on. One of them is the final introduction of William's grand plan, which he had not revealed in full up until now. Another one is the moment when William meets Sherlock for the first time, or the staircase scene in question.

Now, as William states, at the core of his plan lies "the play of death". He means to turn London into a grand stage, and so, every step he takes is a carefully written plot that has an underlying message and a running theme, connecting one act with the other. Everything is measured and well within his control, as if he were indeed a screenwriter writing a play.

Luring Lord Enders into committing a crime serves to prove William's intention as well. While carefully guiding him to a breaking point, William is even shown to think of each step of his plan as a "scene". And right up to the meeting at the staircase, he ensures to execute this project through and through, not leaving a single possibility unattended, and not a single moment unaccounted for.

In other words, a good chunk of the chapter is dedicated to showing William's approach to what he's doing, as well as to his vision of himself as a director of a play. which he is not, but that's a topic for another time

Coming back to the Fibonacci sequence, it is evident that here it resembles exactly William's grand plan. It's the sequence of actions, or rather deaths, that he intends to carry out. While taking a step back to observe the stairs, he also takes in the whole picture of the stage that he so carefully set, and the actors at play.

But what's even more interesting to me here is the golden ratio and William's lack of attention to it. The golden ratio is an irrational number. It is the limit, towards which all ratios of the sequence must converge, but one that cannot be reached. It's the ideal.

It's William's wish to create the ideal country, or even world, devoid of all humanity's corruption.

So, why won't he look at his ideal, for which he yearns so much?

Being a mathematician, one of William's problems throughout the story is that he's constantly seeking a single, clear-cut solution. He dedicated his whole life to coming up with an equation that could've led him to his desired outcome, his ideal world. And the equation he came up with was that of utilizing the fear of death in people's hearts.

But the reality of a human heart and mind is far more complex for any possible calculation. It's just as irrational and ever-present, as the golden ratio itself.

Seeing how William constantly adjusts his plans, I think that he, as a true mathematician (and a perfectionist to the bone), at one point became far more obsessed with finding the ideal solution for his equation, rather than the end goal itself. On the other hand, he also feels a desperate need to hold every possible thing within his control. And especially Sherlock Holmes, who very much dislikes playing his assigned role in William's play.

But another reason would be that William must really not be able to imagine how this beautiful world of his is supposed to look, as he never intended to see it for himself.

In William's eyes, he's just another one of many numbers in the sequence.

Another devil to die before wrapping up the ultimate solution that he was searching for all this time.

THE ORIGINAL SIN AND TEMPTATION - MILVERTON VS. ALBERT

Moriarty the Patriot is full of religious themes and references and one of them is the tale of the Original Sin. It is told in the third chapter of the Bible, in Moses' first book and it's about how the first humans, Adam and Eve committed the first, the Original Sin due to the temptation of the Serpent who made them eat from the tree of the Knowledge of Good and Evil what was forbidden for them by God.

Milverton and Albert both bring up this tale - now I will analyze how they look at it and view their actions regarding the Original Sin and how they tempted their victims (at least, in Milverton's case) - Whiteley and William - to sin.

In Albert's case, the Original Sin appears in chapter 63 during the Empty Hearts arc when Albert, after the Final Problem, was imprisoned in the Tower. He views William's fate as his Original Sin, that he was the one who made William the Lord of Crime. Albert loathed the world's current state when he was young and wanted to change it what led to a tragedy. He realized that he doesn't have the wisdom, neither the power to change the world - and that's when he met William and hears how he talks about his ideal world. He adopts William (and Louis) because he thinks that through his noble status, William can do the change Albert wishes for. He admits that he saw Christ in William.

Albert already decided to kill his family by that time but he was unable to do it on his own so he asks William if he would kill for his ideals. In the end, the murder of Albert's family is done by William and Albert's hands and Albert seems to blame himself for it even long, long years later. Not for the death of his family, but to make William a murderer. He talks about himself that he tempted William to sin because he himself was afraid to sin, that it was him who robbed William of his innocence and made him a murderer and later, the Lord of Crime. He even compares himself to the devil for this action.

When it comes to Milverton - whose Original Sin speech appears in chapter 37, during the White Knight arc - he talks about the Original Sin when he tempted Whiteley to sin. However, unlike in Albert's case who talks about his reasons why he tempted William to sin, Milverton's speech is not about Whiteley specifically, just generally about the reason behind temptation - for devils, those who are pure evil, nothing brings greater pleasure than tempting the good-hearted to sin and he himself is pure evil. And while Albert feels guilt and self-hatred for tempting William, Milverton feels pride and joy. For Albert, making William to sin was a mere tool for the ideal world, for Milverton, tempting the good-hearted is the goal and all he does is for that end. That's where the necessary evil vs. pure evil contrast between the Lord of Crime (which is also Albert) and Milverton comes to picture again.

But there are also similarities between the two temptations. While Milverton doesn't compare Whiteley to Christ, he is very much sees himself as a hero and that's what draws him to him, just like Albert became interested in William just because he saw Christ in him. Both William and Whiteley was fighting for an ideal world but while the temptation of William led to this ideal world, the temptation of Whiteley pushed away from it (even when Milverton himself was not against equality, he was after Whiteley because he was good.) Both temptations led to a family being murdered and the target of the temptation committing murder. Both Milverton and Albert talks how they dragged Whiteley and William down from their innocence to a murderer.

(Btw, Milverton here actually says OUR side, not MY side. The importance of that will go for a later analysis)

When it comes to Albert, he feels bigger guilt than his actual crime was (but Albert is after all, like that.) The child William talks about killing the evil nobles, so he already had these intentions in his heart, he already knew that the world can only be changed through evil methods, it was actually not Albert who planted these thoughts into him. William was also ready to kill Albert's family before Albert asked him to do so, so Albert didn't manipulate William into a crime (as he thinks) while Milverton truly blackmailed Whiteley (and Sturridge. And that police officer) into committing murder. Albert also took part in the crime, he was the one who killed his mother, while Milverton uses people to set up murder scenes and doesn't dirty his own hands. Albert thinks his Original Sin through years after the happenings, Milverton is during the actual happenings. Albert probably didn't think that it was like the Original Sin for him back then, Milverton is actively aim for a temptation. And talking about his crime as an Original Sin as HIS Original Sin, the first sin he committed is sensible to do in Albert's case, but for Milverton, what he did was not his first, HIS Original Sin.

So despite that they both talked discussing the same religious theme (and the same art is used) their approach regarding it - while having certain similarities on the surface - are fundamentally different. It was very interesting to analyze this through, I'm sad that we didn't see Milverton and Albert having a conversation about the Original Sin.

I must say...

I tip my hat to Moriarty the Patriot

One of the few animes the brought tears to my eyes

That being said

It's now my third favorite anime that made me cry

And 2nd favorite anime with the most amount of characters I love

And 1st favorite anime of all time

Congratulations to this master piece!

10/10 will watch again

10/10 I recommend watching it epically if you like mysteries or something similar

vanoe, sherliam, and rooftops <3

1. Where is he?

the similar desperation to find their respective partners....yeah :')

however, one thing that catches my eye : noe is more innocent in the way he looks for vanitas, presumably because he thinks vanitas left to be alone as opposed to thinking he straight up ran away. while sherlock is downright anxious, thinking that either liam left to "finish the job" as was the plan, or something bad happened to him.

2. Ah, there he is.

once again, pretty similar right? except vanoe seems a bit anticlimactic, the way they're shown together as mere silhouettes without expressions, still under the same sky and on the same roof despite whatever went down between them. on the other hand you have this gorgeous moment of sherlock with an expression of awe staring at william whose face is deliberately not shown, but his presence is still so impactful as the sheets billow in the breeze.

3. Face to face, side by side.

the way noe and sherlock completely flip their roles from when they were looking for their respective partners. noe sees vanitas, and is immediately struck by the realisation that he really is here, he really is alive, but he's injured and he's looking at me and what do i even say now? sherlock, having confirmed liam is safe, is pretty content to sit beside him with a smile on his face, even as liam avoids looking at him for the time being, because he knows liam has so much on his mind.

4. Where do we stand?

noe is pretty much walking on eggshells here, he asks random questions as opposed to actually addressing the heart of the matter, he backpedals and apologizes when vanitas doesn't say anything, and the second he gets cold (clutching at his clothes) the first thing he does is tell vanitas to come inside, offering to leave because he's assumed he's lost the right to stay near his partner.....</3

compared to sherlock, who's still smiling and knows exactly what he wants to say. and yet, he's still caught off guard by the fact that william is returning the same sentiment to him.

and i'll tell you why this difference exists : time. sherlock has had months to figure out exactly what he wants to say to liam because he woke up first, while noe came face to face with vanitas immediately after regaining consciousness.

5. Ouch.

i actually hate it here, one scene is vanitas himself cementing noe's miserable future and the other is cementing sherlock's win against what was supposed to be liam's future.....ough my heart. and the parallels in the expressions, vanitas and liam having the same determination, but then you have noe absolutely shaken while sherlock smiles softly.

6. The future.

beginning of the end vs beginning after the end.

vanitas will carry on the work he deems important, and noe knows he needs to accept that if he wants to stay near vanitas. but, still, noe is noe, so he won't change either, he'll never be just a vampire or just a tool, he'll challenge vanitas every step of the way. liam, though, has no idea what to do (or more specifically, no idea how to go about doing the things he knows he must do) but sherlock reassures him, tells him there's nothing better than a blank canvas :)

even though vanitas and liam here have expressed completely opposite sentiments, what remains the same is the warm acceptance of their respective partners, because whatever they choose to do, noe and sherlock ain't going nowhere.

7. I trust you, wherever you go.

the extra reassurance on sherlock's side because he knows right now, he's more grounded than liam is, and he also knows that he'll keep holding onto liam as long as it's required, before they inevitably stand shoulder to shoulder again. meanwhile noe, who has been the one to accept vanitas' decision, simply says "let's go".

also, the fact that vanitas is still surprised when noe reaches out, as if he was expecting noe to reject him. i mean, entrusting someone with the task of killing him and refusing to change anything despite their clash (plus you know, the notion of "how could anyone love someone like me?") does make for one insecure vanitas.

extra ramble because i look into this stuff way too much : the difference in positioning is so so fascinating to me because sherliam sit without touching each other at the bench, as sherlock is content to coexist till liam manages to collect his thoughts. but noe deposits himself right behind vanitas, back-to-back, because he needs (?) that physical contact right now.

and then, here, when sherlock is speaking to liam, they're both sitting (in fact, sherlock is even lower on the floor compared to liam) because right now they don't have anywhere to be, it's just a quietly hopeful beginning. on the other hand, vanitas is sitting awkwardly and noe is standing above him, holding out a hand, because even if vanitas is the one making decisions, noe is the one who'll take them towards the end (by eventually killing vanitas).

8. Just look at them.

noe 🤝 sherlock = being perfect to the point of being unattainable in vanitas' and liam's pov. almost like they're the brightest sun you'll ever come across.

vanitas 🤝 liam = being beautiful with their imperfections (shown in the form of injuries) in noe's and sherlock's pov. almost like they're the moon (spots included!) that needs the sun to shine.

<33

WHAT DO YOU MEAN I JUST FOUND OUT ABOUT THIS??? Im not sure about the source but I think the og reddit post was deleted? BUT STILL-

Studying for Chemistry or sketching Liam? Nah Liam ofc-

man this guy is my favourite character (throws rocks at him) (throws rocks at him) (throws rocks at him) (throws rocks at him (thr

I wondered how was it like for Louis when the first time William fell into a deep sleep. They only had each other back then, would he be terrified upon seeing his brother sleeping like a log, or William would let him know beforehand that he's going to sleep?

Found this on Pinterest(he's cute and all, credits to the lovely artist!)

And I swear I've seen it before somewhere.. So yeah, turns out it's my other blond man!

AND SINCE WHEN DID I EVEN FELL INTO THE BLONDIES HELLHOLE???

(I will post my other blondies here next time ;D)

William will look good in this. Where's my dear MTP artists? :D

Fabric study :)🤍

Monocle Liam helped me with my Biology today🌹

My au: William and Sherlock decided to have children together and they ended up having three lil geniuses.

1) Noah James Moriarty (Sherlock's hair, William's eyes, pale skin) - the brightest and the introverted. The older twin.

2) Adam Holmes (William's hair, Sherlock's eyes) - the second genius and the extroverted. The younger twin

3) Scarlet Holmes (William female ver) - quite intelligent and will complete the pieces of information that her brothers left out in discussions. The youngest.

I actually drew their hairstyles but I still haven't draw their full body..

What I think for MTP Part 2?

-Fred backstory of course

-more stories with Louis being the leader

-more depth into the holmes brothers backstory

-might as well have a backstory reveal of the two blond brothers

-maybe JUST maybe we get a nation wide problem like (WW1)..?

-William being alive *might* get exposed

-smth will happen to the Queen?

-I can smell some angst

-Milverton's comeback

-some clashing opinions about William, whether he should be alive or no

-and please oh please let William reunite with Helena(I can explain this if you want) and those other people he had good connections/helped before(like the Burtons and his past students). I need smth emotional to break me in half...

-more sherliam?

Not gonna update anymore because I wanted to stay loyal to my predictions before Part 2 was released

I don't even know what my type is but imma do it anyway-

I would really appreciate ya'lls comments/thoughts because I'm confused myself..

Come here, look me in the eye, and tell me that he's straight

shipping doesn't always mean i want to see them kissing, or have hatesex, or get divorced

sometimes shipping means i want their love to be unrequited, unrealized, and never bearing any fruit, as they continue to live their own respective lives separated from one another

Today, the friend I begged for her to watch MTP finally finished the anime. And yes she also fell into the Sherliam Hole.

This is me on my way to shove the manga into her face, good luck to myself!

*blinks*

So you're telling me they're the same person???

*screams in confusion*

🌹🎻 In Moriarty the Patriot:-

We've came from this, a criminal mastermind and the detective

To this what the actual fuck happened oh they're married now okay

Same vibes as this:

What a banger line. Saving this for whenever someone comments with any of the infinite variations of "the curtains are just blue"

Why do I meet so many people that watched Moriarty the Patriot AFTER watching Banana Fish??? I used to thought that Banana Fish is underrated and no one knows about it. Oh look how wrong I am, I thought I was the only one 🫠

Someone need to do the 'why dis look so mad' meme for Louis and William I'm telling ya

This but William-

How are we feeling about Williams new haircolor?

It's growing on me, and I can't tell if it because it actually looks good, or I'm just in denial. But I have a theory that it might be a wig (I'm HOPING it is)